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Writed by=Levan Akin / / Actors=Giorgi Tsereteli / Romance / director=Levan Akin / story=And Then We Danced is a movie starring Levan Gelbakhiani, Bachi Valishvili, and Ana Javakishvili. A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer. Central Asia respect YoU...

And then we danced full movie online. And then we danced full movie qartulad. Okay, now I just wanted to inform you all that I didn't watch the full video because I didn't want to and also because the part where I saw the masked guy was way too much for me to see and watch and I almost vomited and said to myself, Okay! I've seen enough🤢🤧🤢🤢🤒🤕! And it really grossed me out and I feel like if I watch more of this, I might hurl and vomit all over my phone! 🤢🤢🤢🤢🤢🤧 I really didn't like this video and I don't need or want to watch anymore of this stuff/ or video. Than you! I really have seen enough and I didn't really like this video and I don't need or want to watch anymore of it. Thanks for respecting that, folks.

This song reminds me of past memories on alot of walk outs in my life from my ex wife. And Then We dancefloor. And then we danced. And then we danced download. ძმაკაცებს მოვასმენინე პირველად - აუ რა ყლეობაა მეორედ - აუ კიდე ეს ყლეობა? მესამედ - რაარის შენი გენგეგმააააააა. Just saw it and although iam not a fan of love movies i must say, wow! calm and simply beautiful and for sure worth watching. It is very difficult to strike the line between quality and quantity. It helps to have more than just nypl and nyc parks events. Apparently, I was left with nothing from Queens -_- Manhattan Asssscat 3000, 2/16 Performers from The Upright Citizens Brigade Theatre perform longform improv with frequent special guests from your favorite TV shows and movies. The 7:30pm shows cost $14 and tickets go on sale 2 weeks before the show date at 12pm. The 9:30pm show is FREE but you must make a reservation in advance. Reservations become available online at 12pm (noon) the day of the show. PLEASE NOTE: The listed cast lineup is subject to change. Our talented performers are very in-demand and although they would like to do so, other obligations prevent them from being able to do ASSSSCAT every week. 555 W 42nd Street, New York, NY 9:30 PM source: Winter Bird Walk at the Battery With NYC Audubon, 2/18 Join us for bird walks in The Battery with NYC Audubon! Explore the diverse over-wintering birds that find food and habitat on The Battery's waterfront, such as ducks, geese, loons, sparrows, and finches. We might even spot a seal! Register online. The walk will be led by Gabriel Willow, an educator from NYC Audubon. Gabriel is an experienced birder and naturalist and is well-versed in the ecology and history of New York City. He has been leading walks for NYC Audubon for more than ten years, guiding new and experienced birders in all five boroughs and beyond. Meet at the Netherlands Memorial Flag Pole located at the entrance to the park on the corner of Broadway, Battery Place, and State Street. After the walk, we hope you will linger to enjoy the nation's largest perennial garden open 365 days free to the public. Learn more about The Battery at Netherland Monument (In the Battery), Manhattan 8 AM source: Toe Tappin' Tuesdays Presented by the Gotham Jazzmen, 2/18 The Gotham Jazzmen present a weekly concert of jazz favorites certain to lift your spirits and make you forget your “library voices. ” Doors open at 11:45 a. m. FEATURING Pete Sokolow, Piano; Lee Lorenz, Cornet; James Lincoln Collier, Trombone; Ernie Lumer, Clarinet; Ed Bonoff, Drums; David Hofstra, Bass. 40 Lincoln Center Plaza (65th St and Columbus Ave), New York, NY 12 PM source: Beethoven the Bard and the Boards, 2/18 Beethoven loved theater. His personal journal is littered with quotations from his favorite plays, and he often wrote music inspired by his favorite characters and scenes. In the Library's cafe, HB Studio actors perform scenes table-side from Romeo and Juliet, The Tempest, plus Goethe’s Egmont, and Klinger’s Sturm und Drang, interspersed with recordings of related Beethoven piano sonatas, string quartets, and overtures. Reserve your general admission seat. 40 Lincoln Center Plaza (65th St and Columbus Ave), New York, NY 7 PM source: Opening Reception: Guo Fengyi & Curtis Talwst, 2/19 Please join us on Wednesday, February 19 at 6pm - 8pm for the opening reception of our winter exhibitions Guo Fengyi: To See from a Distance and Curtis Talwst Santiago: Can't I Alter. 35 Wooster St, New York, NY 6 PM source: The Drawing Center Self-Defense Workshop With POP Gym, 2/19 Palm Heels for the people! Don’t get that joke? No worries! Come by this FREE workshop to learn some introductory skills that will keep you feeling safe. We’ll be covering the basics: stretching, conditioning, technique, and theory, with the hope that participants will leave with some super useful foundations that will aid them in the day-to-day. Mix that in with some sweat and some movement, and you’ll have an accessible and confidence-boosting good time for all. Whether you are a beginner, or someone with experience, come work it out with us! Open to all ages! Participants should wear clothing in which they are comfortable stretching and sweating. POP Gym is a new project, working towards opening a physical space in Brooklyn that offers free self-defense, fitness, and skill share classes 7 days a week. As we continue planning, we invite you to come by any of our events this summer! Our workshops have been described as, “fun”, “holistic” and “empowering”, and for any questions, comments, or inquiries for future workshops for you or your organizations, email us at 172 Allen St, New York, NY 7 PM source: Literature Out Loud: Modern Love Poetry, 2/20 Do you want to find time for literature in your busy life? Join us on your lunch hour or your free afternoon to celebrate literature in bite-size servings! At each session of Literature Out Loud we will read aloud and discuss passages of classic and contemporary poetry from across the globe. This month, we will explore the foundation and evolution of love poetry. In this session, understand and discuss the complex evolution of love poetry in our modern era, from Adrienne Rich to John Berryman… 476 Fifth Avenue (42nd Street Entrance), New York, NY 1 PM source: Movies @ Kips Bay Library Presents New Releases Movie Night: Once Upon a Time in Hollywood, 2/20 Synopsis An actor and his stunt double struggle to keep pace with the evolving entertainment industry in 1960s Los Angeles. Directors Quentin Tarantino Production year 2019, Rating R, Studio Columbia Pictures Industries Inc., Runtime 161 minutes. Cast: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Luke Perry, Dakota Fanning. 446 Third Avenue, New York, NY 2 PM source: Narcan Overdose Prevention Training, 2/20 Every Thursday, Bluestockings will be hosting a free, walk-in harm reduction training and discussion on overdose prevention! Walk away from this narcan training with your own nalaxone kit and help support all community, including drug-using comrades! 172 Allen St, New York, NY 5 PM source: Masq Cycle 001 Circle 4: Masc-Allyship, 2/20 Masq is a healing initiative that aims to evolve our relationships with masculinity, thru open-conversation. We strive to destroy the toxic elements that exist within the identity, and embrace its existence beyond it’s cis-expression. This installment of Masq is going to be largely focused on how we, as masculine-identifying individuals, can utilize our power and privilege in our intimate realities to do our part in dismantling our patriarchy. This discussion can be broken into 2 parts, intervention in ways that are obvious (external), & intervening in ways that are less obvious (internal). Anjan Alavandar (they/them) is the founder of Masq. Anjan is an American born South-Indian community organizer who was raised in North Carolina. Anjan has been exploring the confines of masculinity from a young age. They work with All Kings, a new organization that is establishing a healing-based re-entry program for recently incarcerated men in Harlem and Brooklyn, NY. 172 Allen St, New York, NY 7 PM source: OpenICE at the Library: Collecting Performers, 2/20 James Austin Smith and Ryan Muncy share the stories and works of music that define their relationship with their woodwind instruments. The event will culminate in the world premieres of works by Rebecka Ahvenniemi and Sigurd Fischer Olsen for woodwinds, percussion, and electronics. Reserve your general admission seat starting January 20th. (If you need assistance with online reservations, please visit the welcome desk at the Library for the Performing Arts' Lincoln Center Plaza entra… 40 Lincoln Center Plaza (65th St and Columbus Ave), New York, NY 7 PM source: Student Composers Showcase, 2/20 Jeffrey Millarsky conducts the Juilliard Orchestra performing four world premieres by Juilliard student composers. Read the press release. 1941 Broadway, New York, NY 7:30 PM source: The Lincoln Center John “Dandy” Rodriguez’s “Dream Team” Presents Descargas 2020, 2/20 Johnny “Dandy” Rodriguez is a salsa legend and world-renown bongocero. Having performed and served as musical director for Tito Puente’s orchestra for 33 years, “Dandy, ” as he’s universally known, is a veteran of Tito Rodriguez, Machito, Willie Rosario, Celia Cruz, Fania All-Stars, Ray Barretto and virtually the entire pantheon of salsa’s pioneers. His New York City-based “Dream Team” is a tight-knit unit that performs the band’s entire repertoire entirely by ear. Performing without the boundaries of written music, every rendition of the band’s repertoire of salsa classics and descargas reaches dizzying new heights of danceable excitement. Broadway Between 62nd and 63rd Streets, New York, NY 7:30 PM source: The Lincoln Center Malcolm X Remembered, 2/21 Curated from our archives, this pop-up exhibition will feature handwritten notes, rarely seen photos, and historic papers from the civil rights leader. Attendees are invited to take part in our oral history project, which includes sharing how Malcolm X’s words have made an impact on your life. Please contact us immediately for American Sign Language (ASL) interpretation. Requests can be made by calling 212-340-0951 or 212-340-0909, or email. 515 Malcolm X Boulevard (135th St and Malcolm X Blvd), New York, NY 12 Noon source: Movie Afternoon, 2/21 Join us every Friday for a showing of some Hollywood's biggest films. February 21: Hell or High Water (2016) A divorced father and his ex-con o… 503 West 145th Street, New York, NY 2 PM source: Community Create-A-Thon: Census 2020, 2/21 No one knows your community better than you. So, whether you want to design a sticker, draw a poster, write a poem, sing a song, or choreograph a dance, Lincoln Center teaching artists will be on hand to help you shape your ideas. Come collaborate on fun and accessible art projects to help reach the people in your life and share the importance of the census. Lincoln Center, in partnership with Manhattan Borough President Gale Brewer and the U. S. Census Bureau, wants to ensure that our communities get their fair share, especially people in historically under-counted groups. These include people of color, immigrants, LGBTQIA people, people experiencing homelessness, people with low incomes, renters, single-parent households, people with limited English proficiency, and children under the age of five. Why the Census Matters The Census, a once-a-decade population count, affects your representation in government, and determines how much funding your community receives. When a person isn’t counted, they lose out on nearly $2, 000 every year for TEN YEARS in direct services like SNAP, WIC, hospitals, schools, transportation, and road maintenance. Broadway Between 62nd and 63rd Streets, New York, NY 2 PM source: The Lincoln Center Dorothea Lange: Words + Pictures, 2/21 thru 5/9: dorothea lange: words + pictures, the museum of modern art’s first major exhibition of lange’s work in 50 years, brings iconic images together with rarely seen works—from early street photography to projects on criminal justice reform. museum of modern art (midtown west), $25 general, $18 seniors, $14 students, free fridays 5:30-9pm. Museum of Modern Art (Midtown West) source: The Skint Book Swap! 2/22 By popular demand, Ottendorfer now hosts a Book Swap every Saturday! Please bring your books, DVDs, CDs and miscellaneous trinkets to trade with others. 135 Second Avenue, New York, NY 10 AM source: Saturday Afternoon Movie: The Goldfinch, 2/22 The Goldfinch (2019, R, 149 min. ) Young Theo inadvertently steals a noteworthy piece of art in the aftermath of an explosion at the Metropolitan Museum of Art that kills his mother. He later crosses paths with the unruly Boris, and the pair finds their lives linked to the painting. Starring: Nicole Kidman, Sarah Paulson, Ansel Elgort, Aneurin Barnard, Ashleigh Cummings. Dir. John Crowley. 444 Amsterdam Avenue (Between West 81st and West 82nd Streets), New York, NY 2 PM source: Russian Readings: Non-Poetry Series / Texts and Contexts, 2/22 Vadim Pevzner -- a Russian poet. Born in Moscow in 1961, he moved to Paris in 1984, then to the United States in 1990. Graduated from the Art Institute of Chicago (Major in Experimental Film). Taught art at NYU and other universities. The event is organized by Grigory Starikovsky, the curator of the Russian Reading Series at Tompkins Square Library. Grigory Starikovsky – a poet, translator, essayist. Born in Moscow in 1971. In US since 1992. PHD in Classics (Columbia University). Recent ve… 331 East 10th Street, New York, NY 2 PM source: Video Screening: Paul Robeson & Vito Marcantonio: Martyrs of McCarthyism, 2/22 Video Screening: Paul Robeson & Vito Marcantonio: Martyrs of McCarthyism 10 Jersey Street, New York, NY 2 PM source: Reflections on Beethoven, 2/22 Beethoven’s Sonata Opus 101 took inspiration from Baroque keyboard works and also provided inspiration for later composers. In this program, Opus 101 is presented with Bach’s Toccata in E Minor and César Franck’s monumental Prelude, Chorale, and Fugue, offering an opportunity to reflect on the influences on and from Beethoven. Presented by Raj Bhimani, pianist. The Library for the Performing Arts is proud to offer free admission to this program on a first come, first served basis. Admission line… 40 Lincoln Center Plaza (65th St and Columbus Ave), New York, NY 2:30 PM source: Phenomenal Black Women Wikipedia Edit-A-Thon, 2/22 The Schomburg Center, working with AfroCROWD, is proud to host Phenomenal Black Women Wikipedia Edit-a-thon, our sixth year in which we invite members of the community and the general public to edit and contribute content related to Black history and culture on Wikipedia for the national Black WikiHistory Month outreach campaign. This year we will focus especially on Black Women, past and present, adding notable figures whose content is incomplete or completely missing from Wikipedia. … 515 Malcolm X Boulevard (135th St and Malcolm X Blvd), New York, NY 5 PM source: The Nubian Word for Flowers, 2/22 A pocket chamber edition of the Ione and Pauline Oliveros Phantom opera, utilizing live performance, electronics, and moving images to create a deep dream exploration of Nubian soul and colonial mind, featuring the collaborative trio of Ione (text, direction, and performance), Monica Duncan (visuals, performance), and Senem Pirler (sound, performance). Reserve your general admission seat HERE starting January 22nd. (If you need assistance with online reservations, please visit the… 40 Lincoln Center Plaza (65th St and Columbus Ave), New York, NY 8 PM source: Bronx Saturday Cinema, 2/15 Southside With You Docudrama about Barack Obama’s first date with Michelle Robinson, his future wife, during the summer of 1989 in Chicago. Starring Tika Sumpter, Parker Sawyers, © Miramax Pictures. 2016 Run Time 160m… 2521 Glebe Avenue, Bronx, NY 2 PM source: Shape Up NYC: Free Body Conditioning, 2/19 Shape Up NYC is a free citywide fitness program run by NYC Parks, in partnership with NYC Service and Empire Blue Cross Blue Shield, that targets neighborhoods with high rates of obesity and obesity– related disease. 1215 Morrison Avenue, Bronx, NY 5:30 PM source: Woodstock Crochet Club, 2/20 Come meet your fellow sititchers in the neighborhood. Bring along your latest project to share. Limited supplies provided. 761 East 160th Street, Bronx, NY 11 AM source: Brooklyn Bring Your Own Film, 2/17 Bring your weird, boring, wild, fun, strange and not-so strange videos. We'll play any video you bring us, as long as it's under 10 minutes long and made by you. Bring Your Own Film is an informal space for filmmakers to show smaller projects, works-in-progress, or anything that might not have a home yet. Come drink cheap beer, eat free popcorn, meet new people, and watch films. If you have a project you'd like to share, bring it. Shoestring Studio 640 Classon Avenue, Brooklyn 7:30p door, 8p screening; $free bringyourownfilm]at] source: Next Slide Please, 2/17 All-PowerPoint comedy show. Next Slide Please asks comedians to prepare and present PowerPoints about whatever they want. Past audiences have learned about the best Manhattan street corners for first-date make-outs, exciting start-up investment opportunities, and the charms of the 2003 Jessica Alba vehicle Honey. Hosted by Reed Kavner. The night's lineup includes Rachel Pegram, Carmen Christopher, Miel Breudow, and Charlotte Barnett. Pine Box Rock Shop 12 Grattan Street, Brooklyn 9p; $free source: The Improv Jam, 2/18 Just your classic Improv Jam! Everyone who attends this show will have a chance to perform improv on the UCBT Hell's Kitchen stage! Put your name in the Bucket of Truth, then jam with students, performers, and faculty. The show isn't over until everyone has had a chance to perform, all in a fun, supportive environment! All experience levels welcome! 555 W 42nd Street, New York, NY 6 PM source: Jewish Material Culture: Home and Food, 2/19 This lecture examines household artefacts such as furniture, cooking utensils, storage vessels, bathing and washing amenities, and illumination implements as they appear in various Geniza documents and in contemporary literature including, responsa, travelogues, and poetry. This data will be correlated with archaeological findings. Through these domestic objects the meaning of home for contemporary people is better understood. The lecture will also touch upon food, its preparation, consumption, and cultural significance. Delivered by Miriam Frenkel. Bard Graduate Center 38 West 86th Street, Lecture Hall, Manhattan 6-7:30p; $free source: Opening Reception for Christie Neptune: Constructs and Context Relativity, 2/19 Join us at the opening reception for a multi-media exhibition in BRIC's Project Room exploring notions of race, urban decay, community, and the hidden potential in absence. 647 Fulton Street Brooklyn, NY 11217 7 PM source: BRIC Opening Reception for Death Becomes Her, 2/19 Join us for the opening reception of Death Becomes Her, a group exhibition exploring how death and the grieving process impact the living. 647 Fulton Street Brooklyn, NY 11217 7 PM source: BRIC Opening Reception for Padma Rajendran: Move Me With You, 2/19 Join us at the opening reception for an interactive installation in BRIC's Hallway consisting of dyed and printed fabric drawings selectively sewn and layered over one another to reveal layered stories, transitions, and re-telling. 647 Fulton St. Brooklyn, NY 11217 7 PM source: BRIC The Art of Dying: A Monthly Death Cafe, 2/20 What might we plan, hope, dream, imagine as we consider our mortality? The Ethical Living Committee at the Brooklyn Society for Ethical Culture is championing a series for shared discussion and contemplation on death and dying. All topics welcome. There are no taboos. Shatzi Weisberger and others will begin each evening with a facilitated activity. Each gathering will be followed by a Death Cafe for open and intimate conversations. Brooklyn Society for Ethical Culture 53 Prospect Park West, Brooklyn 6:30-8:30p; $free source: Gyun Hur: I Wouldn't Know Any Other Way, 2/21 A performance series where artist Gyun Hur interacts with her installation in a meditation on loss, trauma, and impermanence. 647 Fulton Street Brooklyn, NY 11217 3 PM source: BRIC Celebrating Black History: Black TV Matters, Reclaiming the Narrative 2/22 As part of BRIC's Black History is American History Month programming, we are proud to partner with Weeksville Heritage Center to screen three pieces centered around social justice and activism: Why Kaep Kneels by Hadasah Cornell, Artistic Reflections by Melvin Isaac, and Objective Opinion by James Woods. 158 Buffalo Ave, Brooklyn 2 PM source: BRIC Staten Island Roots of American Music, 2/18 Hip-hop, blues, jazz, and soul are all cornerstones of American music. They’re also all built on African American traditions. Listen with us and explore the history behind jams you love. 75 Bennett Street, Staten Island, NY 3 PM source: Adult Afternoon Hikes, 2/19 Enjoy the crisp winter weather as we stroll through different Staten Island Greenbelt trails with Greenbelt educators and a naturalist. Designed for adults ages 18+ who want to spend time in nature and socialize. For more information and to register, please call (718) 351-3450. Greenbelt Nature Center (In Blood Root Valley), Staten Island 1:30 PM source: Winter Bird Hike, 2/20 Join our educators to learn more about finding and identifying winter residents here in the Greenbelt. Bring your own binoculars or borrow a pair of ours. All ages. Greenbelt Nature Center (In Blood Root Valley), Staten Island 11:30 AM source: I would like to give an honarary mention to the NYCT holiday transit show, which is ending soon. It is easy-access (in Grand Central), interesting, and super low-key. You can just pop in and stay however long you like. Shameless self promotion: you can search through my collected events here. The search feature is very simple, but tune in next week when I will have better filtering methods. Also, some of the public art are a little wonky.

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And then we danced abba. Theyre all dabbing. every single one of them. 9:15AM, Tuesday, February 4th Darcy Subconsciously, her fingers traced the thin cream lines that ran the width of her inner arm near her elbow. The scars acted like a time machine transporting her back a few years, when mistakes seemed to outweigh the things she had been doing right in life. Though months seemed to pass at high speed around her, the memories kept their potency. Simultaneously, the door to the past shut as her fingers slipped off the train like tracks on her anklin, her boss, was still standing at the front of the oval table shouting about the lack of motivation around the workplace. The sparse grey hair on his head spoke of his stress, and the toll managing a branch of an almost obsolete company could have on a middle-aged man. A few times a week, Darcy had seen him in his office, face in his hands shoulders shaking violently. Any day he would be forced to explain to his employees the company could no longer afford to keep them employed, because the company could no longer afford to stay open. Mostly despondent, Darcy sludged into work each morning and typed away at her computer. Seemingly years ago, the hour drive into work had provided a time for her to brainstorm ideas for her next article. Now, the morning drives acted as a precarious stunt; some days her eyes slowly slid shut on the dark back roads until the rumbles of the caution strips jerked her awake. Indifference had replaced the quietness of the room tugged Darcy from her own thoughts. Everyone had left the room, including her three “partners”. About six months ago, Franklin had made it clear there would be a drastic authority change in her department. She would be the new head of the department, and the woman who had six years more experience would be demoted. Rather expectedly, the switching of position caused a chasm to further divide Darcy from the rest of the team. Often times, Darcy wondered if their cattiness stemmed from an ironic charade, which allowed them to fall into the stereotypical reaction of returning to her cubicle sized office, she noticed a new email from Franklin. With a sigh, she walked towards his workroom. Franklin’s “headquarters” had two glass walls, and on a few occasions, Darcy had witnessed a sleep deprived intern walk into the glass instead of through the opened door. Sometimes her thoughts drifted to an “accidental” walk into one of those walls in hopes of getting a concussion and paid leave. The thought, though tempting, did not result in a guarantee, so she had yet to try anklin hardly raised his head from his towering ancient desktop computer. Morning Civil Light combined with the aggressive shine of the computer’s face, painted a pale hue over his thin worn face. Her boss seemed to age at a rapid pace. At the beginning of last year, he could have passed as her dad’s age, but now, he could get away with senior citizen status at the movie theaters. Worrying wrinkles inked his forehead. Smokers’ lines appeared carved into the skin around his mouth. “Good morning Mr. Franklin, you wanted to see me, ” Darcy inquired. Halfway through the question she had tried to correct the flatness of her voice; however, she had overcompensated, which caused the end to sound robotically jolly. Internally, she cringed at the awkward juxtaposition of her tone. “Yes. ” His attention sounded elsewhere as he continued, “as you know, the company is growing pains. ” With a sigh he pulled his eyes from the computer and stared at the woman in front of him. “We are in cahoots with another company. We are planning ” The way he emphasized the last word caused Darcy to see air quotes. Her heart squeezed in sympathetic pain; Franklin thought of this company like a child. He had been the first man hired and owned a portion of the company- what his meager savings could afford at the birthing of Accurate Media. For the last quarter of a century Franklin had been gently blowing on this flame, hoping it would someday set fire to a forest. Unfortunately, his life did not hold a million-dollar card. Darcy suspected the next words falling from Franklin’s mouth would be grave and lifeless. “Another company has decided to offer A. M. money. Money us. ” His weary grey eyes dropped along with his voice as he finished. “How do you feel about this prospect? ” Darcy hoped her voice sounded soothing. The chair creaked as Franklin turned to study the clouds torn from the background of a YDK Morimoe painting. The high-pitched scream from the wooden chair caused Darcy’s own legs to ache; suddenly she yearned to sit as well. A few months ago, Franklin had removed his two leather covered chairs from his office, as part of his “Millennial Makeover”. Always hopeful, Franklin tried the “latest”’ business trends to boost morale and ultimately, production. Like his other attempts, it failed. Franklin often appeared as a man with only part of the instructions needed to create the perfect product. Frantically, he works furiously, when he first opens the box and pulls out the material, but as time passes and the instructions trail off, he also loses interest. The end result is a half-developed unimpressed start to something that might have been great, if a different captain would have been directing the ship. Slowly, formulating his words, Franklin straightened his tie and readjusted his tortoiseshell glasses. “I feel at a loss, '' his words signified defeat, “I have been a robot working without stopping to morph this caterpillar of a business into the butterfly I know it can be. ” The sigh he released felt like years of pent up frustration. Darcy’s heart squeezed. “Maybe this is what we need to finally spread our wings, ” Darcy responded, desperate to believe her words for his grey eyes made his way to her’s. They were dull and lacked all hope. If Darcy closed her eyes and coaxed the earlier days out of hiding, she could recall the energy that used to illuminate his eyes. Joy felt like a distant friend, someone who had fallen out of touch slowly, then all together; it was as if Darcy had turned to talk to someone who was no longer walking alongside her. “I wish I had something within me that could still spark at the idea, ” he exhaled drearily, eyes dropping downwards. “I know, ” Darcy whispered sympathetically. With a forced smile Franklin, pulled his head upright to face her again, “they want to keep you as an Executive Line Editor. ”Darcy’s eyebrows furrowed at the implication, “you won’t be staying? ” A few silent beats fell between them, like rocks dropping into the middle of an undisturbed pond. “They have offered me a severance package that I cannot refuse. ” Franklin’s voice wavered almost imperceptibly. With difficulty he forced the weak strangled smile back to his face. Working hard to shove the tears back behind their damn, Darcy blinked rapidly. “Franklin you have to stay, you’re the only reason anybody still works here. ” The remark caused a small authentic smile to stretch across his lips. Franklin’s eyes focused on something invisible to Darcy- better times. “When I was young, I was tough, nothing could break me. I grew up during a time where nature was your medicine, not small pills; where all a person needed was more vitamin D, not some liquid concoction…, ” his voice trailed off in thought, like a balloon drifting off to somewhere unknown. “Now, I-I don’t know who I am. I feel weak and lost. Somehow those pills seem like a-a reasonable solution to this problem of stuckness. ” In consternation, Darcy stood mouth agape. Her inner thoughts had been voiced by a man she considered to be made from steel, someone who could handle every hit and remain standing. Something near her heart seemed to crumble, whereas a darker, sinister part of her glowed in validation. “Franklin, don’t say that, you are still strong, ” her voice sounded distorted, like a daughter pleading with a father. A deep breath centered her, and like a robot she collected her spiraling internal pieces; each metal piece clinked into place. Darcy could sense her emotions evaporating and welcomed the numbness. Who needs pills? After the exchange with Franklin, Darcy sunk into a white padded mental space. Nothing could penetrate the cushioned walls- in or out. This fortress shielded her from the outside world, from the pains of disappointment, from the volatile temperament of life. The room had been built in her childhood, to protect her from the consequences of a broken family: unfulfilled promises, anger powered hands, slicing words. Back then the room required a liquid crimson key. Now, the key resembled a stoic face and an impenetrable heart. Sacrifices occur during her stints in the white room; since her heart remains walled, empathy and sympathy cannot be found. People turn to her for kind words, but how can she respond, when her mouth has forgotten how to form something that resembles compassion. Rain had started falling on her drive home. Two seconds after she had run into the building, Nature snapped her fingers, and the water began to flood the streets and overflow rain gutters. Gazing out the window, Darcy pondered the possibility of Franklin gluing together his broken dreams. Predictably, her mind wandered to finding happiness in pills. Seemingly, all of her friends had turned into living, breathing walking billboards for Prozac; the way they described the prescription drug boarded on worshiping. On a few occasions, Darcy had been tempted to accept an offer for a couple green and white capsules. Something had warned her against the Kool-Aid, and she had acquiesced to the inner direction. Whoosh-whack. The sound of the door flying open, then crashing into the wall, violently, tore Darcy from her thoughts. Begrudgingly, she forced her eyes in the direction of the young woman who had barged into her apartment. Kingsley’s appearance boarder lined on comical; she stood panting, her hoodie gelled to her head with water. “It’s wild outside, ” she exhaled. Water had already begun pooling by her black combat boots. The rainwater painted her in dark muted colors. Navy jeans appeared black, her feathered grey jacket seemed charcoal. Her face looked like the moon contrasting with the night sky. Darcy questioned how she could see anything with her bangs plastered to her forehead, the edges dipping into her eyes. “You okay? ” Kingsley inquired, when Darcy sat silent. “Rough day at work, ” Darcy mused, sinking deeper into the fuzzy blanket. Self-consciously she squeezed the warm mug tighter. After analyzing her posture, Kingsley muttered something about needing a shower and flitted out of the living room. With Kingsley out of the room, Darcy felt her body relaxing. However, her brain went into overdrive berating her cold demeanor during the interaction. Recently, her body felt like a home to several people, all with different opinions; everyone voicing their opinions, and no one ever content with the outcome. One day she hoped the voices would disappear. A broken internal alarm clock caused Darcy’s eyes to open prior her phone’s obnoxious noises. Groaning she reached for her phone on the nightstand just in reach. The room felt muggy, a consequence for leaving her window partially opened during the rainstorm. Sleep had evaded her until the night sky had nearly waned completely. Though dreams took their time, the rhythmic dripping of rain had kept her calm, and the voices stayed silent to enjoy the rain too. The assault of the phone’s light unfazed her, but the white numbers reading 3:57 resulted in a stream of negative thoughts. Trying to swallow away the roughness in her throat, she pushed herself up into a sitting position. She could feel Sickness’ fingers reaching for her; her back and neck ached and the scratchiness in her throat quickly turned into a cough. For a minute she wondered if the events from the previous day had summoned her symptoms. Sleep had left her like a taxi cab, without remorse or looking back. Without thinking about it, Darcy shoved the blankets away from her and roamed down the hall to the shared bathroom. A curse word nearly pushed its way through her lips, when she stepped on a hair clip. Without light, she could have tried to fool herself into thinking the bathroom was mostly clean. However, with a roommate like Kingsley, it was a miracle any part of the apartment appeared without clutter. As soon as the lights told the truth of the condition of the refrigerator-box room, Darcy nearly walked back to her bed. The Kingsley hurricane had struck and left destruction in the form of damp clothes, soaking bath mats and pools of stale rainwater. First controlled breath... 1... 2... 3, second controlled breath... 3, third controlled breath... 3. She crouched down, straddling a pair of obviously soaked pants, and rummaged around the cabinet beneath the sink. When Darcy stood, she was holding three candles and a lighter. Warm baths, a dark room, acoustic music and flames dancing around the walls, were as close to the fortress as she could create in reality. The mini fires appeared to keep the demons of her thoughts out of the forefront of her mind. With lavender and rosemary wafting about the room and the sound of an acoustic song in the background, she once again drifted off to a nightmare-less sleep: finally. Darcy awoke suddenly, shivering. The bathwater had turned against her. A quick shower to help her body reach homeostasis again. Rather reluctantly, she checked her phone at 4:27. In her head she weighed the things she could be doing: work, clean, read, watch Netflix in her traitorous bed. Cleaning won. Her alarm finally rang to wake her for work, while she sat crisscrossed in front of her collection of DVDs. Ignoring the ring for a few beats to finish alphabetizing the cases in their genres, Darcy thoughts circled around Franklin. He had been the home-away-from-home father she had craved in the new city. When she first started at Accurate Media, a cunning man named Derick had asked her on a date. Admittedly, she had felt flattered, her first day and someone had already shown interest. Soon after, Franklin had nonchalantly walked into the breakroom to get coffee at the same time as her and suggested she do “recon” on Derick. With a suspicious laugh, Darcy had agreed. An hour into her online research and she found he was engaged to a woman in Seattle. It had taken her awhile to find his Facebook page, since his first name was actually Conrad and his current work city read “Seattle”. Before she knew where her feet were taking her, Darcy wound up in Franklin’s office. An inquisitive glance, and he told her to shut the glass door. Post the conversation, Darcy understood why Franklin had taken a fatherly protectiveness over her- he had a daughter about her age living in California -and that “Derick’s” fiancé knew about his transgressions, but looked the other way, because of the financial promotion she would receive after taking his last name. A reignited dread took over her mind when she slid into the driver’s seat. Work without Franklin sounded like food poisoning without losing weight: a waste of something horrible. Today the new company would be sending over its’ “Merging Team” to assess the next steps. Five minutes into the drive and the squirming in her stomach took on a hint of nausea. For the next fifty minutes the nausea grew until it consumed her. Countless doctor trips all ended in the same answer: cause unknown. Since childhood Darcy had been plagued with stomach issues; the onset of adulthood worsened the mysterious disease. Kingsley believed the discomfort to be a result of stress, but Darcy believed the idea to be ludicrous. Stress seemed too weak a cause. Upon arriving at the parking lot in front of the charcoal grey glossy building, Darcy noticed a new car parked in Franklin’s unofficial parking spot. The white car boasted a trident on the front, which faced the rest of the cars; it seemed to smile smugly at all the inferior vehicles. “Bow, ” it seemed to command like a king staring down at his plebes. Her stomach clenched as she found an empty slot at the back of the stuffed lot. Generally, arriving thirty minutes early awarded her second-row parking, but not today. The clouds rolled into militant formation as Darcy stepped out of her car, and slowly sludged to the revolving door. Minutes before the clock displayed noon, Darcy caught a glimpse of Franklin for the first time. He was walking out of the conference room- one of the only “important rooms” with one glass wall, the one overlooking the cars. Surprisingly, traces of a smile seemed to be stamped onto his face. As if he felt her eyes on him, he glanced in her direction, then changed his direction to walk towards her. “You’re smiling, ” Darcy observed. “Why yes, yes I am, ” he replied cheerfully. “Who was in that meeting with you? ” A knowing expression lit his greying eyes, “they’re not out for blood like I expected. ” Puzzled, Darcy observed Franklin he waltzed into his office. A mass email had been sent to the personnel of Accurate Media, stating the time, place and new person everyone would be meeting with before the day ended. Darcy’s pencil tapped the corner of her silver laptop, leaving tiny eraser smudges on the scratched metallic surface. 11:50. Five minutes until she would find her way over to the conference room; she would arrive exactly five minutes early, if it took her exactly ninety seconds to walk from her “closet” to the wooden door. Unlike many of the businesses housed in the building, Accurate Media refused to partake in the monotony of cubicles. Instead the desks lined the inside of the space almost like a perfect rectangle. Only about 15 people worked in the desks; Franklin, Darcy and three others had offices. Because Darcy had been the last one promoted, and the others had shuffled around, she had been awarded the “coziest” space. The size was eclipsed by the view. Outside of her office, she could see all the way to the Trinity River. In a place polluted with buildings and sidewalks, Darcy had the perfect position to follow the narrow trail of nature, with her eyes, to the albeit murky water. Most of her day was spent staring at the greenery around the ditch of water, trying to brainstorm her next eye-catching her eyes finally trailed back to the bottom right corner of the computer, Darcy nearly fell out of her chair. The time- 12:02 -smirked at her knowingly. Feeling frazzled she snatched a journal and a pencil from her desk and sprinted to the conference room door. It was shut, something for which she did not prepare. For a few seconds her hand seemed to seizure a few inches from the door, her raised fist clenching and unclenching as she debated whether to knock or simply waltz in the door. Knocking won. A voice from behind encouraged her to walk into the room. Two people judged her as she walked into the spacious room. They sat a few seats from the epicenter of the Harkness Table. Darcy eyed them skeptically. Other than the name brand tailored clothes, the two appeared opposites. Forcing a tight smile, Darcy slid into a leather clad chair across from them. The man inconspicuously glanced at his golden watch; it felt like a barb to her ego. “Darcy…, ” the blonde hair woman stated, eyes searching the paper in front of her for a last name. “Darcy Ito. ” It sounded like a question. Darcy nodded in response. “I am Julian and this is Kearan, ” she smiled, with a swish of her hand introducing her male counterpart, “Your supervisor had glowing remarks and your pieces speak for themselves. We are delighted to work with you. ” As Darcy stared at the thirty-year-old woman, she began to draw a connection between the person in front of her and a Barbie doll. The contrast between hair and skin hinted at Scandinavian roots; the golden hair and tanned skin appeared natural even in the current Fall weather. “We did have a few questions about the people you oversee, ” her tone treaded lightly, but hinted at sincerity: tell us the truth. “Well, I have only just been promoted and as expected there have been some... hiccups along the way, ” Darcy managed a pleasant look- something between a smile and a stare. In response the woman’s eyebrows pulled together without a wrinkle. “The door is closed. The information is private. No need to beat around the bush, ” the man to the woman’s left observed emotionlessly. Darcy had forgotten about him due to his silence thus far. His defined features made him hard to tie to any specific origins. It was unclear whether the stubble on his face was a fashion statement, or a result of their red eye flight into town. Tiny cream lines freckled his face: scars. A reactionary eyebrow rose on Darcy’s face in reply to the man’s tone. Reflexively, her stomach tightened as she thought back to her time with her two most troublesome coworkers. Bailey and Brenna, the two B twins: pale, round and older than her. Among their commonalities was their strong disgust for Darcy. Neither tried to cover the fact they abhorred their younger boss, which often led to awkward moments. Aside from the less than friendly duo, the third person in the cohort offered a peaceful presence. Ceci, young, but wise. Frequently, she danced into Darcy’s office with a new way to build bridges over the icy waters: department events, bringing ideas instead of interrogating for ideas, play to their strengths. However, over eight months in and icebergs continue to form between the two groups. “If you are looking for people who work well with each other and no one else, then they would be a great fit. I do not blame them completely for their distaste towards certain employees because management could have handled a few situations better, but it is what it is. ” The last few words caught Darcy off guard; she loathed the saying, “it is what it is. ” It sounded like someone who had given up and transformed into an apathetic shell. Both of the faces in front of her remained stoic. “We all have our own strengths, ” Darcy tried to recover. “What are your’s? ” the man catechized. A beat too long passed between the question and the answer, making it apparent the question had caught Darcy off guard. “Coming up with creative and innovative ideas; honestly, I think I have a pretty good understanding of different ways to capture the attention of different demographics. ” Darcy hoped the statement had been Pinterest worthy: clear, concise and she analyzed the faces of the two people in front of her, nothing had changed. They appeared frozen in blank expressions. Suddenly, Julian turned to survey Kearan, then she looked at Darcy with a soft smile on her face. “Thank you for coming in. ”With an awkward bob of her head, Darcy rose and exited the room. For the rest of the workday she analyzed the conversation with the two honchos heading the merging process. In summation, it was not her best first impression. By the time she returned to her apartment, the image of the two people in front of her had transformed into monsters. Surprisingly, Kingsley was home when Darcy finally shoved the door open. “Didn’t you have work today? ” The words fell out of Darcy’s mouth involuntarily. “No, something about a teacher and student holiday, ” Kingsley responded without removing her eyes from the concoction of liquid and powdery material in the silver mixing bowl. Half the reason Darcy kept her complaints about the dirtiness of her roommate to herself, was because of her baking abilities. Not only did she conduct experiments in her classroom, she supervised them in the kitchen. From a secret compartment in the cabinets Kingsley would withdraw extracts, exotic spices, all shades of sugars. “Do you want to try the dough? ” Kingsley chirped, eyes aglow with excitement. Grinning, Darcy swiped her finger along the inside of the metal bowl. Complimenting flavors erupted in her mouth: raspberry, white chocolate, cinnamon, lemon. “Wow, ” she whispered, eyes wide, “that’s amazing. ” Kingsley attempted to hide her pride by turning to the muffin tray, but Darcy caught a glimpse of her upturned lips in a smug expression. If someone had asked, Darcy would have lied about the reason for her Asian American fusion noodles: competitiveness. The dough was delicious, which triggered one of the voices within her to demand a competition. People often supposed the recipe was derived from one of her ancestors, which was inaccurate, but Darcy never corrected them. Tantalizing aromas wafted through the apartment, and Darcy felt a sense of success when Kingsley slid into the kitchen complementing the smell of the food simmering on the stove. To add subtle credibility to the dish, Darcy ladled the soup into cherry blossom lined bowls and placed chopsticks and a tāngchí on the table.


