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Idi i smotri
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Average Ratings: 8,7 / 10 Stars writed by: Elem Klimov Runtime: 142Min Aleksey Kravchenko, Liubomiras Laucevicius Countries: Soviet Union. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates.


Regarder en HD Télécharger en HD Lecteur 1 Lecteur 2 Lecteur 3 [ Telecharger] B. Annonce Durée: 2h20min Pays: U. R. S. S. Sorti en: 1985 Par: Elem Klimov. Avec: Aleksei Kravchenko, Olga Mironova, Luibomiras Laucevitchuis Synopsis: Pendant la Seconde Guerre mondiale, Fliora, jeune garcon d'un village de Bielorussie occupe par les troupes nazies, s'engage, bien que trop jeune, chez les partisans. Il va decouvrir l'amour, la fraternite, la souffrance, la guerre. Grand prix du festival de Moscou juillet 1985. Film Requiem pour un massacre (Idi i smotri) Stream Complet Gratuit.

Most helpful customer reviews on 3. 8 out of 5 stars 351 reviews 5. 0 out of 5 stars Come and See - A film that will change you forever. 12 August 2015 - Published on Verified Purchase Come and See, also titled Idi i smotri, is a film I will never forget. I am still thinking about it and will be for a very long time. It is not "entertainment" but a history lesson, a LIFE lesson. This is a rare glimpse into the Soviet side of World War II as seen through the eyes of a 13 year old boy. The film is based on the real life experiences of Ales Adamovich, who fought with the Russian partisans against the Nazi regime 1n Belarus in were not taught about the Soviet side of WWII in my public school. I had never heard of the 600 villages and all the inhabitants being systemactically wiped out by the Nazis. Both Elem Klimov and Ales Adamovich wrote the screen play with Klimov directing. The film gives you a true sense of what this young boy not only saw but felt and even heard. While watching, I felt as if I had climbed into this once young, innocent heart and soul and experienced all he had gone acting from Aleksei Kravchenko is as if he were channeling the spirit of the dead. His acting is somewhat supernatural. I love great film and have watched many many films of this nature but have never seen anything like this particular film. It is incredibly violent, nothing is too gruesome too show. Nothing is omitted for the sake of the audience. It is a film of the horrors of war. It has something I did NOT see in Schindlers List, Platoon, Galapoli, Apocolypse Now, The Deer Hunter or even Night and Fog, to name just a few of the best. The acting, is truly incredible right down to every single extra. The lighting and music are haunting and I will never hear certain pieces of Mozart quite the same again. If you could somehow transfer the feelings of the words "Insanity, Courage, Cowardice and Hopelessness onto cellonoid you might find yourself watching either this film or have traveled back to 1943 in the mind of the boy, Flor. I would love to see this film become part of every schools curiculum. All children aged 13 and up should see this film. I can already hear mothers saying they are too young to view this much violence and how it would traumatize them. I disagree and think most of the crap kids of that age group watch are just as violent as this movie if not more so. The same goes for the videos they watch. The difference is the violence in THIS film is powerful and thought provoking enough to make young men and women think twice about the realities and consequences of any WAR. This is such an important film. I am amazed I had never heard of it until a few days ago, where I found it listed on an IMDb list of movies that deserve more recognition. It was awarded the Grand Prix in 1985 at the Moscow Film Festival but for whatever reason did not get the public attention it should have. I thank AMAZON for having this piece of history available for rent and would recommend everyone watch it at least once. Again, this is not a movie that will entertain you. It is NOT going to make you feel good about the world we live in and will make you ask yourself the hard questions we'd rather not think about. It is the absolute best film about the horrors of war, the loss of innocence, the insidious nature of human beings and a film that should not be tucked away on a shelf. I would love to see this film get the attention it so deserves. The actual archived footage of Hitler and the insanity which took hold of millions of people remind us of who we are and what we are capable of. HIstory continues to repeat itself and I believe great films such as this should be made widely available. You will never forget the last 10 minutes of this film. You will never forget the madness and agony reflected in the eyes of what was once an innocent child. Hopefully, a film such as this reminds us to Never Forget. 53 people found this helpful Everyone should see this movie, it is that simple 5 February 2017 - Published on Verified Purchase This movie is a work of art from a culture that simply no longer exists. Whatever the Soviet Union and its satellites were, and the high art it was able to produce, simply is no more. Thus we are left with a film of such power as this, looking at us like the voices and pictures of an extinct people which we can still understand. Really I cannot say anymore as this movie is beyond words as it takes an unflinching look at the dark side of human nature as it intersects with simple people who merely wish to live their lives. 18 people found this helpful 4. 0 out of 5 stars Come and Endure 18 August 2018 - Published on Verified Purchase "And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Apocalypse of John, 6: 7-8 I've watched a hell of a lot of war movies in my day, produced in many countries and shot over many decades, from the 1930s to today. I've seen cinema from Weimar, Nazi and contemporary Germany; from Soviet Russia; from America, Britain and Australia; and from other countries as well. I feel pretty comfortable in saying that I'm well versed in most of the styles in which war movies are shot, from gritty to stylized, from pro-war to anti-war, from low budget to blockbuster. COME AND SEE is the first truly "surreal" war movie I have ever personally encountered. In terms of its feel, the closest analog I can think of is the last hour or so of APOCALYPSE NOW, when the movie becomes totally dreamlike, but even that is a bit of a reach. This movie is its own horrifying, surreal self entirely from start to finish. COME AND SEE is the story of life and death in the Soviet Union while under German occupation during World War Two. The film opens with a farmboy, Florya, playing among the wreckage of an old batlefield near his home. He manages to unearth a working rifle from the dirt and decides this will gain him entry into the partisan band which lives in the forests and fight the German occupiers. He is correct, but the partisan commander, Kosach, orders Florya to remain at his farm and work against the Nazis from there. This causes quarrels with his mother, who like many under German occupation just want to keep their heads down and hope the storm of war will blow over them. While out and about, he encounters a pretty farmgirl, Glasha, and tells her of his role as a partisan; but when he returns home he cannot find his family. It turns out the German military police have "paid them a visit" and here begins the films' full descent into the nightmare world, both in terms of subject matter, writing, direction and cinematography. Florya cannot accept what has happened to his loved ones and drags Glasha into a swamp in a futile effort to locate them. Florya entually begins to grasp that his digging-up of the rifle may have caused his family's deaths, and this pushes him further into quasi-madness. The desperate, tragic situation leads to a series of horrible "adventures" where the two children extort a supposedly Nazi-friendly farmer of his cow, encounter a fellow partisan who is killed in a skirmish, and are eventually taken in by villagers who provide them with false identities. Unfortunately for the village, it lies in the path of an SS anti-partisan squad whose way of dealing with guerilla warfare is to massacre everyone in their path, whether involved with the partisans or not. This brings the film to its fiery, vicious climax, which shows what the war was really like for the Eastern peoples: a life of terror, hunger, moral compromise, random violence and, often as not, horrible death, all without rhyme or reason. COME AND SEE shows its form early, by its curious use of extended sequences in which the characters speak directly into the camera, often in ways which show they have only a tenuous grip on reality, probably due to the horror of their daily lives. German occupation was capricious and cruel, and put the ordinary Soviet citizen in an unwinnable situation where simply trying to survive was often considered "collaboration" and punishible by death at the hands of the partisans: hence the scene where the farmer is humiliated and robbed of his only cow by the guerillas. On the other hand, compliance was no assurance of safety: the villagers at the end of the film are exterminated like rats in a barn, and with less regard for their suffering than one would give vermin. This insanse atmosphere leads to a film that often appears the work of a madman: when the cow is killed. presumably it was really killed, because the actors were using live ammunition for most of the movie. there is an extended close-up of its eyes as it is dying which is almost unwatchable. Likewise, there is an explosion which causes Florya's ears to ring: the ringing is overwhelming and lasts so long I almost had a nervous breakdown trying to get through the scene as I already suffer from tinnitus. None of the human relationships in the story are "normal. Florya and Glasha act like children away from their parents, alternately quarreling, indulging in fantasy and flirting in a kind of chaste, pre-sexual sort of way. The partisans come off as feral as beasts, untrusting and pitiless, yet their leader, Kosach, alternates between the sort of humanity which allows German prisoners a chance to explain their actions. if only to satisfy Kosach's curiousity as how men could do such horrible things. and ordering his men to douse the prisoners in gasoline and set them alight. Everyone and everything, including the landscape, is twisted and tormented by the war, and by the lust for murder and destruction that drives it. I very nearly gave COME AND SEE three stars because the movie is so deliberately surrealistic, strange, and brutal that it is not enjoyable to watch. In one scene, an SS officer jams the muzzle of his pistol into Florya's temple and orders a photograph taken for his scrapbook; the expression on the child's face, as he kneels helplessly, watching the village burned, the women raped, the men herded into a barn and shot, is one of such extreme terror and horror as to disfigure his visage. It doesn't look like acting. It looks like the worst nightmare you could have. Which in effect is what this movie is. 6 people found this helpful You will see this movie in your mind's eye the rest of your life 2 September 2015 - Published on Verified Purchase An incredible, brutal, breathtaking, compelling, thought-provoking, nightmare-inducing piece of art that is every bit as good as- and, in many ways, even greater than- any of the other war classics that have become classics in western cinema. Made in the Soviet Union in the mid-80's, it is nonetheless right up there with Saving Private Ryan, Schindlers List, Thin Red Line, Full Metal Jacket, and Apocalypse Now. If David Lynch, Steven Spielberg, and Francis Ford Coppola got together, drank vodka and dropped acid and then collaborated on a war movie together, this is what you'd get. I'd give this 10 stars if the Amazon review format would allow it. 20 people found this helpful.