Images: Most of the manga are in the grade range of G2-G4. Some of the manga have parenthetical notes about their condition and are generally in G1-G3 condition. Ex-library manga are listed separately and are automatically G1 regardless of their condition. I'm selling these manga cheaply enough that I don't want to answer 20 questions about each one. I also have a small amount of anime available for the same price. Anime are either new in shrinkwrap or used but tested. Each one is subtitled or dubbed in English. My inventory is separated into several categories: 18+ manga (non-yaoi), 18+manga (yaoi), regular manga, anime, light novels, ex-library manga, and ex-library anime. After we agree to what you're buying in the thread, I'll need you to PM me your email address. Then I'll send you a paypal invoice. Pricing: Regular manga/anime cost $2. 80 each. Ex-library manga/anime cost $2. 50 each. Shipping and handling: $3. 50 for 5 or fewer items, free for 6 or more items. No international shipping. If you buy 10 or more manga, you will receive a 5% discount. If you live in Pennsylvania, please tell me in your PM. I have to charge 7% sales tax. Because I live in Allegheny County, it's 7% regardless of which part of Pennsylvania you live in. * Starred manga are larger than normal, which matters if your shelves only have so much space. Smaller manga are NOT starred. 18+ Manga: (non-yaoi; a couple are 16+, but in series that are usually 18+) 7th Garden: 6 Astral Project: 1 Battle Vixens: 1 (small rip) Between The Sheets Biomega: 1* (small stain) Blood Sucker: 2, 4 (moderate shelfwear) Blood the Last Vampire 2002* [one shot] (slightly bent at spine) Category Freaks: 1 Death At Death's Door: 1 (2 copies) Dogs Prelude: 0* Doll: 1 (hardback, moderate wear on slip cover), 3 (a couple small creases) Flowers & Bees: 2 Ghost Talker's Daydream: 1 Happy Mania: 5, 8 (2 copies) Hey Princess (small rip, spine stress) High School of the Dead: 1 Kami-kaze: 1 (moderate shelfwear), 3 (light-to-moderate shelfwear, a couple small rips), 4 Kannazuki No Miko: 1 Kikaider 02: 4 King of Wolves [one shot] Maico 2010: 1 (2 copies, 1 with small rip), 4 New Lone Wolf & Cub: 5 (several small-to-medium pieces ripped off back cover, Omamori Himari: 1, 4 Orfina: 1* Remote: 2, 3 (2 copies), 4 (light-to-moderate shelfwear) Sacred: 1 Sensual Phrase: 1-2 Steel Angel Kurumi: 1 (plastic peeling at edges of covers, tiny stain) Sword of the Dark Ones: 1, 2 (warped, missing first page, moderate shelfwear, creases, slightly dirty) Sword's Edge: 1* (severe shelfwear, small stain, tiny stain, small rip) Testarotho: 1 (moderate shelfwear), 4 The Dead Boy Detectives The Young Magician: 1 (2 copies, 1 with slight-to-moderate yellowing), 3 This Ugly Yet Beautiful World: 2 (moderate shelfwear, several creases) Tokko: 1 (moderate shelfwear, medium stain, slightly warped at 1 corner, creases/rips on spine, several small creases) Tokyo Zombie* Triage X: 1 (a couple large creases, small hole) Warriors of Tao: 1 (2 copies, 1 slightly dirty) Welcome to the N. H. K. : 2 (small stain, slightly warped at front of book, a couple small creases) Yubisaki Milk Tea: 1 (2 copies, 1 is slightly bent), 2 (medium crease) 18+ Manga: (yaoi) Alcohol, Shirt & Kiss* [one shot] Barefoot Waltz* [one shot] Because I'm a Boy [one shot] Black Knight: 2 (moderate shelfwear).., I'm Your Teacher [one shot] Crazy Star* [one shot] (slightly bent) Croquis [one shot] (sticker residue) Dark Prince: 3 Delivery Cupid [one shot] (large crease) Don't Rush Love [one shot] Don't Say Any More, Darling [one shot] Duetto* [one shot] Hanky Panky [one shot] Hero Heel: 1* (2 copies) Invisible Love* [one shot] J-Boy: 1* June Pride [one shot] (moderate shelfwear, slightly dirty) Junior Escort* [one shot] Just My Luck [one shot] (slightly dirty) Kashinfu* [one shot] Kiss All the Boys: 1 (multiple creases) Little Butterfly: 2* Love Circumstances [one shot] Love Code* [one shot] (some browning on inside covers) Love Pistols: 1 Loving Gaze* [one shot] Man's Best Friend [one shot] Meeting You [one shot] Melted Love* [one shot] My Paranoid Next Door Neighbor [one shot] Our Kingdom*: 5 Pet on Duty [one shot] Picnic* [one shot] Poison Cherry Drive [one shot] (slightly bent) Shining Moon* [one shot] (slight browning on inside covers) Skyscrapers of Oz [one shot] The Art of Loving: 1* (tiny stain and a few wrinkles) The Devil's Secret [one shot] The Prime Minister's Secret Diplomacy [one shot] The Sky Over My Spectacles [one shot] The World's Greatest Love: 2 (slightly warped) Truly Kindly [one shot] (moderate shelfwear, small rip/crease) Waru* [one shot] Wild Adapter: 1 Wild Rock [one shot] (small rip) Yaoi An Anthology of Boys Love Stories: 2 Yellow: 1* (slightly bent, moderate yellowing, slightly dirty) You Will Fall in Love [one shot] (small rip) Regular Manga: +Anima: 1 (tiny rip), 2 (moderate-to-significant shelfwear, small rip), 3 (moderate shelfwear, slightly bent at spine, several small creases) 10, 20, and 30: 1 11th Cat: 1* (sligtly bent at spine) 12 Days [one shot] @ Large: 2 A Little Snow Fairy Sugar: 2 A Midnight Opera: 1 (significant shelwear, medium rip), 2 (significant shelfwear) A Perfect Day for Love Letters: 1 A Wise Man Sleeps: 2 (small rip) Absolute Boyfriend: 1, 2 (small rip), 4 (slight browning on inside covers, inappropriate text on survey card) AI Love You: 1, 2 (medium crease), 3 (medium crease), 4 (moderate shelfwear) AI Yori Aoshi: 1, 2 (medium crease), 3, 4, 5 (tiny stain), 6, 7 (slightly bent at spine) Aion: 1, 3 Airgear: 1 (moderate yellowing at edges of pages) Aishiteruze Baby: 3, 4 Alice 19th: 1, 2, 3, 4 (several creases, plastic peeling at corners of covers), 5, 6 (slight-to-moderate yellowing) Alice in the Country of Hearts: 1 (moderate shelfwear, tiny stain, several small creases), 5 (moderate shelfwear, several small creases) Alice on Deadlines: 1 Alichino: 1-3 Amazing Agent Luna: 1-2 American Born Chinese* [one shot] (bent) Amnesia Labyrinth: 1 Amulet: 1* Angel Cup: 1 (moderate shelfwear), 4 (moderate shelfwear) Angel Diary: 4* (large crease), 6* (several small creases) Angel Sanctuary: 1, 2 (back cover is scraped up), 3, 7 Angelboy: 1* Angelic Layer: 1 (several small creases), 2, 4 (faded spine, moderate shelfwear) Ani-lmo: 1, 5 Anne Freaks: 1-2, 4 (medium-to-large crease) Antique Bakery: 1*, 3* (significant shelfwear, multiple creases, small stain, small rip) Aoi House: 1 Aoi House in Love: 2 Aquarian Age Juvenile Orion: 1, 2, 3, 4 (slightly bent at spine, spine stress, moderate shelfwear, dirty, tiny stain), 5 Arana The Heart of the Spider: 1 Aria: 1 Aria: 2 Arisa: 1 (pretty creased up covers) Ark Angels: 1-2 Armageddon: 1-2 Aron's Absurd Armada: 1* (moderate-to-significant shelfwear, small rip) Arpeggio of Blue Steel: 1 Assembly [one shot] Astro Boy: 1 (moderate shelfwear, slight-to-moderate yellowing, several small creases, plastic peeling at edges of covers), 9 (moderate yellowing, medium crease) Attack on Titan: 1 (a couple small creases) Avalon High Coronation: 1, 2, 3 (creases in both covers) Avatar the Last Airbender: The Promise Part 2* Avatar the Last Airbender Cine-manga: 1 Aventura: 1 Baby Birth: 1-2 Babymouse: 12* (bent) Backstage Prince: 1 Bad Kitty: 1 Bakegyamon: 4 (slightly bent), 5 (slightly bent) Bakuman: 2 (small rip), 3 (multiple tiny creases), 5, 7 Ballad of a Shinigami: 1 (many tiny stain spots along the top of the book) Bamboo Blade: 1 Banya the Explosive Delivery Man: 2 (spine stress) Battle Girlz: 2 B. B. Explosion: 4 Beast Master: 1 Beauty Pop: 2 Because I'm the Goddess: 1 (moderate shelfwear), 2 (light-to-moderate shelfwear), 3 Beet: 3 (several creases, tiny stain), 4 (medium rip, medium crease), 5 (bent at spine, multiple creases, couple small rips, back cover bent) Beyblade: 2 (several small creases) Beyond the Beyond: 1-2 Bird Kiss: 2, 3 (moderate shelfwear), 4 Bizenghast: 1-2 Black Bird: 1, 4 Black Butler: 1 Black Cat: 1 (a little plastic peeling at the edges of the covers), 2-3, 4 (writing/coloring, small-to-medium crease), 5 (medium crease, multiple small creases, 2 small rips), 18, 19 Black Sun Silver Moon: 4 (tiny stain spots) Blade of Heaven: 1 (light-to-moderate shelfwear, several small creases, small rip) Blank: 1 (spine stress) Bleach: 1, 2, 3, 4 (small crease, medium gouge), 6, 7 (several creases), 8 (slightly bent at spine, medium crease), 9 (several creases), 10-11, 14 (a couple small creases), 18, 19 (a couple creases), 20, 22 (slightly bent at spine) Blood Alone: 2, 3 (piece of tape or something in the middle of the book) Bloody Kiss: 1 (moderate shelfwear), 2 Blue Exorcist: 2, 3 Blue Inferior: 1 Blue Monday: The Kids Are Alright* BoBoBo-Bo Bo-BoBo [one shot] (slightly faded and bent spine, slight-to-moderate yellowing) Bogle: 1-2 Bombos Vs. Everything: 1 Bow Wow Wata: 1 Boy Princess: 9 Boys Be: 1 (moderate shelfwear), 2, 6 Boys of Summer: 1 (moderate shelfwear) Brain Powered: 1 (several small creases), 3 Bran Doll [one shot] Brave* (stained at bottom of book, several creases) Bride of the Water God: 1* Brigadoon: 1 (moderate shelfwear, several creases) Bring it On! : 2*, 4* Broken Angels: 1-2, 4 (moderate-to-significant shelfwear) Bus Gamer 1999-2001 The Pilot Edition (moderate shelfwear) Buso Renkin: 1 (several creases, gouges, and the subscription card is cut out), 2 -3 Butterfly: 1 By the Sword: 1-2 Cafe Latte Rhapsody [one shot] (some plastic peeling at edges of covers) Cafe Occult: 1-2 Calling You: 1 (medium cut through back cover and several pages) Can't Lose You: 1 Cantarella: 1 Captain Nemo: 1 Captive Hearts: 1, 2, 4 (small dent, medium crease), 5 Cardboard* Cardcaptor Sakura: 3 [pocket edition], 5 Cardcaptors [cine-manga]: 3, 6 Cardfight!! Vanguard: 2, 6 (last page stuck to back cover) Case Closed: 1 Castle of Dreams [anthology] (moderate shelfwear, a couple small rips, slightly dirty) Cat Paradise: 2 (light spine stress) Central City: 1* (moderate shelfwear) Ceres Celestial Legend: 1, 2 (slight-to-moderate yellowing), 4* (medium-to-large crease), 5, 6 Cheeky Angel: 1, 2, 5 (some creasing in back cover) Cherry Juice: 3 (several creases) Chibi Vampire: 1 (moderate shelfwear), 3 (moderate shelfwear), 6 (significant shelfwear), 12 Chikyu Misaki: 1 (moderate-to-significant shelfwear, multiple creases, Chobits: 1, 2 (light spine stress, a couple small creases, a few gouges), 3, 4, 5 (wrinkles in plastic on spine), 8 (slight-to-moderate yellowing, possible tiny stain) Chronicles of the Cursed Sword: 1-2, 3, 5 (slightly bent), 6-13, 14 (small rip), 15 Chrono Crusade: 1, 7 Chunchu The Genocide Fiend: 1 (moderate shelfwear), 2 (significant shelfwear) Cirque Du Freak: 1 [Special Scholastic Edition] Clamp School Defenders Duklyon: 1 (medium stain) Clamp School Detectives: 1 (several tiny creases, plastic starting to peel at edges of covers) Clan of the Nakagamis* Clay: 1 Clean-Freak Fully Equipped: 1 Click: 1 Club 9: 1* (creases, slightly dirty) Code Breaker: 1-2 Code Geass Lelouch of the Rebellion: 1 Cold Mountain* Colosseum: 1* (moderate shelfwear) Comic: 4* (light-to-moderate shelfwear) Comic Party: 1, 4 (several small creases, pencil marks on spine) Comic Party Party Time: 1 Complex Age: 1* (small rip, small wrinkles in spine) Confessions of a Blabbermouth* (light-to-moderate shelfwear) Confidential Confessions: 1 (plastic peeling at edges of covers) Confidential Confessions Deal: 1 Corrector Yui: 1 Countdown 7 Days: 1 Courtney Crumrin: 1* Crescent Moon: 1, 2, 5 (small rip) Cross: 1 Cross Break: 1 (moderate shelfwear) Crossroad: 1 (several small creases, sticker residue), 3, 5, 6, 7 (small rip) Crown: 1, 2 (slightly bent) Culdcept: 1, 2 (rip/dent in the bottom of the book) Cy-Believers: 1 (moderate shelfwear), 3 D. Gray-Man: 1 (slightly bent at spine, several small gouges, several small creases), 2, 3, 5, 6 Daemonium: 1 Dance Till Tomorrow: 2* (small-to-medium rips, many large creases, large piece ripped out of ad at end of book, slightly dirty) Dark Angel: 1 (creases in covers), 3 Dark Edge: 8 Dark Goodbye: 1 (couple small creases) Dark Moon Diary: 1 (light-to-moderate shelfwear) Dazzle: 1-3, 5, 6 (2 medium creases) Dead End: 1 (light-to-moderate shelfwear, small rip), 2 (moderate shelfwear, small rip) DearS: 1 (small rip), 2, 3 (tiny stain spots on edge) Death Jam: 1, 2 (moderate shelfwear, 2 large stains, slightly warped at back of book), 3 Death Note: 1 (several small creases), 2, 3, 5 (small dent in the front cover), 8, 9, 10, 11, 12 Degrassi the Next Generation Extra Credit: 3-4 Delicious Seasons: 1 (light-to-moderate shelfwear) Deltora Quest: 6 (large crease) Demon City Shinjuku: 1 Demon Diary: 1-3, 5 (moderate shelfwear), 6 (moderate shelfwear) Demon Flowers: 3 Demon Love Spell: 6 Demon Sacred: 1 (small rip), 2 Desert Coral: 1-2 Destiny's Hand: 1 Deus Vitae: 1-2 Devil's Bride: 1 Di Gi Charat: 1-2, 3 (gray line on cover) Di Gi Charat Theater Leave it to Piyoko: 1 Digiko's Champion Cup Theater (smudges/fading on back cover) Dimension W: 5, 7 Disgaea 2: 1 Divine Melody: 1* (very bent, slightly dirty) DNAgents: 1* DNAngel: 1-3, 6, 9, 11 (moderate shelfwear) Do Whatever You Want: 2 Dobeki Bride: 5 Dogby Walks Alone: 1 Dojin Work: 1 Dokkoida? :: 1 Dolls: 1 Doubt!! : 1 (wrinkled plastic), 2, 4 Dr Slump: 2 (many creases) Dragon Ball Z: 1 (slightly bent at one corner), 4 (small rip), 11 (small rip) Dragon Drive: 1 Dragon Hunter: 1-5 Dragon Knights: 1-5, 7 Dragon Voice: 1 Dramacon: 1-3 Dream Gold Knights in the Dark City: 1 Dream Saga: 3 (significant shelfwear, many creases, 2 small rips) DVD: 1 (small rip, dent, and crease in front cover), 2 E's: 1-3 East Coast Rising: 1 Eensy Weensy Monster: 1 (moderate shelfwear) Eerie Queerie: 1, 2, 3 (bent at spine), 4 (a couple small rips) El Deafo* (ex-library, bent at spine) Element Line: 1-2, 4 Elemental Gelade: 1 (moderate shelfwear, some writing) Elf Quest The Grand Quest: 1, 6 Emperor's Castle: 1 Enchanter: 1*, 2*, 6* (slightly bent at 1 corner) Enmusu: 1 ES Eternal Sabbath: 3 Et Cetera: 1-5 Eureka Seven: 5 (slightly dirty) Evil's Return: 1-2 Evyione Ocean Fantasy: 1* (slightly bent) Excel Saga: 1 (tape on corners of covers), 2, 3, 4, 5 (tiny stain spots), 10 (some scribbling, slightly bent at spine, a couple creased pages), 11 (strange brown marks, small rip) Faeries' Landing: 1, 2 (small rip) Fairy Cube: 3 Fairy Tail: 1 (large crease), 3 (small rip), 4 (moderate shelfwear, large crease, several small creases) Fake: 3, 4 (laminated covers), 6, 7 (moderate shelfwear, multiple creases) Fall in Love Like a Comic: 1 (slight yellowing on inside covers), 2 Figure 17: 2 Final Fantasy Type - 0 [Loot Crate Limited Edition] Final Fantasy Type - 0 Side Story: 1 (moderate shelfwear) Firefighter! Diego of Fire Company M: 10, 14 Flame of Recca: 1 (a couple small rips), 2 FLCL: 1 (moderate shelfwear), 2 (moderate shelfwear, slightly dirty) Flock of Angels: 1 (small dent in spine) Flower of the Deep Sleep: 1 (noticeable spine stress), 2 Fool's Gold: 1 Forbidden Dance: 1-3 Forbidden Scrollery: 1* Forget About Love: 1 Foxy Lady: 1 Freak Legend of the Nonblondes: 1 Free Collars Kingdom: 1 Free Runners: 1 (slight browning on inside covers) Friends with Boys* [one shot] (slightly bent at spine) From Far Away: 2 (spine stress) Fruits Basket: 1, 2 (moderate shelfwear), 4-6, 9, 14 (significant shelfwear, tiny stain) Fubar: 6* Fujoshi Rumi: 1 Full House: 3 Full Metal Panic Overload: 1 (plastic starting to peel on front cover), 3, 5 Full Metal Panic! : 1 (moderate yellowing, small stain, dirty, a little plastic peeling on covers) Full Moon: 1, 2 (slightly bent at spine), 3, 4, 5 (medium crease), 6 Fullmetal Alchemist: 1 (moderate spine stress, slightly bent at spine), 2, 3, 4 (several creases), 9, 11 (slightly bent at spine) Fushigi Yugi Genbu Kaiden: 1, 2, 4 (medium crease) Fushigi Yugi The Mysterious Play: 1, 2 (slightly dirty), 3* (bent at spine, medium stain), 5*, 6*, 8* (multiple creases), 12 (bent) GA Geijutsuka Art Design Class: 1* Gaba Kawa (front 10% of book is "wavy" from water damage) Gacha Gacha: 1, 2 (slightly bent at spine), 3 Gakuen Alice: 1, 11, 15 Gakuen Prince: 2 (light-to-moderate shelfwear), 3 Galaxy Angel: 1 (slightly bent at spine, moderate shelfwear, missing survey card), 2 (moderate shelfwear, small rip), 5 (significant spine stress and small rip in spine) Galaxy Angel II: 1 Garden Dreams: 1* (slightly bent) Gatcha Gacha: 1-2 Gate [by Hirotaka Kisaragi]: 1 Gate Keepers: 1-2 Genshiken: 1, 3, 4 (several creases), 6 (slightly bent), 7, 8 (tiny rip) Gestalt: 1, 5 Get Backers: 1 (significant creasing in both covers), 2-3, 5 Gin Tama: 4 (slight yellowing) Girl Got Game: 1 (moderate shelfwear), 2-3 Girls Bravo: 2 Glass Wings [one shot] Go West: 1 Godchild: 1 (slightly dirty), 2, 3 Good as Lily* (moderate shelfwear) Good Luck: 1, 2 (spine stress) Gorgeous Carat: 1 (moderate shelfwear), 3 (moderate shelfwear), 4 (slightly bent) Gothic Sports: 1 (moderate shelfewar, small-to-medium piece ripped off back cover), 2 Grand Guignol Orchestra: 1, 2 (tiny stain) Gravitation: 1-3, 5 (moderate shelfwear, medium crease) GTO Great Teacher Onizuka: 1 (light-to-moderate shelfwear, small rip) Guardian Angel Getten: 3-4 Guardian Hearts: 1 Gunparade March: 1-3 Gunslinger Girl: 1-2 Guru Guru Pon-Chan: 1, 2 Gyakushu! : 1 (moderate shelfwear) Legend of the The Twilight: 1-3 Haibane Renmei: 1 Haiyuki: 1 Hana-kimi: 1-3, 4 (several creases), 7-11 Hanami International Love Story: 1 Hand of the Morningstar: 5 Hands Off! : 1, 2 (moderate-to-significant shelfwear on spine), 3 Hannah Montana Secrets and Super Sneaks Cine-Manga (significant shelfwear, small creases) Happy Cafe: 1 (light-to-moderate shelfwear) Happy Happy Clover: 1, 3 Happy Hustle High: 1-4, 5 (several small creases) Happy Lesson: 1 Harlequin Violet Blind Date Haruka Beyond the Stream of Time: 1, 2 (slight browning on inside covers) Harukaze Bitter Bop: 1 Haunted House [one shot] (moderate-to-significant shelfwear) Hayate the Combat Butler: 1, 2 He Is My Master: 1 He's My Only Vampire: 10 (slightly bent) Heaven's Will [one shot] Heavenly Executioner Chiwoo: 2 Hellgate London: 1 (tiny stain on 1 page) Hellsing: 1, 2 (slightly bent at spine, a couple small creases), 3 (moderate shelfwear, several small creases) Her Majesty's Dog: 1 (moderate shelfwear, moderate yellowing, several small creases, small rip) Here is Greenwood: 2 (bent at spine), 3 (small rip), 4 Hero Tales: 2 Heroes are Extinct!! : 1* (a couple small rips, a couple small creases) Heroman: 3 Hibiki's Magic: 1 (light-to-moderate shelfwear), 2 High School Debut: 1, 7 (moderate yellowing, medium crease) Higurashi When They Cry: 2 (light-to-moderate shelfwear), 7 (moderate shelfwear) Hikarou No Go: 1 Hinadori Girl: 1 Hollow Fields: 1-2, 3 (medium crease) Honey Hunt: 1 (slight browning of inside covers), 2 Honey Mustard: 1 (medium crease in back cover), 2-3 Hoshin Engi: 1 Hot Gimmick: 1-9 Hybrid Child* [one shot] Hyde Closer: 2 (slightly bent at spine) Hyper Dolls: 1* (moderate shelfwear) Hyper Police: 1 (moderate shelfwear), 2 I Hate You More Than Anyone! : 6 (slightly bent) I Luv Halloween: 1-2 I"s:2 (medium-to-large crease), 14 I, Otaku Struggle in Akihabara: 1 (slightly brown inside covers), 2 (slightly brown inside covers) I-Doll: 1 Ichiroh! : 1* Id_entity: 1 (small rip, moderate shelfwear), 2 (moderate shelfwear), 3, 4, 5, 6 Il Gatto Sul G: 2* Imadoki! : 2, 4 Immortal Rain: 1, 2, 3 (light-to-moderate shelfwear, slight yellowing), 4 (slight yellowing) Imperfect Hero: 1, 3 (moderate yellowing) In Dream World: 1-2 Indian Summer: 1 Innocent W: 2 (moderate shelfwear, small rip) Instant Teen: 1, 2 (a couple small creases) Insufficient Direction [one shot]* Inubaka Crazy for Dogs: 4 (several small creases) Inukami: 1 Inuyasha: 7, 8, 9*, 10*, 11* (multiple creases), 12*, 14, 15, 16, 17, 18 (large crease) Inuyasha Ani-Manga: 3, 10 (slightly bent at one corner, a couple slightly dirty pages), 14 (a couple slightly dirty pages) INVU: 1-3 Itsuwaribito: 2 Jack Frost: 1 (moderate shelfwear) Jim Henson's Legends of the Dark Crystal: 1 Jim Henson's Return to Labyrinth: 1 Jing King of Bandits: 1, 2 (significant shelfwear), 3 (significant shelfwear) Jinki Extend: 1-2 Jiu Jiu: 4 (ex-library, several small creases) Jojo's Bizarre Adventure: 7 (several creases) Juline: 1* (light-to-moderate shelfwear) Junk Force: 1-2, 3 (medium crease, shelfwear at top and bottom of spine, slightly bent at one corner) Junk Record of the Last Hero: 1, 5, 7 Juror 13 [one shot] Just a Girl: 2 Kagerou-Nostalgia: 1 (small gouges in front cover) Kagetora: 1, 2 (slight-to-moderate yellowing), 3 (ex-library) Kamen Tantei: 1 Kamichama Karin: 1 (moderate shelfwear), 2, 3 (several creases), 4 (significant shelfwear, several creases), 5 (several small creases), 6 (moderate shelfwear), 7 (small rip) Kamikaze Kaito Jeanne: 1 Kanna: 1, 2 (moderate shelfwear), 4 Kanpai: 1 (light-to-moderate shelfwear, small crease) Kare First Love: 1-2 Kare Kano: 1 (spine stress), 2 (slightly bent at spine, moderate shelfwear, slightly dirty), 3 (spine stress), 4 (large stain, moderate shelfwear, small rip), 5, 10 Kashimashi: 1, 2 (2 large creases) Kasumi: 1 (multiple small creases), 2 (marker) Kat & Mouse: 1 Kaze Hikaru: 1 (slightly bent at spine) Kedamono Damono: 2-3 Kekkaishi: 1 (small stain), 23 Key Princess Story Eternal Alice Rondo: 1-2 Kids Joker: 1 Kieli: 1 (moderate shelfwear) Kill Me, Kiss Me: 1 (moderate shelfwear), 2 (moderate shelfwear), 3 Kim Possible: 3 Kimi Ni Todoke: 1 (medium-to-large crease, bent at 1 corner, slightly bent at spine) Kimikiss: 1 King of Hell: 1-2, 5 (significant shelfwear, small stain, small rip) King of RPGs: 2 King of the Lamp [one shot] (medium hole in front cover, small holes in first 22 pages - barely affects reading) Kingdom Hearts: 1 (medium crease), 2 (moderate shelfwear), 3 (moderate shelfwear, small piece ripped off spine) Kingdom Hearts Chain of Memories: 1 (moderate-to-significant shelfwear), 2 (moderate shelfwear, several small rips/creases) Kingdom Hearts II: 1 (moderate shelfwear), 2 (slightly bent at spine, moderate shelfwear, small rip) Kissing* [one shot] Kitchen Princess: 2 Kobato: 3 Kodocha: 1, 9 (spine stress, multiple small creases) Kon Kon Kokon: 1 Kujibiki Unbalance: 1 Kurogane: 2 (moderate yellowing) Kurogane Communication: 1 Kurozakuro: 2 Kyo Kara Maoh! : 2 La Corda d'Oro: 1, 6 (moderate browning on inside covers) La Esperanca: 1* Laddertop: 1 Lagoon Engine: 1-2, 3 (small rip and small crease in front cover) Lament of the Lamb: 1, 3 (moderate yellowing at edges), 4 (name largely written on edge of book) Land of Silver Rain: 3 (slightly dirty, small crease), 7 Last Fantasy: 3-4 Last Hope: 1-2 Laya the Witch of Red Pooh: 1 LBX Little Battlers Experience: 6 (ex-library) LDK: 1-2 Leader's High! : 1 Legal Drug: 1, 3 (moderate shelfwear, a couple small rips) Legend: 1*, 3* (moderate shelfwear), 6* Legend of Chun Hyang [one shot] Legend of the Eight Dragon Gods: 1 (small rip in front cover) Legends from Darkwood: 1 Library Wars: 2, 3 (moderate shelfwear), 4 Life: 1 (several small creases) Lights out: 1 Liling-Po: 1 Limit: 1 Little Queen: 1 (moderate-to-significant shelfwear) Lizzie McGuire Cine-manga: 6 Louie the Rune Soldier: 1 (2 small stains) Love Attack: 1, 2, 3 (moderate shelfwear) Love Com: 1, 3 (slight browning on inside covers), 5 (moderate browning on inside covers, some wrinkles in cover), 7 Love Hina: 1 (slight-to-moderate yellowing), 2, 3, 4, 5 (slight-to-moderate yellowing), 6 (moderate shelfwear), 7 (slightly warped, small stain, a couple small rips, several creases), 9 (multiple small creases), 10 (significant shelfwear, slightly bent at spine, small rip, large crease), 14 (slightly dirty, small rip) Love Master A: 1 Love or Money: 1-2, 3 (small rip in front cover) Love Roma: 1, 4 Loveholic: 1 Loveless: 1, 2 (moderate shelfwear), 3 (moderate shelfwear, moderate yellowing, medium crease), 4 (small piece ripped off spine), 5 Lucky Star: 1* (small stain, moderate shelfwear, several small creases), 3* (small stain, front of book is warped) Magic Knight Rayearth: 1 (small-to-medium crease, slightly dirty), 2* (small rip, a couple small creases, slightly dirty) Magical JxR: 2* (moderate shelfwear, several small creases, small rip), 3* (large crease, small rip) Magical X Miracle: 1, 2, 3 (slightly faded spine) Mahoromomatic: 1 (moderate shelfwear, slightly dirty), 2 (a couple small creases), 3 (several small creases), 4 Maid Sama! : 3 (moderate-to-significant shelfwear) Maid Shokun: 1 Maid War Chronicle: 1 Maison Ikkoku: 1 Manga Dogs: 1 Manga Mutiny* [one shot] Maniac Road: 1 MAR Marchen Awakens Romance: 1-2 March on Earth: 1 Maria Holic: 1-2, 3 (significant creasing, moderate shelfwear), 4 Maria the Virgin Witch: 2-3 Marilyn the Story of a Woman* (medium stain, many creases, corners of covers coming apart) Mark of the Succubus: 1 (moderate shelfwear), 2 (small rip) Marmalade Boy: 1-2 Mars: 5 (a couple small creases), 6, 7 (moderate shelfwear), 9 Masca: 1 Maus: 1* (slightly bent at spine, light-to-moderate shelfwear) MBQ: 1 Me & My Brothers: 1 (light-to-moderate shelfwear, small rip, tiny creases), 2 (moderate shelfwear), 3 (light-to-moderate shelfwear), 5 (moderate shelfwear) Megatokyo: 1, 2, 3, 4, 5 (light-to-moderate shelfwear) Menkui! : 1 MeruPuri: 1 (a couple small creases), 2 (slight-to-moderate yellowing), 4 Metamo Kiss: 1 (moderate shelfwear) Metro Survive: 2* Mikansei No. 1: 1-2 Miki Falls: 1 Millennium Snow: 1 (small dent in back, tiny stain), 2 Million Tears: 1 (medium stain, moderate shelfwear) Minima: 1 Mink: 2, 4 (moderate shelfwear), 5 (significant shelfwear, bent at one corner, creases, small rips) Miracle Girls: 2 (slightly bent at spine, small rip), 3, 6 Missile Happy: 3 (small rip in spine) Missing Kamikakushi No Monogatari: 1 Model: 1 (moderate shelfwear, wrinkles in spine), 2-5, 7 (moderate shelfwear, small rip, medium crease) Momogumi Plus Senki: 3 Monkey High: 2 Monster Hunter Orage: 3 Monster Soul: 2 Moonlight Meow: 1 (slight yellowing of inside covers) Mouryou Kiden Legend of the Nymph: 1, 2 (1 large crease, several smaller creases, and a little dirty) Mugen Spiral: 2 (bent) Muhyo & Roji's Bureau of Supernatural Investigation: 1 (several tiny stains) My Cat Loki: 1 (significant shelfwear, several creases, small rip) My Dead Girlfriend: 1 (significant shelfwear) My Dearest Devil Princess: 1 My Heavenly Hockey Club: 1, 2 (medium crease), 3, 6 (moderate shelfwear) My Love Story!! : 2 Nabari No Ou: 1 Nabi the Prototype [one shot] (slightly bent, moderate shelfwear) Nadesico: 1 Najica Blitz Tactics: 1-3 Nana: 1 (stain on back cover) NaNaNaNa: 1 (bent at one corner, small-to-medium stain) Naruto: 1, 3, 4, 6, 7 (slightly bent at spine), 8 (a couple small rips, slightly bent at spine, a couple small creases, shelfwear at corners of covers), 9 (a couple small rips, slightly bent at spine, a couple small creases, shelfwear at corners of covers), 12 (small rip), 18 (bent), 21 (large crease, wrinkled plastic on spine), 27 (slightly bent at spine), 28 (several tiny stains), 29 (multiple creases), 30 (tiny stain), 40 (slightly bent, several tiny stain spots, a couple small creases), 43, 44 (several large creases), 46 Naruto The Movie Legend of the Stone of Gelel (gouges and pinhole in back cover) Naruto The Official Fanbook* (several tiny rips, slightly dirty on inside covers) Nausicaa of the Valley of Wind Perfect Collection: 2 Neck and Neck: 1-2 Negima: 1, 2 (medium stain, slightly warped), 3, 4, 5 Neko Ramen: 1 Neon Genesis Evangelion: 2 (bent, multiple small creases) Neon Genesis Evangelion Angelic Days: 1 Neotopia: 1 (has staples) Never Give Up: 2 (light-to-moderate shelfwear) Night Head Genesis: 1 Night of the Beasts: 1 (significant shelfwear) Nightschool: 1* Ninja Girls: 1 No. 6: 1 No Man's Land: 1-2 No Need for Tenchi: 1-2 Nodame Cantabile: 2 (tiny stain), 5 (tiny stain) Noodle Fighter Miki: 1 Nora: 1, 2, 3 Nosatsu Junkie: 1-2 Now: 1, 2, 3 (slightly bent at spine) Nura Rise of the Yokai Clan: 1 (medium crease) Ocean of Secrets: 1 (light-to-moderate shelfwear) Of the Red, the Light, and the Ayakasi: 6 Off Beat: 1-2 Oh My Goddess! : 1, 3* (several small creases), 9*, 13* Omukae Desu: 1 (small rip in spine) On the Books* (small piece ripped off back cover and 1 page) Once in a Blue Moon: 1 (light-to-moderate shelfwear) One: 1-2, 7 One Piece: 1 (several dog-eared pages), 2 (medium crease, several small creases), 4, 5 (2 medium stains, moderate yellowing, several creases) One Thousand and One Nights: 1 Onegai Teacher: 1, 2 (slightly dirty, small rip) Only the Ring Finger Knows* (wrinkles in spine) Orange Planet: 1 Oresama Teacher: 7, 13 Orphen: 2, 3 (some creasing in back cover), 4, 6 Otazine Manga of Otaku Generation: 0 (large crease, small rip) Othello: 1 Otogi Zoshi: 1-2 Our Kingdom: 1*, 3*, 4* Ouran High School Host Club: 1 Outlaws of the Marsh: 6 Oyayubihime Infinity: 1 (moderate shelfwear), 2 (moderate shelfwear) Pandora Hearts: 1, 2 (small rip) Pantheon High: 1 (large crease, writing on 1 page) Para Para* [one shot] (medium crease, a few folded pages) Paradise Kiss: 1 (light-to-moderate shelfwear), 3, 4, 5 Pastel: 1-2, 3 (spine is cut, but still intact) Pavane for a Dead Girl: 1 Peace Maker: 1-2 Peacemaker Kurogane: 1 (slightly dirty, 2-3 Peach Fuzz: 1-2 Peach Girl: 1-2, 3 [pocket size], 4 [pocket size], 5 [pocket size], 6, 8 [pocket size] Peach Girl Change of Heart: 2, 4 (slightly bent, large crease, small stain, small rip), 7, 8, 9 Pearl Pink: 1-3 Peigenz: 3 Penguin Revolution: 2-6 Peppermint: 1 (moderate shelfwear), 2, 4 Persepolis 2* Persona Q Shadow of the Labyrinth, Side P3: 1 Phantom Tales of the Night: 1* (slightly bent, back cover is very dirty, several large creases) Phantom Thief Jeanne: 1 PHD Phantasy Degree: 1, 2 (light-to-moderate shelfwear), 3, 4 (white lines on corner of spine), 5 (slight-to-moderate yellowing at edge of pages), 6 (light-to-moderate shelfwear, whiteout) Pick of the Litter: 1 (multiple creases in both covers) Pieces of a Spiral: 1, 4 (tiny stain), 7 Pig Bride: 2* Pilgrim Jager: 1 Pink Innocent: 2 Pita-Ten: 1 (slightly scraped up), 2, 3, 4, 5, 6, 7, 8 Pixie Pop: 1 Planet Ladder: 1, 2 (slightly bent), 3-5 Planetes: 1 (bent at spine, small stain with ink washed away, moderate yellowing) Platinum Garden: 1-2, 3 (light-to-moderate shelfwear), 6 (moderate-to-significant shelfwear) Pokemon Adventures: 5, 7 (slightly bent at spine, several creases) Pokemon Adventures Diamond and Pearl Platinum: 1 Pokemon Arceus and the Jewel of Life [one shot] (slightly bent at spine) Pokemon Diamond and Pearl Adventure: 1 (a couple small creases), 2 (medium stain, small stain, and a several small creases), 4, 5 (several tiny creases), 8 (slightly bent at spine, tiny stain, large crease, several small creases) Pop Japan Travel - Essential Otaku Guide [one shot] Popo Can: 1 President Dad: 1 Pretear The New Legend of Snow White: 2, 3 (a couple creases, plastic peeling at edges of covers) Pretty Face: 1 Priest: 1 (moderate shelfwear), 2 (plastic starting to peel at edges of covers), 3 (large crease, small rip), 4 (light-to-moderate shelfwear), 5-6 Princess Resurrection: 1 (small stain, several small creases, writing on inside cover), 6 Project Arms: 7, 11-12, 15 Psychic Academy: 1 (slightly bent at one corner), 2 (moderate shelfwear, tiny stain), 3, 4 (slightly bent at spine), 5 (bent at spine), 6 (slightly bent at spine), 7 (slightly bent at spine), 11 (moderate shelfwear, several small creases) Psychic Power Nanaki: 1 (light-to-moderate shelfwear), 2 (light-to-moderate shelfwear) Psycho Busters: 1 Puella Magi Madoka Magica: 1 Pumpkin Scissors: 5 Punch: 2 Purgatory Kabuki: 1* Q-Ko-Chan: 1 QQ Sweeper: 2 Queen of Ragtonia: 1 (multiple small and large creases) Qwan: 1 R2 [rise R to the second power]: 1 RA-I [one shot] (medium crease in front cover and a couple small creases) Ragnarok: 1-2, 3 (a couple small creases), 4-8, 10 (slightly bent at spine, light-to-moderate shelfwear) Raiders: 1, 3 (light-to-moderate shelfwear) Ral Grad: 1, 2, 3 (dog-eared pages), 4 Ranma 1/2: 1 (slightly dirty, small rip), 2 (small rip), 3, 11 (several dog-eared pages) Rave Master: 1 (moderate shelfwear), 2, 4 (slightly bent at spine, several creases), 7 (light-to-moderate shelfwear, small rip) Ray: 3 Re:play: 1 (moderate shelfwear), 2 Real Friends* [one shot] (slightly bent at spine) Reality Check: 1-2 Rebirth: 1-3, 5 (bent), 6 (slightly bent at spine), 7, 8 (light-to-moderate shelfwear), 9-10, 12 (moderate shelfwear) Rebound: 1 (moderate shelfwear) Red Hot Chili Samurai: 1, 2 Red Prowling Devil: 2 (several small creases), 3-4, 7 (slightly bent at one corner) Red String: 1, 2 Redrum 327: 1 Return to Perdition* Revolutionary Girl Utena: 3* (slightly bent at spine), 4, 5 RG Veda: 1-2 Rhysmyth: 1 Rin: 2* Rin-ne: 1, 8 (several small creases) Riot Act: 2* R. I. P. Requiem in Phonybrian [one shot] Rizelmine [one shot] Road Song: 2 (moderate shelfwear, large crease, small rip) Road Song: 1 (slight yellowing, moderate shelwear), 2 (moderate shelfwear) Rock and Roll Love (3 small rips, medium crease) R. O. D. Read or Die: 2 (shelfwear at top and bottom of spine) R. Read or Dream: 3 (a couple small creases) Roller Girl* (slightly bent at spine) Rolling: 1 Rosario + Vampire: 1-3, 6 (large crease, a couple small creases), 7 (moderate yellowing, a couple small creases) Rose Gun Days Season 2: 3 Rose Gun Days Season 3: 3 Rose Hip Zero: 2, 5 Rozen Maiden: 1 Runaways: 1 Rurouni Kenshin: 1, 2 (several small creases), 3 (slight-to-moderate yellowing, tiny stain), 4, 5, 25 (bent at spine) Rust Blaster [one shot] (a couple small creases) S*A Special A: 1, 4 (large crease, slightly bent at spine), 5 (medium crease, slightly dirty), 11 (slight browning on inside covers) Saber Marionette J: 1-3 Saint Marie: 1, 2 Saint Seiya Knights of the Zodiac: 2 Saint Tail [Smaller than normal]: 2 (small rip in spine) Saiyuki: 1 (small rip), 2, 3 (tiny stain spots, several small creases), 4, 5, 6, 7, 8 Saiyuki Reload: 3 (small chip out of bottom of spine) Sakura Taisen: 1-2 Same Cell Organism* Samurai 7: 1 (medium-to-large crease, several small creases) Samurai Champloo: 2 (rips/gouges in spine) Samurai Commando: 1 Samurai Crusader: Sunrise over Shanghai [vol 2 #8 through vol 3 #5] (slightly bent at one corner) Samurai Deeper Kyo: 1, 2, 3, 5 (slightly bent at spine), 8 (moderate shelfwear), 11 (slightly faded spine, moderate shelfwear, slight-to-moderate yellowing), 26 Samurai Girl Real Bout High School: 1 (light-to-moderate shelfwear), 2 (slightly bent, a couple small creases), 5 (slightly dirty) Sarasah: 3* Satisfaction Guaranteed: 1-3, 5 Saver: 1-2 Saving Life: 1 School Rumble: 1-2 Scion: 1 Scott Pilgrim: 1, 2 (slightly bent at spine, moderate shelfwear), 3 (several large creases), 6 (light-to-moderate shelfwear) Scrapped Princess: 1 (light-to-moderate shelfwear), 3 Scryed: 2 Sea Princess Azuri: 1 Sea View* Seiho Boys High School! : 2, 4 Seikai Trilogy Banner Of the Stars II: 3 (moderate-to-significant shelfwear) Seikai Trilogy Crest of the Stars: 1 (moderate shelfwear), 2 (moderate shelfwear, a couple medium creases) Sengoku Nights: 1-2 Sequence [one shot] Seven* [one shot] Sgt Frog: 1, 2 (moderate shelfwear), 11 (moderate shelfwear), 18 (moderate shelfwear, large crease, a couple small rips) Shades of Blue: 1 Shadow Star: 1*, 3* (large crease) Shaman King: 1, 2 (many creases, medium stain), 3 (slightly bent), 4 (pretty creased up, several small rips, dog-eared pages), 6 (very bent), 9 (bent at spine, slightly warped at 1 corner), 10 (small-to-medium crease) Shaolin Sisters: 1-4 Shiki Tsukai: 4, 5 (medium crease in back cover) Shinobi Life: 1 (tiny rip), 2 (light-to-moderate shelfwear) Shinshoku Kiss: 1-2 Short Sunzen! : 1 (a couple small creases, small rip) Short-Tempered Melancholic [one shot] Shoujo: 1 Shoulder-A-Coffin Kuro: 1* (significant shelfwear, slightly dirty) Shrine of the Morning Mist: 1 (slightly bent at one corner) Shugo Chara! : 1-2, 3 (slight browning on inside covers) Shutter Box: 2 Sidekicks The Transfer Student: 1 (several small creases) Sister Red: 1-2 Skip Beat: 1, 4, 10 (significant browning on inside covers), 16, 19-21 Sky Blade Sword of the Heavens: 1, 2 (slightly bent at 1 corner, slightly dented at 1 corner, small rip) Skyblue Shore: 1 (light-to-moderate shelfwear), 2 (tiny rip) Slayers City of Lost Souls Slayers Special* Smuggler: 1 Snow Blind: 1, 3, 4 (wrinkles in spine) Socrates in Love [one shot] Sokora Refugees: 1 (moderate shelfwear) Sola: 1 (slightly bent) Someday's Dreamers: 1-2 Sorcerer Hunters: 1* (slightly bent at spine, moderate shelfwear, a couple small rips, slightly dirty), 3 (dog-eared pages) Sorcerers & Sceretaries: 1 (light-to-moderate shelfwear) SOS Soul Eater: 1 (significant spine stress, large crease) Soul Rescue: 1 (a couple creases), 2 Soul to Seoul: 1-2 Spell Checkers: 3 (moderate shelfwear) Spiral The Bonds of Reasoning: 1, 3 (light-to-moderate shelfwear), 4 Spirit Warriors: 1 Splatoon: 5 (back cover pretty creased up) Spy Vs. Spy Masters of Mayhem S. S. Astro: 1* St. Lunatic High School: 1, 2 (light-to-moderate shelfwear, tiny creases) Stand By Youth: 1 Star Project Chiro: 1* Star Wars A New Hope Manga: 1* Star Wars Return of the Jedi: 3* Steady Beat: 1 Strawberry Marshmallow: 2 (moderate shelfwear, moderate yellowing), 3 (moderate shelfwear, moderate yellowing) Stray Little Devil: 1, 2 (slightly bent), 4 (slightly bent) Street Fighter II: 1* (slightly bent at spine, moderate shelfwear) Sugar Princess: 1-2 Sugar Sugar Rune: 4 (slight browning on inside covers) Sukoden III: 1, 4, 5, 8 (several tiny creases), 9 (moderate shelfwear) Summoner Girl: 1 Sumomomo Momomo: 1, 3 (slightly bent) Sunn* Swans in Space: 2 Sweat & Honey [anthology] Sweet Rein: 1 Sweetness & Lightning: 1* (medium rip, several large creases, dirty) Sweety: 2 (several creases in slip cover) Switch: 2-3 Sword Art Online Fairy Dance: 1 (medium crease).

And then we danced qartulad. ძაან მაინტერესებს ეს კინო.❤❤. And then we danced reaction. And then we danced mezipatra. And Then We dancers. I dreamt I was taking a nice walk on a sunny afternoon and got lost. I still recognised where I was, but couldn’t find my way back. I was trying to swim up a river against the current, but it was too strong, and a woman on the side of the river helped me, showing me the way up a steep grassy hill. She said that she hoped I wouldn’t get stuck up there. I thought this was odd as I wasn’t far from home. I found some stairs cut into the hill that led to a very overgrown park that had an outdoor historic football museum. I don’t really follow football so I was only mildly interested but watched a video with some 80s UK comedian whose name I can’t remember talking about his love of the game and there were photos of Gary Lineker as a child with strange comments printed out and posted around the place. I then noticed an old pub with a friend of mine waiting for me. There was an amazing party going on, with people in fantastic outfits, huge glittery wigs and beautiful dresses all dancing around at someone’s wedding reception. Suddenly everyone rushed out to the jetty and it was like a log flume, filled with all the partygoers, who flew off. I went back in to find my friend and tried to ask the waiters when I could leave, but they hurried off angrily telling me it was after their finishing time, 5pm. I then ended up in one of the rooms with my friend watching TV, as we were going to have to spend the night now. I watched a disturbing live action Goofy movie where the the actors looked like a creepy fetishy version of Goofy that I’ve seen online with haunted eyes. They were all in white tuxedos, surrounded by the Beagle brothers, who were about to murder them, and the Goofy wearing an aviator hat with goggles stared at the camera and said “Please kill me” in a scary deadpan way. I was thinking this seemed dark for a kid’s movie, when the manager rushed in. He looked like John Lithgow in a fat suit like in Bombshell, and sounded like him too. He was accusing me of all kinds of things, and the only thing that seemed reasonable was that I had tried to stop his waiters leaving, so I tuned all the rest out. I started watching a live action 101 dalmations that wasn’t like the real one. It looked pretty cool, with the “we are Siamese” song music gently building while a pair of kites flew around in patterns, going into a water feature and producing patters with wakes and shadows in the water. Then the the two cats appeared, doing the swirly dance to the song around a hairy brown dog. Then I woke up, but I could still hear the music! I tried to work out where it was coming from, maybe if next door had a radio one, or it was outside distant machinery humming, but it stopped as I woke up fully. I don’t usually remember my dreams this clearly!