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I had a nightmare after watching this movie. With many shocking scenes, the movie describes the REAL. The movie absolutely is branded on your memory, and it doesn't let you go. This is something very important you should watch and understand before supporting the War in Iraq. This is absolute realism. On the other hand, you never meet such a movie in Hollywood. A young boy gradually understands the real during the war. What he experiences is pretty dramatic: death of his family, many of dead bodies, slaughter, rape, and many paralyzed hearts. His experience represents the victims. This is not a propaganda movie that make particular country look great, but tells that the war creates losses. The movie doesn't entertain you, but it educates and cultivates you.


Elem Klimov and Aleksei Rodionov's handheld cinematography, present the viewer with the mental and physical destruction of a boy who changes in front of your eyes beyond recognition.
Cacophoneous, industrial sounds and sometimes cryptic story-elements (for as far as there is a story) contribute to this ruthlessly escalating history lesson about Nazi's who burned down hundreds of villages in 1943 in Russia. The realism makes you wonder how many people were harmed making the film, while the score represents the mindnumbing experiences of Florya, a tour-de-force performance by Aleksei Kravchenko (16 at the time. All along, somehow Klimov knows very well how to prevent the audience from becoming numb.
ILM's specialFX are smoother, but the FX here in 'Come and see' are so realistic, it's almost unreal: reminiscent of the first 30 min of Saving private Ryan, Thin red line (watch the animals) Apocalypse Now and the painstaking 'Band of brothers. Indeed forget about the rest of 'SPR' Platoon and even Full Metal Jacket. However, I would like to recommend Deer Hunter (Cimino, 1978) and Hotaru no haka (1988. But I never suspected there was something massive like this. 10/10.

Idi i smotri (Come and See, 1985) Yön: Elem Klimov - Dailymotion Video.




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