And then we danced georgia protests. Is that Hyojin in the yellow shirt. Oh my God I wish I was one of those guys either one, it doesn't matter... I missed my opportunity at that age because I was closeted... If I was the dark-haired dude, I would have roped the cutie right after he kissed me on the cheek... Damn I missed out. so painful tell if you're young and reading this? don't deny yourself. go for it. And Then We. Driving around campus in my 1981 Mazda tune blasting out! Man, what GOOD TIMES. I’m new to reddit so apologise if i’m breaking any rules posting this. So here it goes. This may be a long one so apologies in advance  A bit about myself. I’m six foot, 88kg, bald with a beard and a keen runner and gym goer working in the aviation industry down in the Channel Islands (it’s some small islands off the UK for the non UK nationals who are not sure where this is).  Before Christmas last year I matched with this stunning, tall, slim, beautiful red head girl on Tinder. She comes from a very affluent family and works in the financial sector in down in the Channel Islands managing personal/business finance and tax. I didn’t message her for a few days after we matched as sometimes when i match with girls of this calibre they unmatch me within a few hours. After a few days i thought “sod it” and sent her my chat up line. She replied later on and we started talking. Only after a few messages she sent me her number and said “i hate using tinder send me a whatsapp”. We got talking and over the Christmas period she went home to the UK mainland to be with her family. We talked on and off during this period with lots of long messages about random topics we both found interesting. She said she was coming back to the channel islands early January so we set a date up for the day she got back.  The day eventually came around and we meet up for a drink at a really nice bar by the beach near to where she lived. I dressed in a nice new polo shirt, jeans and chelsea boots and a Hugo Boss coat i have, to make a good first impression. I was nervous before the date thinking she may bail and mug me off. However, she turned up and as soon as she saw me we started talking. The date went well and we both really enjoyed each others company. She said that she too had been nervous before the date as I wasn't like the other guys she had been on dates with down on the island. We agreed fairly quickly to arrange our second date for the following weekend. Over the week we talked loads and both were excited for the weekend ahead. She came over to mine mid day the following weekend and she picked me up to show me this beautiful coastal area on the island. We had a lovely walk and had a coffee together after in a sleep pub. Following this we went to a really nice restaurant on one of the beaches and just got to know each other better over some food and drinks. After lunch we tried to get to this lighthouse but due to the tide coming in we couldn’t get there so went up onto a hill over looking the lighthouse to watch the waves crashing over the road to get there. She said she was cold, so i hugged her and then leant in for a kiss and she returned the kiss. We decided to come back to mine to watch a movie. I’m not the type of guy to try and get a leg over a girl as soon as she is back to mine so we just spent the evening cuddling, watching the movie and kissing now and then. She left about 9pm and said she had a lovely time.  The following day (Sunday) she was having lunch with her family and said she might be free after 6pm. She came round to mine at 7pm to watch a movie she suggested. I went out and got us some non alcoholic drinks and popcorn. We watched the movie, but after it things started to hot up. We eventually got naked and did everything but sex. It was great as she totally new what she was doing and she very much enjoyed what i did to her. We agreed there would be no sex which i was totally cool with as i explained she would dictate what we did sexually when she was comfortable with me. She left about 11pm as she had work the next day.  On the following Tuesday she said her work owed her a night in a hotel after a bad stay in a hotel in London last year and that the following weekend we could get a hotel room saturday night and make an evening of it. Of course i agreed and we both looked at hotels to stay in on the islands main town. We agreed on a really fancy hotel and said we should both go to this amazing steak restaurant she recommended.  During the week we spoke on and off as she was busy working. She tried to come to mine on the Wednesday but couldn’t as she had a networking function to go to and then drama to sort out with her gay work friend.  That Thursday I hadn’t heard from her all day so decided to take the intuitive and book the restaurant up. I sent her a message to tell her what i done and an hour later she replied “Amazing, thank you so much. Sorry i haven’t replied i’ve been super busy xxxx”.  I was totally okay with this as i knew her work would be stressful. I had been shopping anyway after work to buy a new shirt for our date at the weekend. So Saturday came around and i was up early for work. I didn’t sleep well that evening as she was out with her work mates and for some reason i became really anxious that she may cancel on Saturday as it may be too much getting a hotel together. I finished work and sent her a message. She said she was hungover but would be good for the evening. I had a football (soccer for our friend across the pond) match that day. I finished at 4pm after we won the game and rushed home to shower, change and get ready. I picked her up about 1740 and we drove to the hotel. Upon getting to the room she came over to me, kissed me and said “i missed you this week”. My heart melted and my fondness for her suddenly grew. The table wasn’t till 2000 so we spent some time in the room talking, hugging, kissing, gossiping and had a gin and tonic in the mean time whilst we got ready. We left about 1945 and went to the restaurant where we had a great meal together with starters, mains of steak and then Expresso Martinis to finish off (Her suggestion as i had never had one before). During the meal we spoke about life and what we both wanted to do. There was a nice moment where both of our futures were very similar and we both agreed we should get ahead of ourselves.  After dinner, she said a few of her work colleagues would be in town and she could introduce me to them. Went went to see them and had a drink. I talked to a few of her mates and got to know them. We left about 2330 pm to go back to the hotel. When we got back we both new what was going to happen, so just chilled out and had a cup of tea first (it’s a British thing). She said before on our dates she wouldn’t have sex without protection with anyone without them proving they had an STI check. That Thursday I had gone to get an STI check knowing i was clean anyway but wanting to prove to her that I would go out my way to do such a thing to show her that I cared and wanted to be more intimate with her. That evening we had sex with protection and it was an incredible experience. Both of us were really into each other and it actually went on for a few hours before we both crashed on the bed in a sweaty tired mess. The following morning we had sex again before we left the hotel at 1200 to go get some lunch on the beach. After we had eaten we went for a really nice walk along the beach and the coastal paths talking all the way about life, work and all sorts. Stopping every now and then to enjoy the scenic views on a high pressure winters day and to have a kiss and hug. I dropped her off at 1700 to her house and messaged her later on saying how much I had enjoyed the weekend with her. During our walk I had taken a picture of her with a really scenic backdrop. She said she really enjoyed the weekend too and found it nice to meet someone she "clicked with really well". She also said she liked the photo and that she now had a personal photographer. Again we spoke during the week over whatsapp and she agreed to came over on the Wednesday after I finished work. I picked her up and she came back to mine to chill for the evening. We talked for a while over a cup of tea and then ended up having sex. During sex I went soft a few times. I don't know why this happened, but it did. She said to me to not worry, it happens sometimes and that we were both still finding out about each others bodys. She then asked me if there was anything else on my mind. I said to her if she could message me back more often. This is something I massively regret and wish I never said. I dropped her off home about 2300. That week she asked if I wanted to come with her to colleagues dinner party that Saturday. Saturday came around and I had work Saturday morning, finishing at 1100 and then Football that would be finishing about 1600. I called her after the football game and she said she would be round mine for about 1800. When she came round we went out to the supermarket to buy some cheeses for one of the courses during the party. We came back to mine to get ready together and then went to go pick her gay friend up from his place on the way to the party. When we got to the dinner part, I was fairly quiet at the start just because I only new her and her gay friend, but after a while I started talking to her work colleagues about their careers and my career of which they was very interested as it was different to their financial ones. During the evening I had a moment with her when we was in her friends kitchen where I asked, "How am I doing" (in relation to getting on with her work colleagues) to which she replied "really well, everyone likes you" followed buy a kiss. There was a couple of really nice momenta in the evening. The first was when the deserts were being served I was sitting on an arm chair and there was no more seats available so she came over and sat on my lap and started feeding me Banoffee pie. After that she stayed sitting on my lap and would every now and then kiss me on the head. The second moment was when they put some dance tunes on and she started dancing a little. Her body movements and how much fun she was having made me really like her more and start to think this is definitely the kind of girl I want to be with and have been waiting to meet for ages. Both of us are ex smokers and now vape, so at one stage I said to her "I'm going to go outside for a smoke". We both went outside and as soon as we got there she started kissing me and feeling my crotch area. We got slightly caught out when some of her work colleagues came outside too for a smoke. She told them a funny story about some guy she didn't like at work and then said she was cold so would go back inside. On the way in I said to her "when do you want to leave? ". She replied "soon, I really want you right now" and I said I wanted her too. I booked a taxi for 2315 roughly and she spent the last 40 minutes or so dancing and enjoying her friends company. We got the taxi back to mine and pretty much as soon as we got back we were both naked in bed together. But this time it was different. I told her a during the hotel weekend that I had the STI check but hadn't got my results back yet. She said to me when I was about to put a condom on that "I really want to feel you without one. I trust you're clean and I'm clean too". I said, "are you sure about this, I really don't mind if you're not'. She was certain she wanted to have sex without a condom and so we went ahead with it. Feeling her without a condom was incredible and it was the most intimate we had been together yet. We finished and then went to bed. The next day she had to get up early-ish on a Sunday as she needed to do a full roast meal for her fathers girlfriends family. I drove her to go pick up her car and during the drive she was quiet. I asked if she was okay and she said she just couldn't believe she had to cook for so many people that afternoon. The previous day she had told me about how her ex had not got her anything for Valentines day and it made her feel really crap, which was one of the reasons as to why they broke up. On the drive I asked her if she would be my Valentines day date. She said "yes, but you don't need to just because of my rant. " I insisted that it would make me happy being her for Valentines day date. So the next week I new would test our relationship so far. It was coming towards the end of January and on the 31st of January the UK tax returns had to be put in. She had told me she wasn't looking forward to the week ahead due to the high workload she would have during the week. I had mentally prepared myself knowing not to message her too much as she would be busy this week and would hopefully see her the next weekend. So the week went through and she worked really hard. On the Thursday she worked from 0800 in the morning till 3am Friday morning. I finished football training Thursday at 2100 and usually I'd have a message from her after i finished. This time I didn't and so got really anxious as to why she had not replied. I sent her a message saying "Hey, is everything okay" and tried to call her. About 2200 she replied, "Sorry, I'm still in work right now. Just been out to get some dinner. This is going to be a long evening". I messaged her saying that I just wanted to make sure she was okay and good luck with the work she had ahead. There was no reply till 0730 the next morning where she said, "sorry I've been quite recently. Work has been mad stressful and I have had little sleep and already going back to work for 8am. I stayed late last night as I actually want to go out this evening to celebrate the tax return and not be in the office till 12pm doing tax returns". I messaged her saying to keep going and that she was a trooper for going back into work. I didn't hear anything for the rest of the day and it got to 2100. I messaged her saying "Hey, how's work going are you still in work? ". She replied half and hour later saying, "No I'm out with my work mates". To this i just replied, "Okay have fun and enjoy yourself 😊". She replied "yea it's going to be a messy one". I had to be up at 5am for work the next day so left her to enjoy her evening. I woke up the next day with a message sent at thirty minutes past midnight that she had just got home. This made me feel nice that she had thought about me that evening and taken the time to message me to say she got home. The following morning I knew she probably wouldn't be up till about 1000 as she likes to sleep in when she's not working. I sent her a message about 0940 when I finished work just saying "Hey, how's your head this morning. Do you want to go get some lunch today". She replied about 1100 saying that she was feeling massively sick and wasn't up for lunch. When I got home, I called her and we had a massive catch up about her week and night out. She said she was going to go for a run and try and sweat out the alcohol from the night before. I left her to her day and messaged her about 1700 when I was going to meet up with some of my work colleagues that evening. I didn't get a reply all evening so guessed she was just spending time with her younger brother and getting an early night after a stressful week. The next morning I went out for a run and messaged her about 0950 asking how her evening went. She didn't reply till 1200 saying that she had woken up really ill and her brother had to go to A&E because her had hurt his foot. We spoke on and off that day as she was busy looking after her brother after he hurt his foot. In the evening I called her about 2100 and we had a catch up and a chat about her day and if she was feeling okay. The following week I was thinking that the UK tax was over and she would be more free to do stuff together and we would be able to spend time as we had before together. It got to Wednesday and she had said we could go for dinner after she finished work. I sent her a message about 0630 in the morning when I was about to start work just saying, "Hope you have a good day, let me know how you get on with work xxx". She didn't reply till around 1700 saying, "I'm really sorry, it's been me in the office all day by myself. My boss is in London today and the woman I am meant to be working with has gone sick". She sent me a screenshot of the work email with the person whom was off sick followed by "Just so you know I'm not bullshitting you". I said to her "I know you're super busy with work, I'm okay with that. Just focus on your job and hopefully we can see each other later". It got to 1900 and she still had not finished so sent me a message saying, "i don't think I will make dinner. How about I come to yours about 2000 and we can just chill". Of course I agreed to this. 2030 came and I got a message saying, "I'm still in the office, I'm waiting for me manager in London to Skype me", "If I finish before 9:45pm I will still come to yours". I agreed to this ever hopeful I would be able to see her and thankful she was putting the effort in. It got to 2230 and she was still in the office, she said "I'm really sorry about this. My boss said he owes me so we could do lunch tomorrow between 1230 and 1330. ". I agreed knowing she was really stressed out and probably very tired. During our messaging I said "you know it's been a month since our first date". She replied, "Well I hope if you can put up with my shitty work schedule there will be many more months to come". Also she said "I promise next week won't be like this and we can definitely do dinners 😘 😘". I left her to it and she messaged me at 2340 saying she had only just got home. The next morning I was sitting in bed about 0820 and got a message from her saying "I'm really sorry, work have arranged a conference call over lunch for this new training programme so I can't do lunch. I'm actually fuming". I replied that it was disappointing but I understood why. That day I was going back home for a few days to see my family as I had not seen them since Christmas. I didn't hear from her Thursday and knew she too was going home Friday about 1300 back to the UK mainland. About 1600 Friday I saw she was online on Whatsapp so just messaged her seeing how she was. She messaged back fairly quickly saying she was sorry she hadn't replied and that work had been mental. She nearly missed her flight and would call me when she got in. Happy that she replied to me and she was okay I waited for her call. It got to 2000 and I had not heard from her so called her over Whatsapp and we spoke. She said she was with her mum and sister drinking back home. She then suggested that we meet up next week on Wednesday as work should be less busy. I agreed to that and said I didn't want to keep hassling her with messages over the week as she had been busy. She replied "[my name] I can't fault you, you've been great this week being so patient". I didn't hear from her much over the weekend as I knew she would be with her family and I didn't want to bug her with messages. It got to Sunday and I was back on the Island for work. Storm Ciara was in full effect on this Sunday and loads of flights had already been cancelled. I had not heard from her since Saturday so messaged her saying that I think her flight from the UK mainland to the island had been cancelled and that should try and rebook. She called me soon after saying that her flight was cancelled and she was going to rebook. In the end she never got back to the island Sunday as the second flight she booked on was cancelled as well. We spoke on the phone that evening as she was really pissed off with the flights and would have to stay in the UK the whole of Monday missing a crucial day of work with a new person starting in her team that day. The next flight she could get on was Tuesday morning. We spoke Monday evening and had a catch up. I asked if she would be around this week and she said we would just have to play it by ear. I said if she was around Friday for Valentines day she could come over have some drinks and then we could go into town for dinner if she wanted? Tuesday came about and I woke up early to check on the flight schedules. Due to my work I was able to find out when her plane was leaving and keep her updated with any delays. She was delayed two hours due to a technical issue with one of the aircraft, but managed to get back to the island from 1100. We had spoke a few times that morning, with me keeping her updated on the progress of the flight. She explained she would have to go straight from the airport to work. I was working that day and didn't finish till 2230. I messaged her asking if work had been hectic and how she was. There was no reply. Wednesday came about and I didn't hear from her all day. Expecting she had worked late and then was in work again at 0800 I left her to it. Not wanting to bug her with messages. I saw she popped up Online on whatsapp a few times but guessed she was just checking her phone and updating her family on that she was going to be working late again. It got to 1900 and i hadn't heard from her. I was off that day so kept myself busy going for a run, gym, cleaning my room and bathroom to take my mind off things. In the back of my mind I was hopeful she would message me saying she had finished work and would like to come to mine for a catch up. However, at 2030 she called and asked me how my day went. I told her what I had been up to and she said that she had come down with some virus she picked up at the airport and had gone home at mid day, slept for a few hours and then spoke to her mum back in the UK. This is when my heart sank. She had explained to her mum that she didn't have time to see me and that work was really stressful for her right now. Her mum said that I sounded like a really nice guy and a true gentleman, but she just wouldn't have the time for me with her work schedule. She explained to me that she agreed with her mum and that I was a true gentleman and such a nice guy, but she just did not have the time right now to give me the time I need and the relationship I deserved. She also said this year would be really busy for her as she would have to balance work, Channel Islands tax returns and studying for her exams to be a charted accountant whilst being recently promoted to a manager and having a lack of resources and a team to support her. She said that I was lovely and that I would easily be able to meet someone else down here. I explained that I didn't want to meet anyone else and had really enjoyed the weeks we had spent together and that I could not believe how lucky I was to have been dating someone so beautiful, stunning and thoughtful. She said that I should not put myself down and that I was a handsome, tall guy who wouldn't have trouble finding someone else. During this whole time she was telling me how she would be too busy to see me in the future I was very quiet and nearly broke up on the phone to her but kept it at bay. She did say that she wanted to see me in the future for a drink or coffee for a catch up and to know how I was getting on. She followed this up by saying, the ball is now in your court as to what you want to do. She never mentioned if we meet up again we would be 'Just friends' which is always a horrible thing to hear after being so intimate with someone, so I guess that is a positive. In the end she said she wanted to go shower and get some sleep as she felt horrible. I let her go as I didn't have anymore words to say or could think of any way in that moment to stop her slipping away. I felt terrible after and spoke to my step mother about what had just happened. She explained that the girl probably was feeling the stress of work and everything in her life and unfortunately I was the piece that just couldn't fit into her jam packed life. I've spoken to my best boy and female friends since, a few work colleagues and even my grand mother about it. The best advice came from my dad who said that I should leave her be for a month and then write her a letter just saying I hope she was well, work is going better and if she wanted to meet up for that drink/coffee. The only issue with this is I know where she lives but don't know her address and am not sure If hand delivering a letter would be creepy. Since our call on Wednesday I haven't spoke to her or sent her any messages. I feel she needs time to focus on her career and hopefully after a few weeks or a month we can meet up again and see where we're at. I personally feel her decision was very quick after speaking to her mum and after everything she said she hadn't given it time. I've watched a few videos on Youtube about the 'No Contact rule'. How not messaging someone after something like this will make them think that I'm strong and hopefully they will reach out eventually after a few days or week to make contact, but I think everyone is different and each relationships is unique so I don't know if this will work. It's tough as I really really want to speak to her right now or message her and forget we ever had the conversation on Wednesday. I am fully aware of how busy she is and I told her when she was round mine weeks ago that in the future if she ever needed to study I wouldn't mind as I too have had stressful time consuming exams in the past to get the licence I need for the career that I am in now. I've read her Linkedin profile and for years she's been working really hard to get to the position that she is in. This is something I really respect as aspirations and being career driven in a girl is something I find really attractive. Last night (Valentines evening) I meet up with a friend/colleague who is fully aware of what has been happening between myself and this girl. We went to a nice bar in town for a couple of beers. This place I know she drinks at sometimes, so at the back of my head I was hopeful I might bump into her and we could have a talk in person. She wasn't there, but I saw some of her work mates from the party and her gay friend that i had been introduced to. I didn't say hi to them as I did't want to make awkward conversation knowing they were probably aware of what had happened between myself and this girl. I went to the toilet at one point however and her gay mate and colleague were having a talk on the way to the toilet. I walked past and just said "hey, you alright". The gay guy she went "oh hi". And as I walked off I heard him say "long story" out loud. Like it was in reference to me and this girl. I tried not to think about it too much if there is anything deeper I don't know as to why she can't see me anymore. I did check on Whatsapp last night to see if she was online and on Facebook messenger to see when she was last online. When I went to bed 2330 she hadn't been online in hours so assumed she must of worked late Friday evening. I woke up at 0300 for some reason and could see she had been online on facebook within the last hour and so too on Instagram. I thought maybe she had gone out last night after work as her gay mate MUST have told her I was at this bar she often goes to. But then after thinking about it this morning I think she must of stayed really late in work Friday as she must of had loads of work to catch up on that she missed this week due to the flight delay, being sick and taking on her new role. This morning I checked Whatsapp and I could see she was online, as soon as I popped up she went offline as in maybe she was looking at our chat as well? What do I do now people of reddit? Do I just leave it for a few week or a month and hope she makes contact to see how I am or is and is leaving her to focus on herself a good thing and respectful for me to do? What if we meet up in the future and she doesn't want to be with me still? Sorry for the essay, but without telling the whole story I don't think the sound advice from you all will be there. Thank you for taking the time to read this and I look forward to your answers and points of view. I'm going to go for a run now and go gym, plus treat myself to the sauna for bit just to chill out. 😊.

So close to Georgian reality, i felt like i was back in Tbilisi again, which i absolutely loved. So much representation for the culture, in a way that highlights the good parts and also touches on the bad parts that need to be improved, or disposed of.
the storyline is wonderful! the buildup for the romance is amazing and well-developed.
The actors are phenomenal, i felt literally every emotion they felt.
I absolutely loved the metaphor of Kintouri, that Merab & Irakli dance together.
the music. is so good. br> In conclusion, the movie is wonderful and literally everyone needs to watch it.
Huge Shoutouts to the actors and Levan Akin for creating this story and putting it out there in the world.
Much Love from Sakartvelo (Georgia. And then we danced kino.

Beautiful film 💕. And then we danced full movie. September 2029. Where do I begin... the movie is amazing, full of emotions, writing is on point, acting is on point. Everything about it impressed me a lot. It made me cry and laugh and after a few days of watching I'm still amazed by it. It has many Georgian elements which was very good and smart. And finally, I have to say how important it is for everyone and especially young people who might be ashamed of who they truly are. It has this amazing message of not being ashamed and embracing the real you. Thanks to everyone who made it possible for this masterpiece to come to life. 10/10 indeed.

Where can i watch this omg. Me to Country Gir's Are The Best. Gorgeous & talented Georgian people. Whats the name of the song. She writes her own lines, you know. No end to her talent. Maybe SHE should host the Golden Globes etc. I'm a gay dude. I'm also 35. And then we danced csfd. So much better than alot of his recent stuff. And then we danced srulad. And then we danced protests tbilisi georgia. Just a damn good song and typical Brad Paisley turning it into a musical a very beautiful one at danced.

ვაიმე თვითინ გეები კი არ არიან ადამიანებო!😂 სასაცილოა უბრალოდ გინების მეტი კრეატიულობა რომ არ გაგაჩნიათ ზოგზოგიერთებს.☺️. MIDPOINT (57:57 – 1:03:01): Blake tells us that the Midpoint is where stakes are raised, time clocks appear, A & B Stories cross and the pace accelerates. He also mentions that, if it’s a “False Defeat” Midpoint, it’s where the hero’s plans fail due to an unforeseen complication. All of this happens at the Midpoint of  Jurassic Park. Nedry’s plan fails as he gets lost in the storm, but the more important failure is Hammond’s, and his vain attempt to keep people safe from dinosaurs. Here the filmmakers finally deliver on the Promise of the Premise of any MITH story. Spectacularly. It’s time for this scientific debate film to turn into a relentless action film. In other words, it’s time for the MONSTER to enter the HOUSE. BAD GUYS CLOSE IN/ALL IS LOST (1:03:02 – 1:10:39): Cars that wish they weren’t Jurassic parked. And what monster appears? Nothing less than the granddaddy of all prehistoric monsters, the biggest, baddest alpha-predator ever to have walked this earth: Tyrannosaurus Rex. T-Rex eats the goat left for it on the other side of the fence, but its attention is drawn to the vehicles as Gennero, petrified, flees and takes refuge in a nearby bathroom shed. This, of course, leaves the children alone as the T-Rex easily breaks through the now powerless fence. When Lex turns on a flashlight T-Rex zeros in on them. It breaks through the plexiglass roof and would surely have eaten the kids had the plexiglass not protected them like a transparent shield. T-Rex flips over the vehicle and starts viciously attacking the undercarriage. Mud pours in through the broken windows around the kids and Grant finally acts, igniting a flare and waving it to get the dinosaur’s attention as the rain pours down. Then Malcolm does the same thing and T-Rex chases him to the bathroom structure and he’s injured as the structure topples exposing Gennaro sitting on the toilet. There is more than a whiff of death as the lawyer is quickly eaten up whole, the first casualty of the sin of greed (and hubris, of course). Grant pulls Lex from the overturned vehicle but T-Rex returns. Grant tells her that “he can’t see us if we don’t move, ” and they kneel in the mud, completely exposed, holding still as T-Rex searches for them, seemingly blind, its powerful exhale blowing Grant’s hat off his head. It pushes the car to the wall and Grant and Lex are forced to go over, using the broken fence wire as a rope. T-Rex finally pushes the vehicle – with Timmy still inside – over the wall and it barely misses Grant and Lex as it slams into a tree below. The awesome power of T-Rex, and the presence of imminent and ferocious death permeates this entire sequence. In the control room, Hammond asks Muldoon to retrieve his grandchildren. Ellie joins him. Arnold says to Hammond that he can’t get Jurassic Park back online alone, which is the death of solving the problem without Dennis Nedry. BAD GUYS CLOSE IN #2/ALL IS LOST #2 (1:10:40 – 1:14:22): In addition to having an uncommonly long and complex Debate, this film also exceeds the average number of BGCI/AIL scenes. Instead of one, or two, we have four in a row — rewarding the patient viewer with its action-filled Promise of the Premise. The next beat picks up the thread of Nedry’s story as his Jeep slides in the mud and he crashes into the jungle. But the road snakes around in front of him and so he uses the Jeep’s winch to pull free. He’s followed by a little dinosaur that doesn’t seem immediately threatening but we suspect is a Dilophosaurus, the first dino we heard about in the tour, when we learned that it spits poisonous venom that paralyzes and kills its prey. Nedry, a truly contemptible sort, insults the dinosaur but gets spat in the face with the poisonous, paralyzing goo. He takes refuge in the Jeep only to find another Dilo waiting for him. The Jeep jostles and we know it’s the death of Dennis Nedry. The Monster is in the House and Sins will be punished. BAD GUYS CLOSE IN #3/ALL IS LOST #3 (1:14:23 – 1:18:16): Grant and a traumatized Lex are at the base of the tree where the vehicle with Timmy is perched. Grant tells her that he has to go help her brother, but she rants (referring to Genarro), “He left us! He left us! ” Grant responds, “But that’s not what I’m going to do. ” He may not like children much, but he’s going to do all he can to save the kids in his care given the circumstances. Grant climbs the tree and finds Timmy inside. What’s so interesting about this sequence is that it’s not another dinosaur attack. We just had two back-to-back and there will be more to come, so the genius here is that an opponent and an entire action sequence was developed that has nothing to do with marauding dinos. The opponent is gravity, and the weakness of tree branches. When Grant pulls Timmy from the vehicle it shifts the balance, and as they descend the vehicle breaks through and careens towards them, an altogether unexpected kind of monster. They make it to the bottom and into the cleft between two tree roots just as the car crashes around them. Ingenious. And death narrowly averted. We hear Timmy’s voice: “Well, we’re back in the car again. ” Fun & Games! BAD GUYS CLOSE IN #4/ALL IS LOST #4 (1:18:17 – 1:21:36): Muldoon and Ellie arrive at the breached T-Rex paddock. They find Malcolm injured and load him onto the Jeep then explore over the wall. They find the destroyed vehicle beneath the tree but no sign of Grant or the kids. Malcolm feels impact tremors and he knows what that means – T-Rex is nearby. Muldoon and Ellie arrive back at the Jeep just as T-Rex emerges through the trees. A spectacular and hair-raising chase ensues as T-Rex almost snatches Malcolm from the Jeep before the Jeep finally pulls away. Once again, death narrowly averted. Malcolm quips, “Think they’ll have that on the tour? ” F&G. The T-Rex roars. DARK NIGHT OF THE SOUL (1:21:37 – 1:24:41): Lex, Timmy, and Grant hear the T-Rex roar and Grant forces them to take refuge up another tree. Timmy is reluctant, nursing recent bad memories of trees, but Grant knows it’s a safe haven. They find a nook out of T-Rex reach and notice, as the storm clears, a group of Brachiosaurs feeding nearby. They’re singing like whales, and when Grant mimics them it gets their attention. Lex screams, “Don’t! The monsters will overhear! ” Grant responds, “They’re not monsters. They’re animals. ” At least herbivores are. The meat-eaters are something else, though Grant, ever the scientist, is not one to judge. “They do what they do. ” The kids climb into Grant’s arms and he doesn’t resist, showing some character growth. He finds the raptor claw in his back pocket, the one he used to terrorize the skeptical kid at the dig site. Lex asks him what he and Ellie are going to do if they don’t have to dig up bones anymore? His answer is telling: “I guess we’ll just have to evolve, too. ” Grant is facing no less than the death of his profession as he knows it, yet he doesn’t despair. He’s open to adaptation, a crucial survival tactic. It’s a moment of clarity concerning his professional life. As we pull away, Timmy tells a couple of F&G dinosaur jokes, and Lex asks Grant if he’ll stay awake to protect them. He says he will and tosses the raptor claw away. He’s finished with terrorizing children. Another moment of clarity, this time concerning his personal life. He’s making progress on his inner journey. DARK NIGHT OF THE SOUL #2 (1:24:42 – 1:28:22): From the sounds of Brachiosaurs singing we cut to a stuffed Brachiosaur in the visitor’s center gift shop – an F&G scene transition. We see the JP T-shirts, the lunch boxes, all the plush as Ellie finds Hammond eating ice cream in the dining area, music shifting the mood to quiet reflection. Hammond tells Ellie about the first attraction he ever built – a flea circus. It was all an illusion. But with JP he wanted something that wasn’t an illusion. Ellie says it was an illusion that he could ever think he could control nature, recapitulating the Debate. His iron will asserts itself and he tells her that every mistake is correctable. He’s facing the death of his dream, but unlike Grant, he’s unwilling to evolve. He hasn’t yet learned the lesson of  Jurassic Park, the lesson of respect. He stubbornly refuses a moment of clarity, so denies himself life-preserving character growth. This is F&G foreshadowing, essentially a misdirect. We’re led to believe it’s too late for this sinner to repent, that Hammond is doomed. But since he’s not motivated by greed (his intentions were good, after all), he will have another chance to save himself. MORE FUN & GAMES (1:28:23 – 1:31:26): Grant and the kids are awakened by a Brachiosaurus feeding on the branches around their feet. Lex is terrified but Grant calms her, and Timmy does, too, by telling her it’s a “Veggiesaurus. ” Grant feeds it some branches and everyone gets to pet it. Now even the kids get to experience the Promise of the Premise of the Best Case Scenario, the wonder and awe of dinosaurs in the flesh and up close. As for Grant, he learns he can love dinosaurs and children equally, and share his love for the former with the latter. It’s not one or the other, it’s a new third way. It’s  Synthesis  — punctuated by an F&G moment when the Brachiosaur sneezes on Lex, covering her in dino snot. Not life threatening, but pretty gross. Timmy says, cheerfully, “God bless you! ” Dinosaurs deserve God’s blessing, too. Trekking through the forest Grant discovers some dinosaur eggs, proof that the dinos are breeding. Timmy says that he thought all the dinos were girls, and here we get to see the hero do what he does best, and in Grant’s case, it’s using his scientific knowledge of dinosaurs to solve this perplexing mystery. He tells them it must have been the use of amphibian DNA to fill in the gene sequence gaps that allowed this to happen, because some African frogs have been known to spontaneously change sex in a single-sex environment. He’s overwhelmed with the realization that natural biology creates its own miracles, and he has new appreciation for Malcolm’s assertion heard earlier that “life will find a way. ” BREAK INTO THREE (1:31:27 – 1:35:40): This structure beat always concerns a bold new idea put into action, and the radical idea here, championed by Hammond, is to shut down all of the park’s computer systems in order to purge Nedry’s virus and reset the system. Arnold opposes it (there’s always somebody opposing every bold idea, right? ), but Hammond knows it’s the only chance they have of regaining control of the park. It works, except that the main circuit breakers were tripped as a result, so a new mission is required: a foray to the maintenance shed to manually reset them. Arnold volunteers as Hammond insists the others, which include Ellie, Malcolm, and Muldoon, join him in the emergency bunker. Blake also tells us that here the A and B Stories cross, and so we cut to Grant and the kids trekking across an open field on their way back to the visitor’s center. They are swarmed by a herd of Gallimimus, ostrich/antelope-like dinos that are moving, Grant marvels, “just like a flock of birds. ” Suddenly the T-Rex crashes through some trees, gobbling down a Gallimimus right in front of the awestruck humans. Lex is horrified, Timmy’s in awe, and Grant, ever the scientist, is fascinated by how it moves and eats just like a bird. Grant would probably sit happily behind the collapsed tree where they’re taking cover content to watch the T-Rex for hours, living his paleontologist’s dream, but he has kids to protect so they beat a hasty retreat. FIVE-POINT FINALE Gathering the Team (1:35:49): In the emergency bunker, Arnold has not returned, forcing Ellie and Muldoon to take on the mission of turning the breakers back on. Muldoon grabs a high-powered weapon and Ellie a walkie-talkie headset so Hammond can take her through finding the breaker boxes, all working as a team. Once they’re outside, Muldoon discovers the raptor pen breached, and he sees raptor tracks leading into the jungle. This man, an experienced game warden who’s rattled by absolutely nothing, is clearly nervous. So begins the Finale of  Jurassic Park, which could aptly be titled ‘Man vs. Raptor. ’ It also begins a 20-minute sequence of relentless action. Storming the Castle (1:38:00): Ellie sees the power shed, but Muldoon, staring unblinkingly into the tangle of palms, stops her. “We’re being hunted. ” All the information we’ve learned about the danger posed by raptors dances in our heads as Muldoon says, “I’ve got her. Run! Now! ” Ellie dashes for the maintenance shed and enters, breathless. Castle stormed. Meanwhile, Grant and the kids approach one of the 30-foot-tall electric fences, over which they’ll have to climb to get back to the visitor’s center, another castle to storm. The fence appears to be offline, but when Grant grabs it and screams, the kids are terrified. That is, until he smiles impishly. Clearly he hasn’t completely shaken his perverse sense of humor, but this time it’s playful, not malicious. Lex is not amused; Timmy loves it. F&G. Even here. Ellie makes her way towards the breakers and into the horror movie genre as she travels down dark cement corridors and into creepy dead ends. She doesn’t know it yet, but she’s inside a “haunted house” where monsters lurk. As Grant leads the kids over the fence, Ellie succeeds in finding the breakers and is instructed by Hammond how to prime and reset them. What’s truly masterful about this sequence is that it’s another case (like Timmy being caught in the tree) where the real threat is not posed by dinosaurs. Ironically, the bold plan to bring Jurassic Park back online is at this moment life threatening to anyone on the perimeter fence, once power surges back through it. Ellie’s actions may spell the doom of her lover and Hammond’s grandchildren, another case where technology wielded blindly is potentially fatal, seamlessly linking this action to the theme. An added narrative bonus is how all stories converge here in a very tight story web, leaving out none of the main characters. Act III narrative concentration at its best. High Tower Surprise (1:43:26): I interpret the High Tower Surprise as a  success for the forces of antagonism, usually in the form of a reversal or surprise, which almost always means a dire setback for the hero(s). Looking at things in Snyderian terms, what we have during this sequence is a series of high-octane HTSes in a row. It’s the roller coaster, the ever-escalating thrill ride. First, Ellie engages the breakers while Timmy is still on the fence. He’s electrified and blown backward into Grant’s arms and stops breathing — a harrowing HTS moment as villainous fate strikes down a child. Ellie, meanwhile, is thrilled to see the lights in the shed blink back on, but her exultation turns to horror as a raptor claws at her through electrical wiring. From this point forward  Jurassic Park  fully delivers on all the conventions of the MITH genre, starting here with the staple of a solitary woman trapped by a monster in a haunted house. Arnold’s bloody arm falls on her, evidence of his death by raptor, and she barely makes it out of the shed with a reptilian demon on her heels. She succeeds in closing the door behind her, but will that be enough to contain it? The raptors continue to prove their awe-inspiring implacableness and astonishing hunting skill. They succeed in killing Muldoon using the very tactics explicated by Grant at the film’s beginning, a decoy in front and attacking from the side (HTS). Then Grant, having successfully revived Timmy, arrives back at the visitor’s center knowing nothing about the loose raptors, which is why he parks the kids at the buffet and goes in search of Ellie. Lex then sees a raptor (actually its shadow through a raptor adorned stained-glass diorama – how F&G! ) and she leads Timmy into an industrial-sized kitchen, apparently safe behind a latched door. The problem is, raptors know how to open doors (HTS). This, of course, means the raptor Ellie left in the maintenance shed will be able to get out, so there will once again be three to contend with (off screen HTS). The one here in the kitchen is joined by its hunting partner, so now two raptors stalk the kids in one of the greatest cat-and-mouse sequences in the history of MITH movies, if not the entire history of movies, a sequence that surely feels like it will end in a gruesome HTS. However, Timmy succeeds in luring one of them inside a walk-in freezer, and as it slips on the icy floor he shuts it inside, sure to lock it in this time. One down, two to go. The other one has fallen while chasing Lex, so the kids have time to retreat to the control room where they join Grant and Ellie. Secret Weapon/Dig Deep Down (1:53:30): The control room’s electrical door lock mechanism has not yet been re-engaged via computer, so when the raptor appears it takes the strength of both Grant and Ellie to hold the door against it. That leaves no one to re-engage the system except… Lex, a proud computer hacker! Using her specialized knowledge she digs deep down and finds the controls for locking the mechanism before the raptor breaks through. All are jubilant at subverting what surely would have been an HTS of collective doom. She then brings up all the systems, including the phones. Grant calls Hammond in the emergency bunker: “Mr. Hammond, the phones are working. Now call the mainland and tell them to send the damn helicopters. ” Executing the New Plan (1:55:30): The path to escape leads to the helo pad. But before Hammond can hang up the phone he hears gunshots. An off-screen HTS forces our team in the control room to climb into the air ducts as the raptor crashes through the bullet-hole weakened security glass. The tight space leads to a grating over construction platforms surrounding the centerpiece of the visitor’s center atrium, a full-scale skeletal mock-up of a T-Rex battling a Brachiosaur. The raptor has not been eluded, however, so everyone is forced to leap onto the flimsy skeletons, which buckle under the weight. Not only is this an F&G reference to another film featuring a paleontologist, Howard Hawks’  Bringing Up Baby  (which also climaxes on a toppling dinosaur skeleton), but it’s also a reoccurrence of the motif of the past echoing against the ‘new present’ as a real raptor terrorizes them while they all spin on loosened sections of dinosaur fossils. The ceiling cables supporting the structure give way and everyone topples to the floor. Final Twist/Transformation (1:57:16): When things couldn’t possibly get worse, of course they do: the second raptor (the one that freed itself from the maintenance shed) arrives and our heroes are hemmed in on both sides by raptors — death by raptor now appears unavoidable (imminent HTS! ). Just as Raptor One is about to pounce, we have delivered unto us Deus Rex Machina – the T-Rex (employing decidedly raptor-like tactics) strikes from the side and snatches the raptor mid-pounce, making a tasty morsel of it. Raptor Two, focusing on the new threat, jumps upon the T-Rex, allowing our heroes to escape. Though the last-second appearance of T-Rex is convenient in the extreme, it is so emotionally satisfying that it’s hardly questioned. It is also, as Blake would be quick to point out, a Transformation: T-Rex, the alpha-predator, becomes man’s unwitting protector. As monster vanquishes monster, irony helps bury narrative convenience without a trace. Hammond and Malcolm arrive in a Jeep to meet them. Grant, demonstrating heroic F&G quipster ability, tells Hammond he has decided “not to endorse your park. ” Hammond, in his moment of clarity, responds, “So have I. ” Hammond has finally learned his lesson. He has learned respect. As painful as it is, he gives up his dream for the good of all, and survives. We return to T-Rex, who heaves Raptor Two into what’s left of the skeletons, demolishing them completely. In an absolutely sensational Fun & Games theatrical flourish to the scene and the entire movie, the T-Rex has the last word: it roars in triumph, striking the exact pose, in the exact spot, where its forebears’ skeleton stood moments before, past and present echoing against each other once again as a banner falls, the words clearly visible: “When dinosaurs ruled the earth” – as they do here, now, again. It’s a colossal moment of  Convergence/Synthesis, elevated to mythic heroism by John Williams’ triumphant theme reprising on the soundtrack. Spielberg’s genius as a showman has never been so flamboyantly and yet organically on display. This image also contrasts with the Opening Image, a perfect bookend to the raptor’s eye imprisoned inside the human cage: now we see T-Rex, in all its glory, master of mankind’s flimsy domain. Bravura storytelling. Bravura filmmaking. FINAL IMAGE (1:58:50 – 2:00:00): Inside the helo, Hammond wistfully looks upon his amber-topped cane, thinking of how close he came to achieving an impossible dream, and at what cost. This brilliantly brings the story back to its point of origin, the humble prehistoric mosquito that provided the crucial means for the Transformations concocted in Jurassic Park. The kids nestle into Grant’s protective arms, and Ellie approves, sharing a look with her partner that speaks of how far he’s come in his emotional/spiritual B Story journey – proof of Transformation. Finally, Grant looks through the window and sees birds soaring outside, a magnificent pelican leading the way, and so past and present echo against each other a final time as the flying dinosaur and the flying man, two species accompanying one another on the rocky road of evolution, follow the sunbeam across the ocean towards an uncertain future, together.

And Then We dance music. And then we danced bassiani. And Then We dance company. I love how she makes all these jokes and looks awkward as hell - Rebel is just perfect😂😂😂. Film and then we danced. And Then We dance floor. And then we danced netflix. 💕 my day have been blessed... thanks. I enjoyed. Good luck guys. Kisses from Georgia / Batumi.

And then we danced last dance

And then we danced los angeles. Take a chance, take a chance, take a chance on me. ჩემ მოსაზრებას გეტყვით, იტოკში ვინც არ უსმენდა კაიაკატს ისინი უსმენენ ამ სიმღერას იმენა ეს სიმღერა ისტორიაში შევა ისეთი თესლობაა ლიკე გლიჯეთ კომენტარს. When they cannot make a film about the ' Battle of Didgori' then they make low-level films about Georgians. And then we danced wiki. Hooters and then we danced. 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Must see! High above expectations. Genuinely great film. And then we danced qartulad srulad. And then we danced dj. And then we danced together. She behaved so very disrespectful. Accccciiiiiidddddddd 2019 review❤️.


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Free Online Les misérables putlockers yesmovies PutLocker megavideo



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Les misérables is a movie starring Damien Bonnard, Alexis Manenti, and Djebril Zonga. A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the
stars=Alexis Manenti
rating=4529 votes
Writed by=Giordano Gederlini
Im not crying! You are. I will follow where they go. Synopsis One of the worlds most iconic and longest-running musicals, Les Misérables tells the story of Jean Valjean, a former convict who spends a lifetime seeking redemption. Set against the backdrop of 19th-century France and the aftermath of the French Revolution, this timeless story of intertwined destinies reveals the power of compassion and the quiet evil of indifference to human suffering. As Valjeans quest for a new life carries him into Paris and to the barricades of the Student Revolution, he is hunted by Inspector Javert and the ghosts of his past. Amidst a battle for the soul of Paris, he discovers the true meaning of love and salvation. Performed in over 40 countries and 22 languages, and with a lush, swelling score that features such famed songs as “I Dreamed a Dream, ” “On My Own, ” and “Bring Him Home, ” Les Mis brings Victor Hugos revolutionary novel blazingly to life.

Est ce que le film est que sur jeanvaljean ou sur tous les personnages. Les misérables. Les misérables medley - single lindsey stirling. Something went wrong, but dont fret — lets give it another shot. Les misérables tv. Les misérables song. De quoi attraper des névroses et des dépressions avec ça.

I had a dream my life would be. Les misérables (2012. Les misérables characters. Remembering Victor Hugo: 26/02/1802 - 22/05/1885. R.I.P. What a great movie! Salute from the UK 🇬🇧 And funny as well if you are from the ghetto and understand all the jokes.

Le flic black il a pas jouer dans les yamakasi ? Sa tête me dit quelque chose. Les misérables 85th academy awards performance. Home Huffington Post THE MUSICAL PHENOMENON. This is giving me such Yamakasi/B13/Intouchables vibes. I love this type of French movies. D'après la célèbre comédie musicale Euuh, juste avant, chers américains, c'étaient des romans. ça aurait été plutôt cool de faire une petite dédicace à quand même. Les Misérables Jean Valjean as Monsieur Madeleine. Illustration by Gustave Brion Author Victor Hugo Illustrator Emile Bayard Country Belgium Language French Genre Epic novel, historical fiction Publisher A. Lacroix, Verboeckhoven & Cie. Publication date 1862 Les Misérables. 1] French: le mizeʁabl(ə. is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. [2] Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption. [3] Examining the nature of law and grace, the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love. Les Misérables has been popularized through numerous adaptations for film, television and the stage, including a musical. Novel form Upton Sinclair described the novel as "one of the half-dozen greatest novels of the world" and remarked that Hugo set forth the purpose of Les Misérables in the Preface: 4] So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilization, artificially creates hells on earth, and complicates a destiny that is divine with human fatality; so long as the three problems of the age—the degradation of man by poverty, the ruin of women by starvation, and the dwarfing of childhood by physical and spiritual night—are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless. Towards the end of the novel, Hugo explains the work's overarching structure: 5] The book which the reader has before him at this moment is, from one end to the other, in its entirety and details. a progress from evil to good, from injustice to justice, from falsehood to truth, from night to day, from appetite to conscience, from corruption to life; from bestiality to duty, from hell to heaven, from nothingness to God. The starting point: matter, destination: the soul. The hydra at the beginning, the angel at the end. The novel contains various subplots, but the main thread is the story of ex-convict Jean Valjean, who becomes a force for good in the world but cannot escape his criminal past. The novel is divided into five volumes, each volume divided into several books, and subdivided into chapters, for a total of 48 books and 365 chapters. Each chapter is relatively short, commonly no longer than a few pages. The novel as a whole is one of the longest ever written, 6] with 655, 478 words in the original French. Hugo explained his ambitions for the novel to his Italian publisher: 7] I don't know whether it will be read by everyone, but it is meant for everyone. It addresses England as well as Spain, Italy as well as France, Germany as well as Ireland, the republics that harbour slaves as well as empires that have serfs. Social problems go beyond frontiers. Humankind's wounds, those huge sores that litter the world, do not stop at the blue and red lines drawn on maps. Wherever men go in ignorance or despair, wherever women sell themselves for bread, wherever children lack a book to learn from or a warm hearth, Les Misérables knocks at the door and says: open up, I am here for you. Digressions More than a quarter of the novel—by one count 955 of 2, 783 pages—is devoted to essays that argue a moral point or display Hugo's encyclopedic knowledge, but do not advance the plot, nor even a subplot, a method Hugo used in such other works as The Hunchback of Notre Dame and Toilers of the Sea. One biographer noted that "the digressions of genius are easily pardoned. 8] The topics Hugo addresses include cloistered religious orders, the construction of the Paris sewers, argot, and the street urchins of Paris. The one about convents he titles "Parenthesis" to alert the reader to its irrelevance to the story line. [9] Hugo devotes another 19 chapters (Volume II, Book I) to an account of—and a meditation on the place in history of—the Battle of Waterloo, the battlefield which Hugo visited in 1861 and where he finished writing the novel. It opens volume 2 with such a change of subject as to seem the beginning of an entirely different work. The fact that this 'digression' occupies such a large part of the text demands that it be read in the context of the 'overarching structure' discussed above. Hugo draws his own personal conclusions, taking Waterloo to be a pivot-point in history, but definitely not a victory for the forces of reaction. Waterloo, by cutting short the demolition of European thrones by the sword, had no other effect than to cause the revolutionary work to be continued in another direction. The slashers have finished; it was the turn of the thinkers. The century that Waterloo was intended to arrest has pursued its march. That sinister victory was vanquished by liberty. One critic has called this "the spiritual gateway" to the novel, as its chance encounter of Thénardier and Colonel Pontmercy foreshadows so many of the novel's encounters "blending chance and necessity" a "confrontation of heroism and villainy. 10] Even when not turning to other subjects outside his narrative, Hugo sometimes interrupts the straightforward recitation of events, his voice and control of the story line unconstrained by time and sequence. The novel opens with a statement about the bishop of Digne in 1815 and immediately shifts: Although these details in no way essentially concern that which we have to tell. Only after 14 chapters does Hugo pick up the opening thread again, In the early days of the month of October, 1815. to introduce Jean Valjean. [11] Hugo's sources Eugène Vidocq, whose career provided a model for the character of Jean Valjean An incident Hugo witnessed in 1829 involved three strangers and a police officer. One of the strangers was a man who had stolen a loaf of bread, similar to Jean Valjean. The officer was taking him to the coach. The thief also saw the mother and daughter playing with each other which would be an inspiration for Fantine and Cosette. Hugo imagined the life of the man in jail and the mother and daughter taken away from each other. [12] Valjean's character is loosely based on the life of the ex-convict Eugène François Vidocq. Vidocq became the head of an undercover police unit and later founded France's first private detective agency. He was also a businessman and was widely noted for his social engagement and philanthropy. Vidocq also inspired Hugo as he wrote Claude Gueux and Le Dernier jour d'un condamné ( The Last Day of a Condemned Man. 13] In 1828, Vidocq, already pardoned, saved one of the workers in his paper factory by lifting a heavy cart on his shoulders as Valjean does. [14] Hugo's description of Valjean rescuing a sailor on the Orion drew almost word for word on a Baron La Roncière's letter describing such an incident. [15] Hugo used Bienvenu de Miollis (1753–1843) the Bishop of Digne during the time in which Valjean encounters Myriel, as the model for Myriel. [16] 29 Hugo had used the departure of prisoners from the Bagne of Toulon in one of his early stories, Le Dernier Jour d'un Condamné. He went to Toulon to visit the Bagne in 1839 and took extensive notes, though he did not start writing the book until 1845. On one of the pages of his notes about the prison, he wrote in large block letters a possible name for his hero: JEAN TRÉJEAN. When the book was finally written, Tréjean became Valjean. [17] In 1841, Hugo saved a prostitute from arrest for assault. He used a short part of his dialogue with the police when recounting Valjean's rescue of Fantine in the novel. [18] On 22 February 1846, when he had begun work on the novel, Hugo witnessed the arrest of a bread thief while a duchess and her child watched the scene pitilessly from their coach. [19] 16] 29–30 He spent several vacations in Montreuil-sur-Mer. [16] 32 During the 1832 revolt, Hugo walked the streets of Paris, saw the barricades blocking his way at points, and had to take shelter from gunfire. [20] 173–174 He participated more directly in the 1848 Paris insurrection, helping to smash barricades and suppress both the popular revolt and its monarchist allies. [20] 273–276 Victor Hugo drew his inspiration from everything he heard and saw, writing it down in his diary. In December 1846, he witnessed an altercation between an old woman scavenging through rubbish and a street urchin who might have been Gavroche. [21] He also informed himself by personal inspection of the Paris Conciergerie in 1846 and Waterloo in 1861, by gathering information on some industries, and on working-class people's wages and living standards. He asked his mistresses, Léonie d'Aunet and Juliette Drouet, to tell him about life in convents. He also slipped personal anecdotes into the plot. For instance Marius and Cosettes wedding night (Part V, Book 6, Chapter 1) takes place on 16 February 1833, which is also the date when Hugo and his lifelong mistress Juliette Drouet made love for the first time. [22] Plot Volume I: Fantine The story begins in 1815 in Digne, as the peasant Jean Valjean, just released from 19 years' imprisonment in the Bagne of Toulon —five for stealing bread for his starving sister and her family and fourteen more for numerous escape attempts—is turned away by innkeepers because his yellow passport marks him as a former convict. He sleeps on the street, angry and bitter. Digne's benevolent Bishop Myriel gives him shelter. At night, Valjean runs off with Myriel's silverware. When the police capture Valjean, Myriel pretends that he has given the silverware to Valjean and presses him to take two silver candlesticks as well, as if he had forgotten to take them. The police accept his explanation and leave. Myriel tells Valjean that his life has been spared for God, and that he should use money from the silver candlesticks to make an honest man of himself. Valjean broods over Myriel's words. When opportunity presents itself, purely out of habit, he steals a 40- sous coin from 12-year-old Petit Gervais and chases the boy away. He quickly repents and searches the city in panic for Gervais. At the same time, his theft is reported to the authorities. Valjean hides as they search for him, because if apprehended he will be returned to the galleys for life as a repeat offender. Six years pass and Valjean, using the alias Monsieur Madeleine, has become a wealthy factory owner and is appointed mayor of Montreuil-sur-Mer. Walking down the street, he sees a man named Fauchelevent pinned under the wheels of a cart. When no one volunteers to lift the cart, even for pay, he decides to rescue Fauchelevent himself. He crawls underneath the cart, manages to lift it, and frees him. The town's police inspector, Inspector Javert, who was an adjutant guard at the Bagne of Toulon during Valjean's incarceration, becomes suspicious of the mayor after witnessing this remarkable feat of strength. He has known only one other man, a convict named Jean Valjean, who could accomplish it. Years earlier in Paris, a grisette named Fantine was very much in love with Félix Tholomyès. His friends, Listolier, Fameuil, and Blachevelle were also paired with Fantine's friends Dahlia, Zéphine, and Favourite. The men abandon the women, treating their relationships as youthful amusements. Fantine must draw on her own resources to care for her and Tholomyès' daughter, Cosette. When Fantine arrives at Montfermeil, she leaves Cosette in the care of the Thénardiers, a corrupt innkeeper and his selfish, cruel wife. Fantine is unaware that they are abusing her daughter and using her as forced labor for their inn, and continues to try to meet their growing, extortionate and fictitious demands. She is later fired from her job at Jean Valjean's factory, because of the discovery of her daughter, who was born out of wedlock. Meanwhile, the Thénardiers' monetary demands continue to grow. In desperation, Fantine sells her hair and two front teeth, and she resorts to prostitution to pay the Thénardiers. Fantine is slowly dying from an unspecified disease. A dandy named Bamatabois harasses Fantine in the street, and she reacts by striking him. Javert arrests Fantine. She begs to be released so that she can provide for her daughter, but Javert sentences her to six months in prison. Valjean (Mayor Madeleine) intervenes and orders Javert to release her. Javert resists but Valjean prevails. Valjean, feeling responsible because his factory turned her away, promises Fantine that he will bring Cosette to her. He takes her to a hospital. Javert comes to see Valjean again. Javert admits that after being forced to free Fantine, he reported him as Valjean to the French authorities. He tells Valjean he realizes he was wrong, because the authorities have identified someone else as the real Jean Valjean, have him in custody, and plan to try him the next day. Valjean is torn, but decides to reveal himself to save the innocent man, whose real name is Champmathieu. He travels to attend the trial and there reveals his true identity. Valjean returns to Montreuil to see Fantine, followed by Javert, who confronts him in her hospital room. After Javert grabs Valjean, Valjean asks for three days to bring Cosette to Fantine, but Javert refuses. Fantine discovers that Cosette is not at the hospital and fretfully asks where she is. Javert orders her to be quiet, and then reveals to her Valjean's real identity. Weakened by the severity of her illness, she falls back in shock and dies. Valjean goes to Fantine, speaks to her in an inaudible whisper, kisses her hand, and then leaves with Javert. Later, Fantine's body is unceremoniously thrown into a public grave. Volume II: Cosette Valjean escapes, is recaptured, and is sentenced to death. The king commutes his sentence to penal servitude for life. While imprisoned in the Bagne of Toulon, Valjean, at great personal risk, rescues a sailor caught in the ship's rigging. Spectators call for his release. Valjean fakes his own death by allowing himself to fall into the ocean. Authorities report him dead and his body lost. Valjean arrives at Montfermeil on Christmas Eve. He finds Cosette fetching water in the woods alone and walks with her to the inn. He orders a meal and observes how the Thénardiers abuse her, while pampering their own daughters Éponine and Azelma, who mistreat Cosette for playing with their doll. Valjean leaves and returns to make Cosette a present of an expensive new doll which, after some hesitation, she happily accepts. Éponine and Azelma are envious. Madame Thénardier is furious with Valjean, while her husband makes light of Valjean's behaviour, caring only that he pay for his food and lodging. The next morning, Valjean informs the Thénardiers that he wants to take Cosette with him. Madame Thénardier immediately accepts, while Thénardier pretends to love Cosette and be concerned for her welfare, reluctant to give her up. Valjean pays the Thénardiers 1, 500 francs, and he and Cosette leave the inn. Thénardier, hoping to swindle more out of Valjean, runs after them, holding the 1, 500 francs, and tells Valjean he wants Cosette back. He informs Valjean that he cannot release Cosette without a note from the child's mother. Valjean hands Thénardier Fantine's letter authorizing the bearer to take Cosette. Thénardier then demands that Valjean pay a thousand crowns, but Valjean and Cosette leave. Thénardier regrets that he did not bring his gun and turns back toward home. Valjean and Cosette flee to Paris. Valjean rents new lodgings at Gorbeau House, where he and Cosette live happily. However, Javert discovers Valjean's lodgings there a few months later. Valjean takes Cosette and they try to escape from Javert. They soon find shelter in the Petit-Picpus convent with the help of Fauchelevent, the man whom Valjean once rescued from being crushed under a cart and who has become the convent's gardener. Valjean also becomes a gardener and Cosette becomes a student at the convent school. Volume III: Marius Eight years later, the Friends of the ABC, led by Enjolras, are preparing an act of anti- Orléanist civil unrest (ie. the Paris uprising on 5–6 June 1832, following the death of General Lamarque, the only French leader who had sympathy towards the working class. Lamarque was a victim of a major cholera epidemic that had ravaged the city, particularly its poor neighborhoods, arousing suspicion that the government had been poisoning wells. The Friends of the ABC are joined by the poor of the Cour des miracles, including the Thénardiers' eldest son Gavroche, who is a street urchin. One of the students, Marius Pontmercy, has become alienated from his family (especially his royalist grandfather M. Gillenormand) because of his Bonapartism views. After the death of his father, Colonel Georges Pontmercy, Marius discovers a note from him instructing his son to provide help to a sergeant named Thénardier who saved his life at Waterloo — in reality Thénardier was looting corpses and only saved Pontmercy's life by accident; he had called himself a sergeant under Napoleon to avoid exposing himself as a robber. At the Luxembourg Garden, Marius falls in love with the now grown and beautiful Cosette. The Thénardiers have also moved to Paris and now live in poverty after losing their inn. They live under the surname "Jondrette" at Gorbeau House (coincidentally, the same building Valjean and Cosette briefly lived in after leaving the Thénardiers' inn. Marius lives there as well, next door to the Thénardiers. Éponine, now ragged and emaciated, visits Marius at his apartment to beg for money. To impress him, she tries to prove her literacy by reading aloud from a book and by writing "The Cops Are Here" on a sheet of paper. Marius pities her and gives her some money. After Éponine leaves, Marius observes the "Jondrettes" in their apartment through a crack in the wall. Éponine comes in and announces that a philanthropist and his daughter are arriving to visit them. In order to look poorer, Thénardier puts out the fire and breaks a chair. He also orders Azelma to punch out a window pane, which she does, resulting in cutting her hand (as Thénardier had hoped. The philanthropist and his daughter enter — actually Valjean and Cosette. Marius immediately recognizes Cosette. After seeing them, Valjean promises them he will return with rent money for them. After he and Cosette leave, Marius asks Éponine to retrieve her address for him. Éponine, who is in love with Marius herself, reluctantly agrees to do so. The Thénardiers have also recognized Valjean and Cosette, and vow their revenge. Thénardier enlists the aid of the Patron-Minette, a well-known and feared gang of murderers and robbers. Marius overhears Thénardier's plan and goes to Javert to report the crime. Javert gives Marius two pistols and instructs him to fire one into the air if things get dangerous. Marius returns home and waits for Javert and the police to arrive. Thénardier sends Éponine and Azelma outside to look out for the police. When Valjean returns with rent money, Thénardier, with Patron-Minette, ambushes him and he reveals his real identity to Valjean. Marius recognizes Thénardier as the man who saved his father's life at Waterloo and is caught in a dilemma. He tries to find a way to save Valjean while not betraying Thénardier. Valjean denies knowing Thénardier and tells him that they have never met. Valjean tries to escape through a window but is subdued and tied up. Thénardier orders Valjean to pay him 200, 000 francs. He also orders Valjean to write a letter to Cosette to return to the apartment, and they would keep her with them until he delivers the money. After Valjean writes the letter and informs Thénardier of his address, Thénardier sends out Mme. Thénardier to get Cosette. Mme. Thénardier comes back alone, and announces the address is a fake. It is during this time that Valjean manages to free himself. Thénardier decides to kill Valjean. While he and Patron-Minette are about to do so, Marius remembers the scrap of paper that Éponine wrote on earlier. He throws it into the Thénardiers' apartment through the wall crack. Thénardier reads it and thinks Éponine threw it inside. He, Mme. Thénardier and Patron-Minette try to escape, only to be stopped by Javert. He arrests all the Thénardiers and Patron-Minette (except Claquesous, who escapes during his transportation to prison, and Montparnasse, who stops to run off with Éponine instead of joining in on the robbery. Valjean manages to escape the scene before Javert sees him. Volume IV: The Idyll in the Rue Plumet and the Epic in the Rue St. Denis Éponine prevents the robbery at Valjean's house After Éponine's release from prison, she finds Marius at "The Field of the Lark" and sadly tells him that she found Cosette's address. She leads him to Valjean's and Cosette's house on Rue Plumet, and Marius watches the house for a few days. He and Cosette then finally meet and declare their love for one another. Thénardier, Patron-Minette and Brujon manage to escape from prison with the aid of Gavroche (a rare case of Gavroche helping his family in their criminal acitivities. One night, during one of Marius's visits with Cosette, the six men attempt to raid Valjean's and Cosette's house. However, Éponine, who has been sitting by the gates of the house, threatens to scream and awaken the whole neighbourhood if the thieves do not leave. Hearing this, they reluctantly retire. Meanwhile, Cosette informs Marius that she and Valjean will be leaving for England in a week's time, which greatly troubles the pair. The next day, Valjean is sitting in the Champ de Mars. He is feeling troubled about seeing Thénardier in the neighbourhood several times. Unexpectedly, a note lands in his lap, which says "Move Out. He sees a figure running away in the dim light. He goes back to his house, tells Cosette they will be staying at their other house on Rue de l'Homme Arme, and reconfirms to her that they will be moving to England. Marius tries to get permission from M. Gillenormand to marry Cosette. His grandfather seems stern and angry, but has been longing for Marius's return. When tempers flare, he refuses his assent to the marriage, telling Marius to make Cosette his mistress instead. Insulted, Marius leaves. The following day, the students revolt and erect barricades in the narrow streets of Paris. Gavroche spots Javert and informs Enjolras that Javert is a spy. When Enjolras confronts him about this, he admits his identity and his orders to spy on the students. Enjolras and the other students tie him up to a pole in the Corinth restaurant. Later that evening, Marius goes back to Valjean's and Cosette's house on Rue Plumet, but finds the house no longer occupied. He then hears a voice telling him that his friends are waiting for him at the barricade. Distraught to find Cosette gone, he heeds the voice and goes. When Marius arrives at the barricade, the revolution has already started. When he stoops down to pick up a powder keg, a soldier comes up to shoot Marius. However, a man covers the muzzle of the soldier's gun with his hand. The soldier fires, fatally wounding the man, while missing Marius. Meanwhile, the soldiers are closing in. Marius climbs to the top of the barricade, holding a torch in one hand, a powder keg in the other, and threatens to the soldiers that he will blow up the barricade. After confirming this, the soldiers retreat from the barricade. Marius decides to go to the smaller barricade, which he finds empty. As he turns back, the man who took the fatal shot for Marius earlier calls Marius by his name. Marius discovers this man is Éponine, dressed in men's clothes. As she lies dying on his knees, she confesses that she was the one who told him to go to the barricade, hoping they would die together. She also confesses to saving his life because she wanted to die before he did. The author also states to the reader that Éponine anonymously threw the note to Valjean. Éponine then tells Marius that she has a letter for him. She also confesses to have obtained the letter the day before, originally not planning to give it to him, but decides to do so in fear he would be angry at her about it in the afterlife. After Marius takes the letter, Éponine then asks him to kiss her on the forehead when she is dead, which he promises to do. With her last breath, she confesses that she was "a little bit in love" with him, and dies. Marius fulfills her request and goes into a tavern to read the letter. It is written by Cosette. He learns Cosette's whereabouts and he writes a farewell letter to her. He sends Gavroche to deliver it to her, but Gavroche leaves it with Valjean. Valjean, learning that Cosette's lover is fighting, is at first relieved, but an hour later, he puts on a National Guard uniform, arms himself with a gun and ammunition, and leaves his home. Volume V: Jean Valjean Valjean in the sewers with the wounded Marius (US edition, 1900) Valjean arrives at the barricade and immediately saves a man's life. He is still not certain if he wants to protect Marius or kill him. Marius recognizes Valjean at first sight. Enjolras announces that they are almost out of cartridges. When Gavroche goes outside the barricade to collect more ammunition from the dead National Guardsmen, he is shot dead. Valjean volunteers to execute Javert himself, and Enjolras grants permission. Valjean takes Javert out of sight, and then shoots into the air while letting him go. Marius mistakenly believes that Valjean has killed Javert. As the barricade falls, Valjean carries off the injured and unconscious Marius. All the other students are killed. Valjean escapes through the sewers, carrying Marius's body. He evades a police patrol, and reaches an exit gate but finds it locked. Thénardier emerges from the darkness. Thénardier recognizes Valjean, but not Marius. Thinking Valjean a murderer lugging his victim's corpse, Thénardier offers to open the gate for money. As he searches Valjean and Marius's pockets, he surreptitiously tears off a piece of Marius's coat so he can later find out his identity. Thénardier takes the thirty francs he finds, opens the gate, and allows Valjean to leave, expecting Valjean's emergence from the sewer will distract the police who have been pursuing him. Upon exiting, Valjean encounters Javert and requests time to return Marius to his family before surrendering to him. Surprisingly Javert agrees, assuming that Marius will be dead within minutes. After leaving Marius at his grandfather's house, Valjean asks to be allowed a brief visit to his own home, and Javert agrees. There, Javert tells Valjean he will wait for him in the street, but when Valjean scans the street from the landing window he finds Javert has gone. Javert walks down the street, realizing that he is caught between his strict belief in the law and the mercy Valjean has shown him. He feels he can no longer give Valjean up to the authorities but also cannot ignore his duty to the law. Unable to cope with this dilemma, Javert commits suicide by throwing himself into the Seine. Marius slowly recovers from his injuries. As he and Cosette make wedding preparations, Valjean endows them with a fortune of nearly 600, 000 francs. As their wedding party winds through Paris during Mardi Gras festivities, Valjean is spotted by Thénardier, who then orders Azelma to follow him. After the wedding, Valjean confesses to Marius that he is an ex-convict. Marius is horrified, assumes the worst about Valjean's moral character, and contrives to limit Valjean's time with Cosette. Valjean accedes to Marius' judgment and his separation from Cosette. Valjean loses the will to live and retires to his bed. Thénardier approaches Marius in disguise, but Marius recognizes him. Thénardier attempts to blackmail Marius with what he knows of Valjean, but in doing so, he inadvertently corrects Marius's misconceptions about Valjean and reveals all of the good he has done. He tries to convince Marius that Valjean is actually a murderer, and presents the piece of coat he tore off as evidence. Stunned, Marius recognizes the fabric as part of his own coat and realizes that it was Valjean who rescued him from the barricade. Marius pulls out a fistful of notes and flings it at Thénardier's face. He then confronts Thénardier with his crimes and offers him an immense sum to depart and never return. Thénardier accepts the offer, and he and Azelma travel to America where he becomes a slave trader. As they rush to Valjean's house, Marius tells Cosette that Valjean saved his life at the barricade. They arrive to find Valjean near death and reconcile with him. Valjean tells Cosette her mother's story and name. He dies content and is buried beneath a blank slab in Père Lachaise Cemetery. Characters Major Jean Valjean (also known as Monsieur Madeleine, Ultime Fauchelevent, Monsieur Leblanc, and Urbain Fabre) – The protagonist of the novel. Convicted for stealing a loaf of bread to feed his sister's seven starving children and sent to prison for five years, he is paroled from prison nineteen years later (after four unsuccessful escape attempts added twelve years and fighting back during the second escape attempt added two extra years. Rejected by society for being a former convict, he encounters Bishop Myriel, who turns his life around by showing him mercy and encouraging him to become a new man. While sitting and pondering what Bishop Myriel had said, he puts his shoe on a forty-sou piece dropped by a young wanderer. Valjean threatens the boy with his stick when the boy attempts to rouse Valjean from his reverie and recover his money. He tells a passing priest his name, and the name of the boy, and this allows the police to charge him with armed robbery – a sentence that, if he were caught again, would return him to prison for life. He assumes a new identity (Monsieur Madeleine) in order to pursue an honest life. He introduces new manufacturing techniques and eventually builds two factories and becomes one of the richest men in the area. By popular acclaim, he is made mayor. He confronts Javert over Fantine's punishment, turns himself in to the police to save another man from prison for life, and rescues Cosette from the Thénardiers. Discovered by Javert in Paris because of his generosity to the poor, he evades capture for the next several years in a convent. He saves Marius from imprisonment and probable death at the barricade, reveals his true identity to Marius and Cosette after their wedding, and is reunited with them just before his death, having kept his promise to the bishop and to Fantine, the image of whom is the last thing he sees before dying. Javert – A fanatic police inspector in pursuit to recapture Valjean. Born in the prisons to a convict father and a fortune teller mother, he renounces both of them and starts working as a guard in the prison, including one stint as the overseer for the chain gang of which Valjean is part (and here witnesses firsthand Valjean's enormous strength and just what he looks like. Eventually he joins the police force in Montreuil-sur-Mer. He arrests Fantine and comes into conflict with Valjean/Madeleine, who orders him to release Fantine. Valjean dismisses Javert in front of his squad and Javert, seeking revenge, reports to the Police Inspector that he has discovered Jean Valjean. He is told that he must be incorrect, as a man mistakenly believed to be Jean Valjean was just arrested. He requests of M. Madeline that he be dismissed in disgrace, for he cannot be less harsh on himself than on others. When the real Jean Valjean turns himself in, Javert is promoted to the Paris police force where he arrests Valjean and sends him back to prison. After Valjean escapes again, Javert attempts one more arrest in vain. He then almost recaptures Valjean at Gorbeau house when he arrests the Thénardiers and Patron-Minette. Later, while working undercover behind the barricade, his identity is discovered. Valjean pretends to execute Javert, but releases him. When Javert next encounters Valjean emerging from the sewers, he allows him to make a brief visit home and then walks off instead of arresting him. Javert cannot reconcile his devotion to the law with his recognition that the lawful course is immoral. After composing a letter to the prefect of police outlining the squalid conditions that occur in prisons and the abuses that prisoners are subjected to, he takes his own life by jumping into the Seine. Fantine – A beautiful Parisian grisette abandoned with a small child by her lover Félix Tholomyès. Fantine leaves her daughter Cosette in the care of the Thénardiers, innkeepers in the village of Montfermeil. Thénardier spoils her own daughters and abuses Cosette. Fantine finds work at Monsieur Madeleine's factory. Illiterate, she has others write letters to the Thénardiers on her behalf. A female supervisor discovers that she is an unwed mother and dismisses her. To meet the Thénardiers' repeated demands for money, she sells her hair and two front teeth, and turns to prostitution. She becomes ill. Valjean learns of her plight when Javert arrests her for attacking a man who called her insulting names and threw snow down her back, and sends her to a hospital. As Javert confronts Valjean in her hospital room, because her illness has made her so weak, she dies of shock after Javert reveals that Valjean is a convict and hasn't brought her daughter Cosette to her (after the doctor encouraged that incorrect belief that Jean Valjean's recent absence was because he was bringing her daughter to her. Cosette (formally Euphrasie, also known as "the Lark" Mademoiselle Lanoire, Ursula) – The illegitimate daughter of Fantine and Tholomyès. From approximately the age of three to the age of eight, she is beaten and forced to work as a drudge for the Thénardiers. After her mother Fantine dies, Valjean ransoms Cosette from the Thénardiers and cares for her as if she were his daughter. Nuns in a Paris convent educate her. She grows up to become very beautiful. She falls in love with Marius Pontmercy and marries him near the novel's conclusion. Marius Pontmercy – A young law student loosely associated with the Friends of the ABC. He shares the political principles of his father and has a tempestuous relationship with his royalist grandfather, Monsieur Gillenormand. He falls in love with Cosette and fights on the barricades when he believes Valjean has taken her to London. After he and Cosette marry, he recognizes Thénardier as a swindler and pays him to leave France. Éponine (the Jondrette girl) – The Thénardiers' elder daughter. As a child, she is pampered and spoiled by her parents, but ends up a street urchin when she reaches adolescence. She participates in her father's crimes and begging schemes to obtain money. She is blindly in love with Marius. At Marius' request, she finds Valjean and Cosette's house for him and sadly leads him there. She also prevents her father, Patron-Minette, and Brujon from robbing the house during one of Marius' visits there to see Cosette. After disguising herself as a boy, she manipulates Marius into going to the barricades, hoping that she and Marius will die there together. Wanting to die before Marius, she reaches out her hand to stop a soldier from shooting at him; she is mortally wounded as the bullet goes through her hand and her back. As she is dying, she confesses all this to Marius, and gives him a letter from Cosette. Her final request to Marius is that once she has passed, he will kiss her on the forehead. He fulfills her request not because of romantic feelings on his part, but out of pity for her hard life. Monsieur Thénardier and Madame Thénardier (also known as the Jondrettes, M. Fabantou, M. Thénard. Some translations identify her as the Thenardiess) – Husband and wife, parents of five children: two daughters, Éponine and Azelma, and three sons, Gavroche and two unnamed younger sons. As innkeepers, they abuse Cosette as a child and extort payment from Fantine for her support, until Valjean takes Cosette away. They become bankrupt and relocate under the name Jondrette to a house in Paris called the Gorbeau house, living in the room next to Marius. The husband associates with a criminal group called "the Patron-Minette. and conspires to rob Valjean until he is thwarted by Marius. Javert arrests the couple. The wife dies in prison. Her husband attempts to blackmail Marius with his knowledge of Valjean's past, but Marius pays him to leave the country and he becomes a slave trader in the United States. Enjolras – The leader of Les Amis de l'ABC (Friends of the ABC) in the Paris uprising. He is passionately committed to republican principles and the idea of progress. He and Grantaire are executed by the National Guards after the barricade falls. Gavroche – The unloved middle child and eldest son of the Thénardiers. He lives on his own as a street urchin and sleeps inside an elephant statue outside the Bastille. He briefly takes care of his two younger brothers, unaware they are related to him. He takes part in the barricades and is killed while collecting bullets from dead National Guardsmen. Bishop Myriel – The Bishop of Digne (full name Charles-François-Bienvenu Myriel, also called Monseigneur Bienvenu) – A kindly old priest promoted to bishop after a chance encounter with Napoleon. After Valjean steals some silver from him, he saves Valjean from being arrested and inspires Valjean to change his ways. Grantaire – Grantaire (Also known as "R" was a student revolutionary with little interest in the cause. He reveres Enjolras, and his admiration is the main reason that Grantaire spends time with Les Amis de l'ABC (Friends of the ABC) despite Enjolras's occasional scorn for him. Grantaire is often drunk and is unconscious for the majority of the June Rebellion. He and Enjolras are executed by the National Guards after the barricade falls. Friends of the ABC A revolutionary student club. In French, the letters "ABC" are pronounced identically to the French word abaissés, the abased. Bahorel – A dandy and an idler from a peasant background, who is known well around the student cafés of Paris. Combeferre – A medical student who is described as representing the philosophy of the revolution. Courfeyrac – A law student who is described as the centre of the group of Friends. He is honorable and warm and is Marius' closest companion. Enjolras – The leader of the Friends. A resolute and charismatic youth, devoted to progress. Feuilly – An orphaned fan maker who taught himself to read and write. He is the only member of the Friends who is not a student. Grantaire – A drunk with little interest in revolution. Despite his pessimism, he eventually declares himself a believer in the Republic, and dies alongside Enjolras. Jean Prouvaire (also Jehan) – A Romantic with knowledge of Italian, Latin, Greek, and Hebrew, and an interest in the Middle Ages. Joly – A medical student who has unusual theories about health. He is a hypochondriac and is described as the happiest of the Friends. Lesgle (also Lègle, Laigle, L'Aigle [ The Eagle] or Bossuet) – The oldest member of the group. Considered notoriously unlucky, Lesgle begins balding at the age of twenty-five. It is Lesgle who introduces Marius to the Friends. Minor Azelma – The younger daughter of the Thénardiers. Like her sister Éponine, she is spoiled as a child, impoverished when older. She abets her father's failed robbery of Valjean. On Marius and Cosette's wedding day, she tails Valjean on her father's orders. She travels to America with her father at the end of the novel. Bamatabois – An idler who harasses Fantine. Later a juror at Champmathieu's trial. (Mlle) Baptistine Myriel – Bishop Myriel's sister. She loves and venerates her brother. Blachevelle – A wealthy student in Paris originally from Montauban. He is a friend of Félix Tholomyès and becomes romantically involved with Fantine's friend Favourite. Bougon, Madame (called Ma'am Burgon) – Housekeeper of Gorbeau House. Brevet – An ex-convict from Toulon who knew Valjean there; released one year after Valjean. In 1823, he is serving time in the prison in Arras for an unknown crime. He is the first to claim that Champmathieu is really Valjean. He used to wear knitted, checkered suspenders. Brujon – A robber and criminal. He participates in crimes with M. Thénardier and the Patron-Minette gang (such as the Gorbeau Robbery and the attempted robbery at the Rue Plumet. The author describes Brujon as being "a sprightly young fellow, very cunning and very adroit, with a flurried and plaintive appearance. " Champmathieu – A vagabond who is misidentified as Valjean after being caught stealing apples. Chenildieu – A lifer from Toulon. He and Valjean were chain mates for five years. He once tried to unsuccessfully remove his lifer's brand TFP ( travaux forcés à perpetuité. forced labour for life" by putting his shoulder on a chafing dish full of embers. He is described as a small, wiry but energetic man. Cochepaille – Another lifer from Toulon. He used to be a shepherd from the Pyrenees who became a smuggler. He is described as stupid and has a tattoo on his arm, 1 Mars 1815. Colonel Georges Pontmercy – Marius's father and an officer in Napoleon's army. Wounded at Waterloo, Pontmercy erroneously believes M. Thénardier saved his life. He tells Marius of this great debt. He loves Marius and although M. Gillenormand does not allow him to visit, he continually hid behind a pillar in the church on Sunday so that he could at least look at Marius from a distance. Napoleon made him a baron, but the next regime refused to recognize his barony or his status as a colonel, instead referring to him only as a commandant. The book usually calls him "The colonel. Dahlia – A young grisette in Paris and member of Fantine's group of seamstress friends along with Favourite and Zéphine. She becomes romantically involved with Félix Tholomyès' friend Listolier. Fameuil – A wealthy student in Paris originally from Limoges. He is a friend of Félix Tholomyès and becomes romantically involved with Fantine's friend Zéphine. Fauchelevent – A failed businessman whom Valjean (as M. Madeleine) saves from being crushed under a carriage. Valjean gets him a position as gardener at a Paris convent, where Fauchelevent later provides sanctuary for Valjean and Cosette and allows Valjean to pose as his brother. Favourite – A young grisette in Paris and leader of Fantine's group of seamstress friends (including Zéphine and Dahlia. She is independent and well versed in the ways of the world and had previously been in England. Although she cannot stand Félix Tholomyès' friend Blachevelle and is in love with someone else, she endures a relationship with him so she can enjoy the perks of courting a wealthy man. Listolier – A wealthy student in Paris originally from Cahors. He is a friend of Félix Tholomyès and becomes romantically involved with Fantine's friend Dahlia. Mabeuf – An elderly churchwarden, friend of Colonel Pontmercy, who after the Colonel's death befriends his son Marius and helps Marius realize his father loved him. Mabeuf loves plants and books, but sells his books and prints in order to pay for a friend's medical care. When Mabeuf finds a purse in his yard, he takes it to the police. After selling his last book, he joins the students in the insurrection. He is shot dead raising the flag atop the barricade. Mademoiselle Gillenormand – Daughter of M. Gillenormand, with whom she lives. Her late half-sister (M. Gillenormand's daughter from another marriage) was Marius' mother. Madame Magloire – Domestic servant to Bishop Myriel and his sister. Magnon – Former servant of M. Gillenormand and friend of the Thénardiers. She had been receiving child support payments from M. Gillenormand for her two illegitimate sons, who she claimed were fathered by him. When her sons died in an epidemic, she had them replaced with the Thénardiers' two youngest sons so that she could protect her income. The Thénardiers get a portion of the payments. She is incorrectly arrested for involvement in the Gorbeau robbery. Monsieur Gillenormand – Marius' grandfather. A monarchist, he disagrees sharply with Marius on political issues, and they have several arguments. He attempts to keep Marius from being influenced by his father, Colonel Georges Pontmercy. While in perpetual conflict over ideas, he holds his grandson in affection. Mother Innocente (a. k. a. Marguerite de Blemeur) – The prioress of the Petit-Picpus convent. Patron-Minette – A quartet of bandits who assist in the Thénardiers' ambush of Valjean at Gorbeau House and the attempted robbery at the Rue Plumet. The gang consists of Montparnasse, Claquesous, Babet, and Gueulemer. Claquesous, who escaped from the carriage transporting him to prison after the Gorbeau Robbery, joins the revolution under the guise of "Le Cabuc" and is executed by Enjolras for firing on civilians. Petit Gervais – A travelling Savoyard boy who drops a coin. Valjean, still a man of criminal mind, places his foot on the coin and refuses to return it. Sister Simplice – A famously truthful nun who cares for Fantine on her sickbed and lies to Javert to protect Valjean. Félix Tholomyès – Fantine's lover and Cosette's biological father. A wealthy, self-centered student in Paris originally from Toulouse, he eventually abandons Fantine when their daughter is two years old. Toussaint – Valjean and Cosette's servant in Paris. She has a slight stutter. Two little boys – The two unnamed youngest sons of the Thénardiers, whom they send to Magnon to replace her two dead sons. Living on the streets, they encounter Gavroche, who is unaware they are his siblings but treats them like they are his brothers. After Gavroche's death, they retrieve bread tossed by a bourgeois man to geese in a fountain at the Luxembourg Garden. Zéphine – A young grisette in Paris and member of Fantine's group of seamstress friends along with Favourite and Dahlia. She becomes romantically involved with Félix Tholomyès' friend Fameuil. The narrator Hugo does not give the narrator a name and allows the reader to identify the narrator with the novel's author. The narrator occasionally injects himself into the narrative or reports facts outside the time of the narrative to emphasize that he is recounting historical events, not entirely fiction. He introduces his recounting of Waterloo with several paragraphs describing the narrator's recent approach to the battlefield: Last year (1861) on a beautiful May morning, a traveller, the person who is telling this story, was coming from Nivelles. 23] The narrator describes how " a]n observer, a dreamer, the author of this book" during the 1832 street fighting was caught in crossfire: All that he had to protect him from the bullets was the swell of the two half columns which separate the shops; he remained in this delicate situation for nearly half an hour. At one point he apologizes for intruding—"The author of this book, who regrets the necessity of mentioning himself"—to ask the reader's understanding when he describes "the Paris of his youth. as though it still existed. This introduces a meditation on memories of past places that his contemporary readers would recognize as a self-portrait written from exile: you have left a part of your heart, of your blood, of your soul, in those pavements. He describes another occasion when a bullet shot "pierced a brass shaving-dish suspended. over a hairdresser's shop. This pierced shaving-dish was still to be seen in 1848, in the Rue du Contrat-Social, at the corner of the pillars of the market. As evidence of police double agents at the barricades, he writes: The author of this book had in his hands, in 1848, the special report on this subject made to the Prefect of Police in 1832. " Contemporary reception The appearance of the novel was a highly anticipated event as Victor Hugo was considered one of France's foremost poets in the middle of the nineteenth century. The New York Times announced its forthcoming publication as early as April 1860. [24] Hugo forbade his publishers from summarizing his story and refused to authorize the publication of excerpts in advance of publication. He instructed them to build on his earlier success and suggested this approach: What Victor H. did for the Gothic world in Notre-Dame of Paris [ The Hunchback of Notre Dame] he accomplishes for the modern world in Les Miserables. 25] A massive advertising campaign [26] preceded the release of the first two volumes of Les Misérables in Brussels on 30 or 31 March and in Paris on 3 April 1862. [27] The remaining volumes appeared on 15 May 1862. Critical reactions were wide-ranging and often negative. Some critics found the subject matter immoral, others complained of its excessive sentimentality, and others were disquieted by its apparent sympathy with the revolutionaries. L. Gauthier wrote in Le Monde of 17 August 1862: One cannot read without an unconquerable disgust all the details Monsieur Hugo gives regarding the successful planning of riots. 28] The Goncourt brothers judged the novel artificial and disappointing. [29] Flaubert found "neither truth nor greatness" in it. He complained that the characters were crude stereotypes who all "speak very well – but all in the same way. He deemed it an "infantile" effort and brought an end to Hugo's career like "the fall of a god. 30] In a newspaper review, Charles Baudelaire praised Hugo's success in focusing public attention on social problems, though he believed that such propaganda was the opposite of art. In private he castigated it as "repulsive and inept. immonde et inepte. 31] The Catholic Church placed it on the Index Librorum Prohibitorum. [32] The work was a commercial success and has been a popular book ever since it was published. [33] 34] Translated the same year it appeared into several foreign languages, including Italian, Greek, and Portuguese, it proved popular not only in France, but across Europe and abroad. English translations Charles E. Wilbour. New York: Carleton Publishing Company, June 1862. The first English translation. The first volume was available for purchase in New York beginning 7 June 1862. [35] Also New York and London: George Routledge and Sons, 1879. Lascelles Wraxall. London: Hurst and Blackett, October 1862. The first British translation. [35] Translator identified as "A. F. Richmond, Virginia, 1863. Published by West and Johnston publishers. The Editor's Preface announces its intention of correcting errors in Wilbour's translation. It said that some passages "exclusively intended for the French readers of the book" were being omitted, as well as " a] few scattered sentences reflecting on slavery" because "the absence of a few antislavery paragraphs will hardly be complained of by Southern readers. Because of paper shortages in wartime, the passages omitted became longer with each successive volume. [35] Isabel Florence Hapgood. Published 1887, this translation is available at Project Gutenberg. [36] Norman Denny. Folio Press, 1976. A modern British translation later re-published in paperback by Penguin Books, ISBN   0-14-044430-0. The translator explains in an introduction that he has placed two of the novel's longer digressive passages into appendices and made some minor abridgements in the text. Lee Fahnestock and Norman McAfee. Signet Classics. 3 March 1987. An unabridged edition based on the Wilbour translation with its language modernized. Paperback ISBN   0-451-52526-4 Julie Rose. 2007. Vintage Classics, 3 July 2008. A new translation of the full work, with a detailed biographical sketch of Victor Hugo's life, a chronology, and notes. ISBN   978-0-09-951113-7 Christine Donougher. Penguin Classics, 7 November 2013. ISBN   978-0141393599 Adaptations Since its original publication, Les Misérables has been the subject of a large number of adaptations in numerous types of media, such as books, films, musicals, plays and games. Notable examples of these adaptations include: The 1935 film directed by Richard Boleslawski, starring Fredric March and Charles Laughton. The film was nominated for Best Picture, Best Film Editing, Best Assistant Director at 8th Academy Awards. The 1937 radio adaptation by Orson Welles. [37] The 1952 film adaptation directed by Lewis Milestone, starring Michael Rennie and Robert Newton. The 1958 film adaptation directed by Jean-Paul Le Chanois, with an international cast starring Jean Gabin, Bernard Blier, and Bourvil. [38] Called "the most memorable film version" it was filmed in East Germany and was overtly political. [39] The 1978 television film adaptation, starring Richard Jordan and Anthony Perkins. The 1980 musical, by Alain Boublil and Claude-Michel Schönberg. [40] The 1982 film adaptation, directed by Robert Hossein, starring Lino Ventura and Michel Bouquet. The 1995 film, by Claude Lelouch, starring Jean-Paul Belmondo [41] The 1998 film, starring Liam Neeson and Geoffrey Rush. [42] The 2000 TV miniseries, starring Gérard Depardieu and John Malkovich. [43] The 2007 TV anime adaptation, by Studio Nippon Animation. The 2012 film of the musical, starring Hugh Jackman, Russell Crowe, Anne Hathaway and Amanda Seyfried. [44] The film received eight Academy Award nominations including Best Picture, Best Actor for Jackman, and won three, for Best Sound Mixing, Best Makeup and Hairstyling, and Best Supporting Actress for Hathaway. A 2013 Japanese manga adaptation by Takahiro Arai, to be published in Shogakukan 's Monthly Shonen Sunday magazine from September 2013. [45] A 2018 TV miniseries by Andrew Davies, starring Dominic West, David Oyelowo and Lily Collins. [46] Sequels Laura Kalpakian 's Cosette: The Sequel to Les Misérables was published in 1995. It continues the story of Cosette and Marius, but is more a sequel to the musical than to the original novel. In 2001, two French novels by François Cérésa that continue Hugo's story appeared: Cosette ou le temps des illusions and Marius ou le fugitif. The former has been published in an English translation. Javert appears as a hero who survived his suicide attempt and becomes religious; Thénardier returns from America; Marius is unjustly imprisoned. [47] The works were the subject of an unsuccessful lawsuit brought by Hugo's great-great-grandson. [48] 49] See also Fex urbis lex orbis Jean Val Jean, abridged version in English (1935) References ^ Les Misérables. Longman Dictionary of Contemporary English. Longman. Retrieved 16 August 2019. ^ Novelist Susanne Alleyn has argued that "the phrase “les misérables”, which has a whole range of subtly shaded meanings in French, is much better translated into English as “the dispossessed” or even as “the outsiders” — which can describe every major character in the novel in one way or another — than simply as “the miserable ones” / “the wretched ones. ” No, Its Not Actually the French Revolution: Les Misérables and History. ^ BBC News – Bon anniversaire! 25 facts about Les Mis. BBC Online. 1 October 2010. Retrieved 1 October 2010. ^ Sinclair, Upton (1915. The Cry for Justice: An Anthology of the Literature of Social Protest. Charles Rivers Editors. ISBN   978-1-247-96345-7. ^ Alexander Welsh, Opening and Closing Les Misérables. in Harold Bloom, ed., Victor Hugo: Modern Critical Views (NY: Chelsea House, 1988) 155; Vol. 5, Book 1, Chapter 20 ^ Read the Ten Longest Novels Ever Written. Retrieved 31 December 2012. ^ Behr, Complete Book, 39–42 ^ A. Davidson, Victor Hugo: His Life And Work (J. B. Lippincott, 1929) Kindle Location 4026, 4189 ^ Victor Brombert. Les Misérables: Salvation from Below" in Harold Bloom, ed., Modern Critical Views: Victor Hugo (Chelsea House, 1988) 195 ^ Brombert, Salvation from Below. 195–97 ^ Alexander Welsh, Opening and Closing Les Misérables. in Harold Bloom, ed., Modern Critical Views: Victor Hugo (Chelsea House, 1988) 151–52 ^ Day, Anonymous (15 August 2014. About the Novel" PDF. The Official Les Miserables Website Times. ^ Guyon, Loïc Pierre (2002. Un aventurier picaresque au XIXe siècle: Eugène-François Vidocq. In Glaser, Albert; Kleine-Roßbach, Sabine (eds. Abenteurer als Helden der Literatur (in French. Springer. doi: 10. 1007/978-3-476-02877-8. ISBN   978-3-476-02877-8. ^ Morton, James (2004. The First Detective: The Life and Revolutionary Times of Vidocq, Criminal, Spy and Private Eye. New York: Overlook Press. ^ Hugo, Victor, Les Misérables (Preface by A. Rosa) Laffont, 1985, ISBN   2-221-04689-7, p. IV. ^ a b c Edward Behr, The Complete Book of Les Misérables (Arcade, 1993) Le Bagne de Toulon (1748–1873) Académie du Var, Autres Temps Editions (2010) ISBN   978-2-84521-394-4 ^ Victor Hugo, Things Seen, vol. 1 (Glasgow and New York: George Routledge and Sons, 1887) 49–52. The chapter is title "1841. Origin of Fantine. Behr quotes this passage at length in Behr, Complete Book, 32–36. ^ Victor Hugo, Choses vues: nouvelle série (Paris: Calman Lévy, 1900) 129–130 ^ a b Robb, Graham (1997. Victor Hugo: A Biography. New York: W. W. Norton. ^ Rosa, Annette, Introduction to Les Misérables, Laffont, 1985, ISBN   2-221-04689-7 ^ Robb, Graham (1999. Norton. ISBN   978-0393318999. ^ Victor Brombert. Les Misérables: Salvation from Below" in Harold Bloom, ed., Victor Hugo: Modern Critical Views (NY: Chelsea House, 1988) 198–99; Vol. 2, Book 1, Chapter 1 ^ Personalities. New York Times. 10 April 1860. Retrieved 3 January 2013. ^ Behr, Compete Book, 38 ^ La réception des Misérables en 1862 – Max Bach – PMLA, Vol. 77, No. 5 (December 1962) "les miserables, victor hugo, First Edition, 1862. ABE Books. Retrieved 21 January 2013. ^ PDF) Goncourt, Edmond et Jules, Journal, Vol. I, Laffont, 1989, ISBN   2-221-05527-6, April 1862, pp. 808–09 ^ Letter of G. Flaubert to Madame Roger des Genettes – July 1862 Archived 27 November 2006 at the Wayback Machine ^ Hyslop, Lois Bee (October 1976. Baudelaire on Les Misérables. The French Review. 41 (1) 23–29. ^ Turner, David Hancock (18 January 2013. Les Misérables and Its Critics. Jacobin. Retrieved 14 June 2016. ^ Marguerite Yourcenar. "Réception des Misérables en Grèce" PDF. ^ Réception des Misérables au Portugal Archived 29 September 2007 at the Wayback Machine ^ a b c Moore, Olin H. (March 1959. Some Translations of Les Miserables. Modern Language Notes. 74 (3) 240–46. JSTOR   3040282. ^ Les Misérables by Victor Hugo – Project Gutenberg. 22 June 2008. Retrieved 15 October 2009. ^ Radio Programs Scheduled for this Week, The New York Times, 25 July 1937 ^ Les Misérables on IMDb ^ Behr, Edward (1989. The Complete Book of Les Misérables. NY: Arcade. pp. 152–53. ^ The Broadway League. "The official source for Broadway Information. IBDB. Retrieved 31 December 2012. ^ AlloCine, Les Misérables, retrieved 23 September 2015 ^ Cirque du Freak's Arai Launches Manga of Les Misérables Novel. ^ Otterson, Joe (9 January 2018. David Oyelowo, Dominic West, Lily Collins to Star in BBC's 'Les Misérables' Miniseries. Variety. ^ Riding, Alan (29 May 2001. Victor Hugo Can't Rest in Peace, As a Sequel Makes Trouble. The New York Times. Retrieved 4 January 2013... Les Misérables: la suite rejugée en appel. Le nouvel observateur. 30 January 2007. Retrieved 4 January 2013. ^ Van Gelder, Lawrence (1 February 2007. French Court Says Yes to Misérables Sequels. Retrieved 4 January 2013. External links Les Misérables at Les Misérables at the Internet Movie Database French text of Les Misérables, scroll down to see the links to the five volumes Les Misérables at Project Gutenberg – English translation. Review by Edwin Percy Whipple The Atlantic Monthly. July 1862. Les Miserables public domain audiobook at LibriVox.

About Les Misérables Hugo wrote several novels, but the only three that have continued to be much read today are Les Misérables; Notre Dame de Paris; and Les Travailleurs de la Mer, the story of a young fisherman who fights the sea to salvage a wreck and win the girl he loves, but who gives her up when he learns she prefers another man. Les Travailleurs de la Mer is read chiefly for its magnificent evocations of the sea, but Notre Dame de Paris is known the world over. Set in medieval Paris, it is one of those Romantic historical novels inspired by Sir Walter Scott, and on more than one score it bears comparison with Ivanhoe. Both are popular classics; both have suspenseful and melodramatic plots; both contain character sketches which, despite their lack of depth, have remained vivid and memorable for a century. Just as every English school child knows Rowena, Rebecca, Ivanhoe, and Sir Brian de Bois Guilbert, so every French reader knows the poor but beautiful gypsy Esmeralda with her little goat; the alchemist-priest Claude Frollo, who desires her; and Quasimodo, the "hunchback of Notre Dame. who loves her and tries to save her. The chief fascination of Notre Dame de Paris, however, lies in its powerful and living recreation of the Middle Ages. Hugo consulted many historical archives and accounts in his research for the novel, but the scenes of Paris life seem the work not of a scholar but of an eyewitness. Les Misérables has many of the same qualities as Notre Dame de Paris, but it is a far more complex creation. As early as 1829, Hugo began to gather notes for a book that would tell the story of "a saint, a man, a woman, and a child. but over the years it became enriched by a throng of new characters and multiple accretions from Hugo's philosophy and experience. When it was finally published in 1862, it had attained, both in quality and quantity, an epic sweep. In both thought and feeling, Les Misérables is far more profound than Notre Dame de Paris. In writing it, Hugo came to grips with the social problems of his own day, which demanded much reflection upon the nature of society and, therefore, upon the nature of man. In 1830, the average life expectancy of a French worker's child was two years. Hugo, unlike many of his contemporaries, did not consider this statistic as "inevitable" or "the fault of the parents. but evaluated it in human terms and cried out that suffering of such magnitude was intolerable and that such conditions must be changed through social action. What social action he considered desirable he shows us indirectly by portraying children who need to be fed, men who need jobs, and women who need protection; but also directly through M. Madeleine, who serves as an example of the ideal employer, and through the students of the 1832 revolt, who demand legislation that will make possible equal education, equal opportunity, and genuine brotherhood among men. But to support this social action Hugo must be convinced, and convince others, that the poor, the outcast — the misérables — are worth saving: that even the most impudent, scruffy street gamin has something to contribute to society, that even the most hardened convict is capable of great good. And the most appealing and enduring quality of Les Misérables is the fact that it is permeated by this unquenchable belief in the spiritual possibilities of man. Like that of Notre Dame de Paris, the plot of Les Misérables is fundamentally melodramatic; its events are often improbable, and it moves in the realm of the socially and psychologically abnormal. But this melodrama is deliberate; Hugo has chosen an extreme example, the conversion of a convict into a saint, to illustrate a general truth: Man is perfectible. Moreover, within this general framework, the sequence and interrelation of the events are credible, and the structure is very carefully plotted. Like a good play, it opens on a situation of high suspense, rises to two increasingly tense climaxes at the ends of Part Three and Part Four, and arrives at a satisfactory and logical denouement in Part Five. Its two themes, the struggle between good and evil in the soul of one man and society's struggle toward a greater good, are skillfully interwoven, and Hugo effectively immortalizes this struggle in our imaginations by a number of striking visual tableaux. Psychological subtleties are not Hugo's forte. He does not, probably cannot, delve into the baffling paradoxes, the complexities, the idiosyncrasies of the soul. His gift is for the fundamental truth. Valjean is a simple character dominated by one powerful emotion: caritas (charity — active, outgoing love for others. He helps a prostitute, protects his workers, gives constantly to the poor. His very raison d'être is literally love since his existence revolves around Cosette; when she leaves him, he dies. Javert is the watchdog of the social order. Marius is the incarnation of the romantic lover. Enjolras is the incorruptible revolutionary. All of Hugo's characters can be briefly described — in other words, labeled. But this simplicity has its own value. It allows the writer to analyze in depth a particular emotion, like a scientist studying an isolated germ. No one has captured better than Victor Hugo the arduous path of virtue or the poignancy of love. Valjean's deathbed scene has brought tears to the most sophisticated reader. Of course, Hugo's truth is the poet's not the psychologist's. He takes great liberties with reality. His characters do not always evolve in convincing steps. Valjean's conversion is almost miraculous, Thénardier's degradation unmotivated. They are larger than life. Marius loves passionately, Valjean is a modern saint, Thénardier a Satanic villain. But these are superficial criticisms. Hugo only distorts details: He scrupulously respects the basic integrity of the character. Les Misérables is the archetypal representation of eternal human emotions such as love, hate, and abnegation. Style is the reflection of the man and it is therefore not surprising that a writer of Hugo's enormous vitality should abandon classical restraint. Hugo revels in language. Ideas are stated and restated. Places are exhaustively described. Characters do not speak; they harangue, lament, eulogize. No doubt, Hugo's exuberance is excessive. His antitheses occasionally grow tiresome. His discourse can degenerate into verbiage. His pronouncements sometimes sound hollow, or worse, false. But the defect is minor, for Hugo suffers only from an overabundance of riches. His style is a mighty organ. He is at home in every idiom from the argot of the underworld to the intellectual tone of student discussion. He captures the slangy sarcasm of the gamin, the eloquence of the idealist, the lyricism of the lover. His expository prose, fed by an insatiable curiosity, deals with a range of subjects rarely encountered in a novel. Hugo writes with an absolute command of the mot juste, about history, logistics, philosophy, religion, and political morality. He remains, of course, the greatest word painter in the French language. In Les Misérables no less than in his poetry, he justifies his claim of being "the sonorous echo of the universe. Countless vignettes and a few bravura pieces such as the description of the Battle of Waterloo invest his novels with a heightened sense of reality. Few writers can rival the vividness and eloquence of Hugo's style.

Les miserables broadway. Beau discours cependant envers la Police alors qu'ils vous martyrisent parfois, surement un Chrétien. Les misérables streaming. 3:50 ITS LENIN. Pes misérables (2012. Lea's performance of this masterpiece was epic that can only be perform by such master of their craft and indeed she is... I can only name 2 who is on par when it comes to ENUNCIATION: Benson (singing voice of Ariel) Callaway (singing voice of Anastacia, Odette and Princess Jasmine sequels of Aladdin) She is One of the few musical theatre legends who swept all 5 major musical/theatre awards in one season (Miss Saigon) Tony, Olivier, Drama Desk, Critics circle and one of the most difficult to claim theatre world for someone who's going to debut in musical. And only Few can claim that... That is the reason why she's an A-lister, Broadway and West End diva.

Les misérables (2012 film. I almost was able to sing all the parts of One Day More. Sadly i failed though. Les misérables (2012) trailer. I watched this clip over and over during the past year going through hell with a girlfriend and seemily hitting bottom. And everything changed with a little luck. Don't even stop thinking it'll be better.

Les misérables 2019. This makes the hair stand up on the back of my neck and arms. I LOVE it. Les miserables pbs. Les misérables 25th anniversary event. This submission is currently being researched & evaluated! You can help confirm this entry by contributing facts, media, and other evidence of notability and mutation. About Les Miserables is a novel written by French novelist Victor Hugo and published in 1862. Often considered one of the most influential novels of the 19th century, the story has been adapted into numerous musical productions, feature films and even a musical drama film, the last of which led to the establishment of an online fandom upon its release in December 2013. History Musical Adaptations The musical adaptation of Les Miserables premiered on Broadway on March 12th, 1987, and closed on May 18th, 2003, giving it the fourth longest Broadway run. [5] 6] It won 9 Tony Awards in 1987 including Best Musical. The songs "I Dreamed a Dream" and "On My Own" from the musical became popular staples of singing competition reality shows and pop culture, with the former sung by Susan Boyle on Britain's Got Talent and the latter sung by Lea Michelle in the pilot episode of Glee. Film Adaptations There had been seven film adaptations of Les Miserable before a film adaptation of the musical was released on December 25, 2012. [1] The film starred Hugh Jackman as Jean Valjean, Anne Hathaway as Fantine, Amanda Seyfried as Cosette, and Eddie Redmayne as Marius. It grossed 148. 8M. [3] Reception The 2012 musical film received mixed reviews, earning a 70% on Rotten Tomatoes and a 63% on Metacritic. [4] It was nominated for eight Academy Awards and won three, including Best Performance by an Actress in a Supporting Role for Anne Hathaway. Online Presence As of January 2014, the official Les Miserables Twitter account [8] has over 82. 9 followers and its Facebook page [9] has over likes 1. 6 million likes. The film is available to watch for 9. 99 on Universal Movies official YouTube channel. [21] The official trailer was uploaded to Universal Movie's YouTube channel on March 1st, 2013, and as of March 2014, it has over 220, 000 views. Fandom In addition to the show's branded social media presence, there are numerous fan sites where fans gather to critique and praise the film, including the now-outdated Tripod fan site [24] and the Les Misersables FanPop channel [23. There are several Tumblr blogs dedicated to the film, such as lesmisconfessions [10] fuckyeslesmismovie [11] and fylesmiserables. [12] As of January 2014, 13] has over 2, 600 Les Miserables submissions and Deviant Art [22] has over 19, 000 submissions tagged Les Miserables. Les Mean Girls Les Mean Girls is a meme that involves taking quotes (or slightly altered quotes) from the 2004 comedy Mean Girls and putting them on film stills from Les Miserables. The LesMeanGirls Tumblr [16] uploaded it's first imaged on January 2nd, 2013. On January 31st Buzzfeed [17] published a post titled "Les Mean Girls Is "Mean Girls" Meets "Les Miserables" And Its Glorious" that compiled the best photos from the Tumblr. The meme was also covered by sites likes Mashable [18] UpRoxx [19] and TheJaneDough. [20] Hark! a Vagrent Tackles Javert On November, 21st, 2010, illustrator Kate Beaton posted a series of comics under the heading "Javert" on her website "Hark! A Vagrant. 7] The comics poked fun at the police officer and anti-hero of Les Miserables, Inspector Javert. The comics quickly became popular on Tumblr. Musical Parodies On November 6th, 2011, YouTube Channel The Online Musical uploaded the first video in their dubstep Les Miserables series. The video featured singer Rachel Dady singing "I Dreamed a Dream" over a dubstep beat. [14] The video was followed by a dubstep version of "One Day More" on November 8th and "Empty Chairs at Empty Tables" on November 11th. The highest performing video of the three, One Day More. had gained over 110, 000 views as of January 2014. On August 30th, 2012, popular YouTube singer Nick Pitera uploaded a video to his channel titled "One Man Les Miserables Nick Pitera Medley" that featured him singing multiple roles in a Les Miserables medley. [15] As of January 2014 the video has over 4. 5 million views. Javert Javert, also known as Javert your eyes, is a reaction image and photoshop fad centered around a GIF of the character of Javert staring through a window with a look of distress on his face. It became extreme popular on Imgur in late 2014. Notable Examples Search Interest Know Your Meme Store External References.

Les misérables do you hear the people sing. This is a pretty random post by Universal. This song was blocked on all platforms in China. Les misérables 2012 cast. Les misérables by victor hugo. Les miserables escape route. Jean Valjean Jean Valjean (zhah[n] vahl- ZHAH[N. a convict of unusual strength, originally sentenced to five years in prison for stealing a loaf of bread for his sisters starving family. Attempts to escape have kept him in the galleys for nineteen years before he is released in 1815. Police Inspector Javert is sure he will be back, for his passport, proclaiming him an ex-convict, keeps him from getting work. He stops at the home of the bishop of Digne, who treats him well despite Jeans attempts to rob him of some silverware. Eventually, calling himself Father Madeleine, a man with no previous history, he appears in the town of M. sur M. His discovery of a method for making jet for jewelry brings prosperity to the whole village, and the people elect him mayor. Then his conscience forces him to confess his former identity to save a prisoner unjustly arrested. Again he escapes from the galleys and from Inspector Javert, until he is betrayed by a blackmailer. In the end, he dies peacefully, surrounded by those he loves and with his entangled past revealed. His final act is to bequeath to Cosette the bishops silver candlesticks, which he had kept for years while trying to deserve the bishops confidence. Fantine Fantine (fahn- TEEN) a beautiful girl of Paris whose attempts to find a home for her illegitimate daughter Cosette have put her into the power of money-mad M. Thénardier. Unable to meet his demands for more money after the foreman of Father Madeleines factory fires her upon learning of her earlier history, she turns prostitute, only to have M. Javert arrest her. By this time, she is dying of tuberculosis. Father Madeleine promises to look after eight-year-old Cosette. Cosette Cosette (koh- ZEHT) Fantines daughter, who grows up believing herself the daughter of Father Madeleine. She is seen and loved by a young lawyer, Marius Pontmercy; but Valjean, fearing he will be compelled to reveal her story and his own if she marries, plans to take her away. Cosette hears from Pontmercy again as she is about to leave for England with her supposed father. She sends him a note that brings his answer that he is going to seek death at the barricades. Felix Tholomyes Felix Tholomyes (fay- LEEKS toh-loh- MYEHS) a carefree, faithless student, Fantines lover and Cosettes father. M. Javert M. Javert (zhah- VEHR) a police inspector with a strong sense of duty that impels him to track down the man whom he considers a depraved criminal. Finally, after Valjean saves his life at the barricades, where the crowd wants to kill him as a police spy, he struggles between his sense of duty and his reluctance to take back to prison a man who could have saved himself by letting the policeman die. His solution is to drown himself in the Seine. Marius Pontmercy Marius Pontmercy (mahr- YEWS poh[n] mehr- SEE) a young lawyer of good blood, estranged from his aristocratic family because of his liberal views. His father, an army officer under Napoleon Bonaparte, had expressed a deathbed wish that his son try to repay his debt to Sergeant Thénardier, who had saved his life at Waterloo. Marius struggle between obligations to a rascal and his desire to protect the father of the girl he loves sets M. Javert on Jean Valjeans tracks. A farewell letter from Cosette sends him to die at the barricade during a street revolt. After he has been wounded, Valjean saves him by carrying him underground through the sewers of Paris. Eventually, Marius marries Cosette and learns, when the old man is dying, the truth about Jean Valjean. M. Thénardier M. Thénardier (tay-nahr- DEEAY) an unscrupulous, avaricious innkeeper, a veteran of Waterloo, who bleeds Fantine of money to pay for the care of Cosette. Later, he changes his name to Jondrette and begins a career of begging and blackmail while living in the Gorbeau tenement in Paris. Jean Valjean becomes one of his victims. He even demands money to let Valjean out of the sewers beneath Paris while Valjean is carrying...

Les miserables 2019. Les misÃrables. A Broadway musical based on the novel by Victor Hugo of the same name. Typically assumed to take place during the French Revolution, it in fact is set during the early 1800s, particularly during an uprising against Napoleon III in the 1830s. The plot follows Jean Valjean, a convict who broke parole, rose to become a factory owner and mayor, and adopted the child of a former factory worker-turned prostitue. Throughout the story, Valjean is pursued incessantly by Javert, a policeman who believes that, by God's will, he will recapture Valjean. Other subplots present themselves along the story, including a love triangle between Valjean's adopted daughter (Cosette) a reluctant revolutionary ( Marius Pontmercy) and a streetgirl ( Eponine Thenardier) and the wheelings and dealing of Eponine's swindling parents. A fantastic novel and a beautiful musical. My personal favorite musical and book. Musical by Alain Boublil and Claude-Michel Schönberg, the book is written by Victor Hugo. In this story we follow Jean Valjean, an exconvict who becomes good, but is always being chased by a policeman named Javert Unlike popular belief Les Miserables is not set during the French Revolution, but after in a student led failed revolution called the June Rebellion Les Miserables recently celebrated their 25th anniversary as a musical, and in London Jean Valjean is being played by Alfie Boe, Marius is being played by Gareth Gates, Cosette is being played by Katie Hall, and until Thurs Sept 15th 2011 Matt Lucas is playing M. Thenardier 1. The world's most popular musical. Set around the time of the French revolution, it is based on a novel by Victor Hugo. 2. A novel by Victor Hugo. 3. Several movies, including one with Geoffry Rush, Liam Neeson, and Claire Daines. To love another person is to see the face of God. -Les Mis é rables by Kathe May 19, 2005 A play based on a book which was originally written in French. All of the characters, with the exception of Marius and Cosette, die. It is set during the French Revolution. It was originally preformed on Broadway in 1987. Do you hear the people sing? Lost in the valley of the night. It is the music of a people who are climbing to the light. For the wretched of the earth there is a flame that never dies. Even the darkest night will end and the sun will rise. They will live again in freedom in the garden of the lord. They will walk behind the plowshare. They will put away the sword. The chain will be broken and all men will have their reward. Will you join in our crusade? Who will be strong and stand with me? Somewhere beyond the barricade is there a world you long to see? Do you hear the people sing? Say do you hear the distant drums? It is the future that they bring when tomorrow comes. by Katie January 02, 2004 A novel written by Victor Hugo, first published in 1862, that has film and musical adaptations. Consisting of 5 parts, all of which are set in different times, the novel can be considered as 5 volumes rather than the 1 book. The most well known and regarded part is set in June 1832 and based loosely around the June rebellion. Important characters and dates in this section are accurate as Victor Hugo (the author) was present for part of said rebellion. Les Misérables also happens to be the best selling musical of all time. It was first opened and performed in English on the 8th of October, 1985 by the Royal Shakespeare Company. The film was released in 2012. Les Misérables is amazing but the film casting, as well as the casting in previous musical productions, has sparked conflict within fans. Fans of the novel are often not fond of the musical as it is inaccurate, The best musical to ever hit htis plannet. Set in the time of the french revolution this brings to life how people lived back then. Eponine ROCKS and Javert is kool. The music is beautiful and meaningful and wonderful to sing. Nothing can beat it. 'Without me, his world will go on turning. A World thats full of happiness that i have never known. I love him, I love Him, I love him. But only on my own. Eponine, On my Own.

Les misérables 1998. Part of the 2018-2019 Broadway In Richmond Series Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönbergs Tony Award-winning musical phenomenon, Les Misérables, direct from an acclaimed two-and-a-half-year return to Broadway. With its glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo, this breathtaking new production has left both audiences and critics awestruck, cheering “Les Miz is born again! ” (NY1.  Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. Featuring the thrilling score and beloved songs “I Dreamed A Dream, ” “On My Own, ” “Stars. “Bring Him Home, ” “One Day More, ” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. Seen by more than 70 million people in 44 countries and in 22 languages around the globe, Les Misérables is still the worlds most popular musical, breaking box office records everywhere in its 32nd year. Ticket Information Season tickets available at or by calling (804) 592-3401. Individual show tickets are available August 3 at the Altria Theater and Dominion Energy Center box offices, by phone at (800) 514-3849 and online at Ticket prices subject to applicable fees. Ticket prices and sections subject to change. Group Sales Save 10% on tickets when purchasing 10+ through our Group Sales Office. Call 804-592-3401 or email us at [email protected. No discount offered on Friday evening, Saturday matinee or Saturday evening performances. Run Time This production runs 2 hours and 55 minutes which includes an intermission. Age Appropriateness Recommended for ages 10+ LES MISÉRABLES has been a mainstay on the stage for over 30 years and while this epic musical is an inspiring story of love, courage and redemption it also contains many themes related to complex and difficult subject matter including social revolution, poverty and prostitution. When choosing to bring the family to LES MISÉRABLES, parents should make their own decision based on the maturity of their child.

Les misérables dreamed a dream. Les miserables musical. Bravo un bon film😍👍. Les misérables play. Les misérables movie. Les misérables in concert: the 25th anniversary. Les misérables in concert: the 25th anniversary movie. Les misérables ladj ly. Still selling piss I see. Les miserables 2012. Les misérables 85th academy awards. Read the novel( Chinese) and watched this movie when I was twelve. Don't think I understood everything, but still it is beautiful, soul-touching and always reminds me of many naive thoughts during adolescence. Les miserables movie. Les miserables. Les misérables soundtrack. 1:54 - is no one gonna talk about the scars on Jean wrists? I remember the first time I saw this movie I literally gasped. I still flinch every time I see them. And his little “Please, Cosette... ” its just so heart breaking.

Les Miserables Summary When Victor Hugo's novel Les Miserables first came out in 1862, people in Paris and elsewhere lined up to buy it Although critics were less receptive, the novel was an instant popular success. The French word "miserables" means both poor wretches and scoundrels or villains The novel offers a huge cast that includes both kinds of "miserables. A product of France's most prominent Romantic writer, Les Miserables ranges far and wide. It paints a... (read more from the Study Guide) Study Pack The Les Miserables Study Pack contains: Les Miserables Study Guide Encyclopedia Articles (2) 817 words, approx. 3 pages Les Miserables Billed as & x0022;the world& x0027;s most popular musical. x0022; Les Miserables has been translated into numerous languages and has been performed in theaters all over the world. With... Read more 3, 905 words, approx. 14 pages by Victor Hugo Victor Hugo, the son of a general in Napoleon's empire, was born in 1802 in Besancon, France. Although raised by his mother to be a royalist, Hugo's inclination to rep... Victor Hugo Biographies (5) 5, 918 words, approx. 20 pages When Victor Hugo died in 1885 at the age of eighty-three, one million mourners gathered in the streets of Paris to see his corpse borne to the Pantheon. Buried with honors usually reserved for heads o... 14, 862 words, approx. 50 pages No century of French literature has been better represented by a single author than the nineteenth, and no writer better personifies the French nineteenth century than Victor Hugo. His life span corre... 11, 841 words, approx. 40 pages Victor Hugo, one of France's most prolific nineteenth-century authors, wrote novels, poems, and dramatic works. His career as a playwright began in 1816 and ended almost sixty years later. The dramas... 15, 001 words, approx. 51 pages On 22 May 1885 Victor Hugo died, prompting international mourning unprecedented for a literary figure. Within an hour the periodical Gil Blas published a special edition, which sold out everywhere, a... 2, 304 words, approx. 8 pages The French author Victor Marie, Vicomte Hugo (1802-1885) was the supreme poet of French romanticism. He is noted for the breadth of his creation, the versatility that made him as much at ease in the... Essays & Analysis (16) 706 words, approx. 3 pages Les Mis& 233;rables uses philanthropic and loving tones to demonstrate the transformation of Jean Valjean from a hardened convict to a humanitarian. The diction of Les Mis& 233;rables amplifies the c... 1, 045 words, approx. 4 pages Everyone goes throughout there lives in a certain social standing. Whether it may be they're considered to me rich, or poor, or popular, or nerdy. Pretty much as you go through out life you place your... 574 words, approx. 2 pages Victor Hugo lived in France in the mid to late 19th century as a republican, playwright, poet, and novelist. France was consumed in a long period of political instability, and had several bloody conf... 560 words, approx. 2 pages Although he was first a convict, Jean Valjean eventually became a moral person. Victor Hugo portrayed Valjean in Les Mis& 233;rables as someone his readers should look up to. At the end of the book. 1, 633 words, approx. 6 pages The story Les Miserables by Victor Hugo, began with introducing the main character, Jean Valjean to us. He was a convict, who had to do time in prison for stealing a loaf of bread for his family. Duri... 947 words, approx. 4 pages First of all, the story starts with a character named Jean Val jean. He is a victim of harsh penal laws of the nineteenth century. In those days, penal laws are more like laws in ancient civiliz... 974 words, approx. 4 pages Paris, France- While picking up a book the other day to read, I read it with great detail in goal to find mistakes. Not just spelling or capitalization, I am talking about falsified facts and details... 1, 484 words, approx. 5 pages Les Mis& 233;ables is the story of Jean Valjean as he struggles to erase the stain that being a convict has left on his life, but the yellow passport signifying he is an ex-convict is like a brand tha... 455 words, approx. 2 pages At the beginning of the novel Jean Valjean is introduced right after he has been released from the galleys. He is a ragged traveler and is about 46 or 47 years old. He is of medium height and appears... 614 words, approx. 3 pages Les Mis& 233;rables is a novel of many components. It has innumerable themes that can be applied to life, although it is a fictional novel. It is a novel which exposes the life of the poor, and the ig... 1, 739 words, approx. 6 pages Divine Intervention and Biblical Symbolism as seen in Les Mis& 233;rables Morality and revolution are two focuses presented in the Catholic Bible. These two ideas, hand in hand, also mold the themat... 303 words, approx. 2 pages "After he had fully determined that the young man was at the bottom of this state of affairs, and that it all came from him, he, Jean Valjean, the regenerated man, the man who had labored so much upon... 1, 177 words, approx. 4 pages Les Mis& 233;rables is a captivating French novel, which follows the life of an unfortunate man named Jean Valijean. Jean Valijean is an escaped prisoner, who was convicted for stealing a loaf of bre... 1, 002 words, approx. 4 pages Throughout history, there have been numerous debates about the presence of a Supreme Being or many supreme beings, for that matter. The debates have led to wars, unaccountable numbers of deaths, fami... 516 words, approx. 2 pages Nowadays, heroes are hard to be found. Every now and again, the heroic side of a person may appear, but they then return to hibernation. What would an ideal hero be like? In the novel Les Miserables. 1, 079 words, approx. 4 pages In Les Miserables, by Victor Hugo, Jean Valjean strives to redeem himself while Javert strives to enforce justice. The goals of these two men, one who was formerly a convict and one is a police office... Lesson Plan Les Miserables Lesson Plans contain 140 pages of teaching material, including: Les Miserables Lesson Plans.

Literature Guides Introduction Widely regarded as one of the greatest and most recognized French writers, Victor Hugo was the son of a general in Napoleons army. As such, he spent a significant portion of his childhood travelling Italy and Spain before joining his mother in Paris at the age of eleven. It was there that he developed his love affair with books and poetry. Hugo experimented with many different genres of literature, however, it was his plays that proved the most successful. The July 1830 Revolution is credited as the driving force for many of Hugos best works, most remarkably, the literary masterpiece The Hunchback of Notre-Dame (1831. Not long after, Hugo developed a keen interest in politics and was awarded a seat on Frances National Assembly. Taking a predominately leftist stance, Hugo found himself outcast from France in the early 1850s after voicing his disapproval of the monarch Napoleon. Hugo did not return to his homeland for nearly two decades and continued to be active in the literary world up until his passing in 1885. To date, Hugo is recognized as not only a literary genius, but also a French national hero. Even now, nearly a century and a half later, the writings of Victor Hugo are at the foundation of popular culture, having spawned many movies and inspired countless other books. Hugo is thought to be a leader of the Romantic Movement and the creator of a unique brand of literature that combines imaginative realism with exaggerated symbolism and realistic elements. The characters in his stories serve the purpose of highlighting significant social issues, as Hugos fondness for politics compelled him to bring light to issues like universal suffrage and the availability of affordable education. Hugo firmly believed that it was his duty to stand up for those less fortunate than himself, a quality that drew him widespread appreciation. Interestingly enough, Les Miserables was conceptualized two decades before being published in 1862. Les Miserables is viewed as a prolific example of humanitarian efforts that compel compassion and inspire hope in the face of social injustice and adversity. Even more so, it is a piece of history that paints a very clear picture of French politics and society during the nineteenth century. In writing Les Miserables, Hugo hoped that he would inspire a more democratic future. Hugos fondness for imaginative realism is evident in Les Miserables. The novel takes places in an artificially crafted ‘hell on earth that boldly stresses the three primary issues of the nineteen century. Each of the three primary characters are used to symbolize these issues: Jean Valjean signifies the deprivation of man in the proletariat Fantine signifies the oppression of women through starvation Cossette signifies the atrophy of children in darkness It is widely argued that Hugo created each character to symbolically represent much larger social issues without minimizing any of the other. Summary After serving a nineteen year sentence for stealing a loaf of bread, criminal Jean Valjean is released from a French prison. Upon arriving to the small town of Digne, Valjean learns that none of the townspeople are willing to offer him shelter because of his criminal past. Seeking refuge, Valjean comes across the home of the bishop Myriel, who offers him kindness and a warm place to stay. Not quite used to life outside of the prison, Valjean steals silverware from the bishop and is later arrested. However, upon his arrest, the bishop lies to the police, insisting that he gave the silverware to Valjean as a gift. Being spared what would have undoubtedly been a return trip to prison, Valjean promises the bishop that he will do whatever he needs to do in order to become an honest, law abiding man. With the intent of keeping his promise, Valjean recreates himself as the inventor Madeleine and endeavours to create a new life in the town of Montreuil-sur-mer. While there, Valjean creates a unique manufacturing process that brings great wealth to the town and is later elected as mayor. Fantine, a beautiful young lady from Montreuil, has relocated to Paris. While there, she meets and falls in love with Tholomyes, a student from a prosperous family who romances the young Fantine but eventually abandons her after she falls pregnant. Being left with no way of supporting herself or the daughter she must now raise alone, Fantine makes the decision to return to her homeland with her infant daughter, Cosette. During her journey, Fantine comes to the sobering realization that she will never be capable of finding employment if the people are aware of her fatherless child. While travelling through Montfermeil, she encounters the Thenardiers; they are the keepers of the local inn. The Thenardier family agree to take care of Cosette in exchange for a regular monthly allowance. While in Montreuil, Fantine seeks out employment at the factory owned by Madeleine. However, upon learning about her daughter, Fantine is fired. In turn, the Thenardier family request an increase in allowance in order to continue caring for Cosette. Spurned by an inability to support herself or her daughter, Fantine turns to prostitution. Eventually, Fantine is arrested by the local police chief, Javert. Had it not been for the intervention of Madeleine, Fantine would have been sent off to prison. Having fallen ill, Fantine asks to be able to see her daughter, Cosette, and asks that Madeleine send for her. However, before he is able to do so, he must appease Javert who has discovered the truth about his identity. Javert informs Madeleine that they have found a man who has been accused of being the criminal Valjean and later prompts a confession by Madeleine. As Javert arrives to arrest Valjean, Fantine dies. Several years later, Valjean escapes from prison and ventures towards Montfermeil where he buys Cosette from the Thenardiers. It is revealed that the Thernardiers were an awful bunch who neglected and abused Cosette while treating their own daughters like royalty. Valjean takes Cosette and moves to  a destitute area in Paris. However, after having been discovered by Javert, the pair must flee. They are lucky to find refuge in a convent, and Cosette receives an education while Valjean earns a tidy wage as a gardener. Marius Pontmercy, the grandson of wealthy M. Gillenormand, has been estranged from his father due to their differences in political affiliation. However, after the passing of his father, Marius learns more about him and comes to relate to his democratic views. Angry with his grandfather for having kept him away from his father, Marius moves out of the house and adapts to life as a struggling law student. While in school, Marius befriends a group of radicals known as the Friend of ABC, who are spearheaded by Enjolras.  One day, Marius encounters Cosette at a local park and is immediately smitten. However, Valjean is immensely protective of the girl and tries to prevent the two young people from meeting. However, their paths eventually cross once more when Valjean makes a social welfare visit to the Jondrettes, Mariuss lower class neighbors. As it turns out, the Jondrettes are actually the Thenardiers, who after having lost their inn, were forced to relocate to Paris under a new identity. When Valjean leaves, Mr. Thenardier announces his plan to rob Valjean. Disgusted by the announcement, Marius contacts the local police to inform them of the crime that is about to happen. Unfortunately, the police inspector is none other than Javert. Javert arrests the Thenardiers, but Valjean is able to slip away before he is recognized. Eponine, the daughter of Thenardier, is in love with Marius and assists him in locating Cosette. After successfully contacting Cosette, the two declare their feelings for each other. However, the excitement is cut short. Valjean fears that he will lose Cosette and doesnt want her mixed up in the political unrest that plagues the city. The two make plans to move to London, England. Out of pure desperation, Marius seeks the assistance of his grandfather and asks for his permission to marry Cosette. Their encounter ends in a fight. Marius later learns that Cosette and Valjean have gone. Broken hearted, Marius decides to accompany his radical friends, who have begun to revolt. Armed with pistols, Marius sets out for the barricades. The political uprising appears to be frivolous, however, Marius and his friends refuse to stand down and continue on in their fight for freedom and democracy. The students soon learn that Javert has infiltrated their group. Labeling him a spy, Enjolras captures him. The army has begun to fight against the group, and in the heat of it all, Eponine jumps in front of the bullet of a riffle to save the life of Marius. As she lays dying in Mariuss arms, she hands him a letter written by Cosette. Marius pens a reply and asks a boy named Gavroche to deliver it. Valjean intercepts the note, and after reading it, sets out to save Marius. When Valjean reaches the barricade, he volunteers to execute Javert. However, instead of executing him, he lets him go. When the army reaches the barricade, Valjean drags the wounded Marius through the sewers in order to escape. After the pair emerge, Javert arrests him without hesitation. However, Valjean convinces Jalvet to allow him to escort Marius, who is dying, to the home of his grandfather. Javert is plagued by the thoughts of doing the right thing; should he uphold his commitment to the law, or should he uphold his debt to Valjean? In the end, Javert releases Valjean and commits suicide by jumping into the river and drowning. Marius recovers fully and reconciles with his grandfather, who later consents to the marriage of Marius and Cosette. Their wedding is a joyous celebration, however, joy turns to fear when Valjean confesses his past to Marius. The news of his criminal past alarms Marius, who still has not learned that it was Valjean who saved him at the barricades. Marius attempts to prevent Cosette from seeing the man who loved her like a daughter, and this throws Valjean into a deep depression. Marius later learns from the Thenardiers that it was Valjean who saved him and he sets out to correct his wrongdoing. He discloses everything to Cosette and the pair rush off to see Valjean just before he takes his final breath. Happy to have his daughter by his side once more, Valjean passes away with a full heart. Characters Analysis Jean Valjean Jean Valjean is the pseudo-father figure to Cosette. Valjean received a nineteen year prison sentence for stealing a load of bread. After experiencing the kindness of a bishop, Valjean renounces his life of crime and vows to lead a prosperous life. He develops a manufacturing process that nets him a comfortable lifestyle. He finds love he never thought possible in Cosette, the illegitimate daughter of a prostitute, and devotes his life to helping those in dire straits. Over the years, Valjean adopts many different personas in order to evade the police. He spends his entire life looking for forgiveness for his wrongdoings and searching for redemption. Upon his death bed, he finally makes peace with his past. Cosette Cosette is the illegitimate daughter of Fantine. Upon the death of her mother, she is adopted by Valjean. Throughout her childhood, Cosette was raised to be the servant of the Thenardier family in Montfermeil. However, despite her tumultuous upbringing, she maintains a positive outlook and always sees the best in people. While living with Valjean and a group of nuns in Petit-Picpus, Cosette receives an excellent education and grows into a caring and well-rounded young woman. She later finds true love in Marius, the grandson of a wealthy businessman. On the outside, Cosette appears complacent and innocent, however, her willing participation in Valjeans many attempts to thwart the law paint a more daring and intellectual tale. Javert Javert is the local police inspector. He has a firm belief in law and the pursuit of justice and has committed his life to upholding the strict penal codes of France. In the beginning, it appears that Javert is incapable of showing compassion or taking pity on those less fortunate than himself. He carries out his work with extreme precision, and hunts for lawbreakers in the way that a beast would hunt its prey. Javert has a keen desire to capture Valjean and bring him to justice. Ultimately, Javert battles with his inner self when trying to decide if Valjean truly deserves to be punished. In the end, it is this personal struggle that forces him to undermine the very belief in the system that he has based his entire life on. Fantine Fantine is a typical small town girl. She leaves her home in search of a brighter future in the city. Whilst there, she falls in love and has an affair with a young man who abandons her after learning that she is with child. Despite being sickly, Fantine makes every effort possible to support herself and her daughter, Cosette. Even as her life begins to fall to shambles, and she turns to prostitution in order to make ends meet, she never stops loving her child. Fantine is symbolic of the nineteenth century destruction of the less fortunate. Marius Pontmery Marius is the son of George, an active member of Napoleons army. The family did not approve of Georges political affiliations and exiled him. Marius was raised in the home of his grandfather, Gillenormand. However, upon learning the true reason for having been kept from his father, Marius leaves on a journey to discover himself. Marius is not yet wise to the ways of the world, but desires change. Having bonded with a group of radicals, Marius fights on the barricades and eventually marries the love of his life – Cosette. Myriel Myriel is the bishop of the town of Digne. His love for his fellow men has made him quite popular. The bishop shows kindness and compassion to Valjean and inspires him to live a life of gratitude, seeking out ways to help those less fortunate. M. Thenardier The sire Thernardier is an awful, greedy man who, under false pretences, agrees to care for Cosette. He ends up abusing the girl and turning her into his familys slave. Thenardier is driven by greed and will extort anyone he can. He is capable of anything, including murder. Mme. Thenardier Equally as horrible as her husband, she finds joy in torturing Cosette. Later in the novel, she plays an eager role in helping her husband to plan to rob Valjean and Cosette. Eponine The eldest Thenardier daughter. Eponine is a product of her upbringing and sees no harm in helping her parents destroy the lives of those around them. She is later redeemed by her pure love for Marius. As she lays dying, she is revealed as one of the most heroic characters in the novel. Gillenormand The elder grandfather of Marius, his mothers father. Gillenormand keeps Marius away from his father, George, because he worries that he will corrupt Marius with his political views. Gillenormand is a strict monarchist and is opposed to the French Revolution. Despite his views, Gillenormand truly loves Marius and wants nothing more than for his grandson to be happy. Gavroche The youngest son of the evil Thernardiers, Gavroche is kind and generous. He was kicked out of his family home at an early age and shows bravery well beyond his years. Important Quotes “Valjean strained his eyes in the distance and called out…”Petit Gervais! …” His cries died away into the mist, without even awakening an echo…[H]is knees suddenly bent under him, as if an invisible power suddenly overwhelmed him with the weight of his bad conscience; he fell exhausted…and cried out, “Im such a miserable man! ” In Book Two of “Fantine” Valjeans encounter with Petit Gervais after leaving the bishops home. It is here when he first realized his inability to keep his promise to live the life of an honest man – he begins to recognize how immoral he is. Valjean pleads for forgiveness, but receives no response, not even an echo. It is this portrayal of desolation that suggests that Valjean might be experiencing a feeling of emptiness, further expressed when he refers to himself as ‘miserable. To owe life to a malefactor…to be, in spite of himself, on a level with a fugitive from justice…to betray society in order to be true to his own conscience; that all these absurdities…should accumulate on himself – this is what prostrated him. This quote from Book Four of Jean Valjean is used to illustrate the frame of mind that Javert has prior to committing suicide. It is clear how much of an impact Valjeans mercy and compassion have had on Javert. Torn between fulfilling his obligation to the law, or repaying his debt to Valjean, Javert is extremely bewildered. In the end, it is unconditional love for mankind that wins. Javert feels that there is no way that he can continue his commitment to the law without bias, and drowns himself. Symbolism Hugo utilizes symbolism quite consistently throughout the novel. However, the most prevalent symbols are the bishops silver candlesticks, and the use of animals such as snakes, birds and insects. It is noted that the silver candlesticks, belonging to the Bishop, are symbolic of compassion as they create a beacon of light that delivers hope and love. In the start of the novel, the author plays with the contrast between light and dark to support the differences between the bishop and Valjean. When the bishop offers his candlesticks to Valjean, he is symbolically transferring the light inside of him to Valjean as he asks him to promise to lead an honest life. In speaking of snakes, insects and birds, Hugo regularly uses animals to describe the personas of his main characters. Cosette and Gavroche, for example, where described as ‘creatures of flight during their orphaned years. Whereas the Thernardiers we commonly referred to as ‘snakes. Key Facts Full title: Les Miserables Written By: Victor Hugo Type of literary work: Novel, and later musical. Original Language: French Time and Place of Origin: Paris and The Channel Islands, 1845 to 1862 First published: 1862 Published by: Pagnerre Viewpoint: Les Miserables is told from the point of view of an all-seeing story teller who frequently addresses the readers. The story teller not only has a deep understanding of the characters, but also is quick to deliver a strong viewpoint of the political unrest of the times. Setting: France, 1789-1832 Major Character: Jean Valjean Themes: Love and compassion; social injustice; the French Revolution Symbols: The bishops candlesticks; snakes and birds Primary conflict: Jean Valjean struggles with letting go of his life as a thief and transforming into an honest and caring man. As time goes on, he fights to stay one step ahead of police inspector, Javert, who wants nothing more than to capture him and send him back to prison. Valjeans most important mission is to raise his adopted daughter, Cosette.

Les misérables broadway. I still give Tom Hooper for directing Cats. Such a brave step for CGI Development. 49:12 The Robbery. Les miserables cast. Les misérables musical. Un article de Wikipédia, l'encyclopédie libre. Les Misérables Cosette chez les Thénardier (illustration d' Émile Bayard, 1886. Auteur Victor Hugo Pays France Genre Roman Éditeur Albert Lacroix et Cie Date de parution 1862 Illustrateur Émile Bayard Nombre de pages 2 598 (éd. Testard, 1890) Chronologie Claude Gueux Les Travailleurs de la mer modifier Les Misérables est un roman de Victor Hugo paru en 1862. Il a donné lieu à de nombreuses adaptations, au cinéma et sur de nombreux autres supports. Dans ce roman emblématique de la littérature française qui décrit la vie de pauvres gens dans Paris et la France provinciale du XIX e  siècle, l'auteur s'attache plus particulièrement au destin du bagnard Jean Valjean. C'est un roman historique, social et philosophique dans lequel on retrouve les idéaux du romantisme et ceux de Victor Hugo concernant la nature humaine. Résumé L'action se déroule en France au cours du premier tiers du XIX e  siècle, entre la bataille de Waterloo (1815) et les émeutes de juin 1832. On y suit, sur cinq tomes, la vie de Jean Valjean, de sa sortie du bagne jusqu'à sa mort. Autour de lui gravitent les personnages, dont certains vont donner leur nom aux différents tomes du roman, témoins de la misère de ce siècle, misérables eux-mêmes ou proches de la misère: Fantine, Cosette, Marius, mais aussi les Thénardier (dont Éponine, Azelma et Gavroche) ainsi que le représentant de la loi, Javert. Tome I: Fantine Livre 1: Un juste Le premier livre s'ouvre sur le long portrait de M gr  Myriel, évêque de Digne, où, malgré son rang, il vit très modestement en compagnie de sa sœur, Baptistine, et d'une servante, M me  Magloire. Ce religieux est un juste qui se contente du strict nécessaire pour distribuer le reste de ses économies aux pauvres. Pénétré de charité chrétienne, il laisse sa porte grande ouverte et fraternise avec ceux que la société rejette. Livre 2: La chute En 1815, Jean Valjean est libéré du bagne de Toulon après y avoir purgé une peine de dix-neuf ans: victime d'un destin tragique, initialement condamné à cinq ans de bagne pour avoir volé un pain afin de nourrir sa famille, il voit sa peine prolongée à la suite de plusieurs tentatives d'évasion. En liberté, son passé de forçat l'accable: ainsi, dans chaque ville qu'il traverse, contraint à faire connaître de la mairie son statut d'ancien bagnard qu'un passeport jaune matérialise, il est universellement rejeté et seul M gr  Myriel l'accueille pour le gîte et le couvert. Jean Valjean, épris de haine, frappé d'injustice, et peu conscient de ses actes, vole l'argenterie de l'évêque et s'enfuit par la fenêtre. Lorsqu'il est arrêté et ramené par les gendarmes chez M gr  Myriel, celui-ci lui pardonne et déclare lui avoir offert son argenterie, le sauvant ainsi de la condamnation pour récidive. Il engage Valjean à accepter deux chandeliers supplémentaires contre la vertu et l'intégrité de sa conduite future. Perdu dans ses pensées, Valjean vole, sans en avoir vraiment l'intention, une pièce de 40 sous à un ramoneur savoyard d'une dizaine d'années nommé Petit Gervais. Le jeune Savoyard fait tomber la pièce qui finit sous le pied de Valjean, celui-ci ne s'en aperçoit pas et chasse l'enfant qui lui demande plusieurs fois de la lui rendre. Lorsque Valjean voit la pièce, il essaie, mais en vain, de retrouver l'enfant pour lui restituer son argent. Le vol est rapporté aux autorités, Valjean est désormais récidiviste, recherché par la police, risquant la prison à vie. Il doit donc cacher son identité. Ce sera sa dernière faiblesse, car il passe définitivement du côté du bien. Livre 3: En l'année 1817 Ce livre commence par une description de la vie parisienne en 1817 avec ses mondanités, ses célébrités éphémères, ses hésitations politiques (disparition de l'ancien régime napoléonien et mise en place du nouveau régime monarchiste. C'est également l'occasion de présenter Fantine et ses amours de grisette, de même que ses amies Favourite, Dahlia et Zéphine ainsi que leurs amants. Le livre s'achève cependant par un coup de théâtre: les quatre jeunes gens mettent brutalement fin à leurs relations et abandonnent les jeunes filles sans prévenir pour rentrer dans leurs familles prendre un métier et se marier. Or, Fantine avait eu un enfant... Livre 4: Confier, c'est quelquefois livrer Huit mois après avoir été abandonnée, Fantine est contrainte de quitter Paris et de retourner dans sa ville natale, Montreuil-sur-Mer. Elle passe par Montfermeil, où elle tombe par hasard sur les Thénardier, qui tiennent une gargote, et leur confie spontanément sa fille, la jeune Cosette, contre une petite pension. Malheureusement, les Thénardier sont des gens avides et sans scrupules, qui comprennent rapidement l'intérêt financier que représente la fillette. Sitôt l'enfant chez eux, ils montrent leur véritable nature. Malgré son jeune âge, Cosette est maltraitée par toute la famille et rapidement contrainte aux travaux ménagers. Parallèlement, les Thénardier vendent le trousseau de la petite fille et l'habillent de haillons tout en réclamant régulièrement des augmentations du tarif de la pension à Fantine. Celle-ci, d'abord ponctuellement payée, commence à faire l'objet d'irrégularités, à mesure que Fantine s'enfonce dans la misère. Livre 5: La descente Jean Valjean ferme les yeux de Fantine. Illustration d' Émile Bayard (1862. Jean Valjean reparaît à l'autre bout de la France, sous le nom de M.  Madeleine et opère sa complète rédemption: enrichi honnêtement en améliorant la fabrication dans lindustrie des verroteries noires, il devient le bienfaiteur de la ville de Montreuil-sur-Mer, dont il sera nommé maire. En regard de l'ascension de Jean Valjean, son rachat pourrait-on dire (« je vous achète votre âme » lui avait dit l'évèque) on assiste à la chute de Fantine, fille-mère qui, pour nourrir sa fille unique Cosette, ira de déchéance en déchéance, jusqu'à la prostitution et la mort. Fantine habite à Montreuil-sur-Mer, et travaille à la fabrique de M. Madeleine, mais celui-ci ignore tout de son calvaire, jusqu'à une altercation à la suite de laquelle elle est menacée d'emprisonnement. Ce tome est l'occasion de présenter les personnages qui vont suivre Jean Valjean du début à la fin de ses aventures. Les Thénardier, qui plongeront de la malhonnêteté et la méchanceté ordinaire au banditisme, à la fois dénoncés comme criminels et plaints comme victimes de la société. Ils sont cependant aussi les parents de Gavroche, dont l'héroïsme s'illustrera plus tard. Javert, qui incarne la justice implacable et rigide, a mis toute son énergie au service de la loi, sa religion. Peut-on croire Valjean-Madeleine sauvé, réintégré dans la société? Victor Hugo ne le veut pas. Pour lui, l'honnêteté ne peut souffrir la compromission. Aux termes d'une longue nuit d'hésitation, M.  Madeleine ira se dénoncer pour éviter à un pauvre diable, un simple d'esprit nommé Champmathieu, reconnu à tort comme étant Jean Valjean, d'être condamné à sa place. Tous les bienfaits qu'aurait pu apporter M. Madeleine ne pourraient compenser, selon Victor Hugo, la seule injustice faite à Champmathieu. Jean Valjean échappe cependant à la justice, retourne dans la clandestinité pour respecter une dernière promesse faite à Fantine qu'il a assistée à l'heure de sa mort: sauver Cosette, pensionnaire asservie et malheureuse des Thénardier. Tome II: Cosette Dans ce tome, deux livres encadrent l'action, l'un est consacré à la bataille de Waterloo et l'autre à la vie monacale. Victor Hugo aborde le second tome des Misérables par la bataille de Waterloo qui s'est déroulée sept ans plus tôt. Le lien avec l'intrigue est très ténu: Thénardier aurait « sauvé » le père de Marius à l'issue de cette bataille. Sous ce prétexte dramatique léger, Victor Hugo place là une réflexion qui lui tient à cœur sur la bataille de Waterloo, bataille qui voit la chute d'un personnage qu'il admire, Napoléon I er. Depuis longtemps, Victor Hugo est hanté par cette bataille. Celle-ci lui inspirera le poème « L'Expiation » du livre V des Châtiments. Il a refusé à plusieurs reprises de se rendre sur les lieux et c'est seulement en 1861 qu'il visite le champ de bataille et c'est là qu'il termine ce récit épique. La Parenthèse (avant-dernier livre) que constitue la réflexion sur la vie monacale, la foi et la prière, pour surprenante chez un révolutionnaire comme Victor Hugo, se présente comme une profession de foi. Réquisitoire violent contre l'Église carcan, c'est aussi une apologie de la méditation et de la foi véritable. « Nous sommes pour la religion contre les religions. », précise Victor Hugo. Le reste de ce tome est consacré à la traque de Jean Valjean. Victor Hugo met dans ce récit toutes ses qualités de romancier dramatique au service d'un suspense prenant, avec rupture de rythme, changement de focalisation. Alternance de période d'accalmie (avec Cosette à Montfermeil, puis à la maison Gorbeau) et de poursuite haletante. Échappant à Javert à la fin du tome I, Jean Valjean est rattrapé à Paris, mais a eu le temps de mettre de côté une forte somme d'argent. Envoyé aux galères, il s'en échappe, retourne chercher Cosette et se réfugie à Paris dans la masure Gorbeau. Javert le retrouve et le poursuit la nuit à travers les rues de Paris. Jean Valjean ne trouve son salut que dans le couvent du Petit-Picpus sous la protection de M.  Fauchelevent, un charretier dont il a sauvé la vie à Montreuil-sur-Mer. Après un épisode dramatique de fausse inhumation, Jean Valjean s'installe au couvent avec Cosette sous le nom d'Ultime Fauchelevent et sera appelé par les religieuses « l'autre Fauvent ». Victor Hugo présente un Jean Valjean sublime; la chute ne lui a pas fait perdre les qualités morales qu'il possédait en tant que M.  Madeleine: c'est en sauvant un matelot de la noyade qu'il s'échappe des galères; c'est à cause de sa générosité qu'il est repéré par Javert. Tome III: Marius L'action se déroule entre 1830 et 1832. Le père Fauchelevent est mort. Jean Valjean et Cosette, alors âgée de 15 ans, ont quitté le couvent. Le tome s'ouvre et se referme sur le personnage de Gavroche. Victor Hugo se lance dans une longue digression sur le gamin de Paris, âme de la ville dont la figure emblématique est Gavroche, fils des Thénardier, mais surtout garçon des rues. Victor Hugo axe tout le tome sur la personne de Marius en qui il se reconnaît jeune. Il avouera même avoir écrit avec Marius ses quasi-mémoires [ 1. On y découvre Marius, petit-fils d'un royaliste, fils d'un bonapartiste, qui choisit son camp à 17 ans, quitte son grand-père et fréquente les amis de l'ABC, groupe de révolutionnaires idéalistes, et côtoie la misère. Son destin croise celui de Cosette dont il tombe amoureux. On peut remarquer à ce sujet la tendresse de Victor Hugo décrivant avec humour et dérision ses premiers émois amoureux. Faisant fi de toute vraisemblance dramatique, Victor Hugo provoque la rencontre de Jean Valjean (alias Madeleine – Fauchelevent – Leblanc – Fabre) avec Thénardier (alias Jondrette – Fabantou – Genflot) sous les yeux d'un Marius témoin invisible de la confrontation, dans cette même masure Gorbeau rencontrée au tome II. Superbe face-à-face de deux personnages aux noms multiples qui se cachent de la justice, mais dont l'un est descendu jusqu'au fond de l'infamie tandis que l'autre accède à la noblesse morale. Toute la fin du tome est digne des Mystères de Paris avec bande de voleurs et d'assassins (les Patron-Minette) guet-apens, victime prise en otage et menacée, intervention de la police et apparition de Javert [ 2. Marius découvre ainsi que le sauveur de son père est un infâme bandit et que le père de celle dont il est amoureux se cache de la police. Guet-apens dans la masure Gorbeau La bande criminelle de Patron-Minette. Illustration de Gustave Brion. Tome IV: L'idylle rue Plumet et l'épopée rue Saint-Denis Toute l'action de ce tome est sous-tendue par l' émeute de juin 1832 et la barricade de la rue Saint-Denis. Victor Hugo estime même que c'est en quelque sorte là le cœur du roman [ 3. Le premier livre replace les évènements dans le contexte historique de la situation insurrectionnelle à Paris au début de l'année 1832. Ensuite se déroulent en parallèle plusieurs vies qui vont converger vers la rue de la Chanvrerie [ 4. Victor Hugo précise d'abord le personnage d' Éponine, amoureuse déçue de Marius, ange du bonheur quand elle confie à Marius l'adresse de Cosette ou quand elle défend le domicile de celle-ci contre l'attaque de Thénardier et sa bande, ange du malheur quand elle cache à Marius la lettre de Cosette ou quand elle l'envoie sur la barricade. Éponine martyre de l'amour quand elle intercepte la balle destinée à Marius et qu'elle meurt dans ses bras. L'auteur renoue ensuite avec le parcours de Jean Valjean et Cosette depuis leur entrée au couvent du Petit-Picpus. On assiste à l'éclosion de Cosette. À la remarque de la prieure du couvent, « Elle sera laide [ 5]  » répond l'observation de la servante Toussaint « Mademoiselle est jolie [ 6]  ». Grâce aux informations d'Éponine, l'idylle entre Cosette et Marius peut reprendre rue Plumet, initiée par une lettre d'amour (un cœur sous une pierre) et se poursuit jusqu'au départ précipité de Jean Valjean et Cosette pour la rue de l'Homme-Armé. Victor Hugo complète ensuite le personnage de Gavroche, gamin des rues, spontané et généreux, capable de gestes gratuits (la bourse volée à Montparnasse et donnée à Mabeuf, l'aide apportée à l'évasion de son père. On le découvre aussi paternel et responsable quand il recueille dans l' éléphant de la Bastille les deux gamins perdus dont il ignore être le frère. Tous les protagonistes de l'histoire, ou presque, convergent alors vers la barricade (fictive. 7] de la rue de la Chanvrerie [ 8] les amis de l'ABC par conviction révolutionnaire, Mabeuf et Marius par désespoir, Éponine par amour, Gavroche par curiosité, Javert pour espionner et Jean Valjean pour sauver Marius. Où vont-ils? Apparition au père Mabeuf. Éponine arrose le jardin de Mabeuf pour qu'il l'aide à retrouver Marius [ 9] Illustration de Pierre Georges Jeanniot (1890. Tome V: Jean Valjean Jean Valjean et Cosette après le mariage de celle-ci avec Marius (à l'arrière-plan. Illustration d' Émile Bayard. La cinquième partie est celle de la mort et de l'effacement. Mort des insurgés sur la barricade qui a commencé à la fin du tome précédent par celle d'Éponine et de M. Mabeuf et qui se poursuit par celle de Gavroche puis par l'anéantissement de la barricade. Jean Valjean se situe comme un ange protecteur: ses coups de feu ne tuent personne, il se propose pour exécuter Javert, mais lui permet de s'enfuir et sauve Marius au dernier instant de la barricade. Le sauvetage épique s'effectue par les égouts de Paris (l'intestin de Léviathan) que Victor Hugo décrit avec abondance. Échappant aux poursuites et à l'enlisement, Jean Valjean sort des égouts grâce à Thénardier, mais pour tomber dans les filets de Javert. Marius, sauvé, est reconduit chez son grand-père. On assiste ensuite au suicide de Javert et à l'effacement de Jean Valjean. Javert en effet relâche Jean Valjean alors qu'il le raccompagnait, en reconnaissance du fait que Jean Valjean l'avait sauvé lors de l'attaque de la barricade, mais ce faisant Javert ne supporte pas d'avoir manqué à son devoir de policier scrupuleux, devoir qui lui impose de ne pas relâcher un suspect pour raison personnelle, ce qu'il a néanmoins fait. Ne pouvant supporter ce grave manquement à son devoir, et d'avoir remis en cause le principe supérieur qu'est pour lui l'obéissance à la hiérarchie, il décide de mettre fin à ses jours en se jetant dans la Seine (chapitre Javert déraillé — titre d'avant-garde pour l'époque. L'idylle entre Marius et Cosette se concrétise par un mariage. Jean Valjean s'efface peu à peu de la vie du couple, encouragé par Marius qui voit en lui un malfaiteur et un assassin. Marius n'est détrompé par Thénardier que dans les dernières lignes du roman et, confus et reconnaissant, assiste avec Cosette aux derniers instants de Jean Valjean. Le roman Genèse Victor Hugo photographié par Gilbert Louis Radoux le 5 mai 1861. Préoccupé par l'adéquation entre la justice sociale et la dignité humaine, Victor Hugo a écrit en 1829 Le Dernier Jour d'un condamné, long monologue et réquisitoire contre la peine de mort. Il poursuit en 1834 avec Claude Gueux. En 1845, alors qu'il vient d'être fait pair de France par le roi Louis-Philippe I er, le peintre François-Auguste-Biard fait constater le flagrant délit dadultère de sa femme Léonie avec le poète. Léonie est emprisonnée pendant deux mois dans la prison Saint-Lazare puis envoyée au couvent des Augustines. C'est cet événement qui, selon Sainte-Beuve, conduit Victor Hugo à se retirer chez lui [ 10] et à entreprendre une grande fresque épique qu'il intitule d'abord Les Misères, ou Livre des Misères. 11] dans laquelle le personnage principal se nomme initialement « Jean Tréjean » [ 12. De cette même année 1845, daterait également l'unique trace écrite conservée de ce qui peut ressembler à l'architecture synthétique d'un projet: Histoire d'un saint Histoire d'un homme Histoire d'une femme Histoire d'une poupée [ 13. Il interrompt sa tâche en février 1848, mais écrit à la même époque son Discours sur la misère (1849. Durant son exil, après la rédaction des Contemplations (1856) et de La Légende des siècles (1859) il se remet à l'écriture des Misérables, à Guernesey en 1860. Sur son manuscrit, il écrit: « 14 février. Ici, le pair de France s'est interrompu, et le proscrit a continué: 30 décembre 1860. Guernesey [ 14.  » L'ouvrage est terminé et publié à partir de fin mars 1862 par l'éditeur Albert Lacroix, qui dispose d'un colossal budget de fabrication et de lancement, et qui fonde tous ses espoirs sur cet ouvrage [ 15. Inspiration Les Misérables est à la fois un roman d'inspiration réaliste, épique et romantique, un hymne à l'amour et un roman politique et social. Roman réaliste [ 16] Les Misérables décrit tout un univers de gens humbles. C'est une peinture très précise de la vie dans la France et le Paris pauvre au début du XIX e  siècle. Son succès populaire tient au trait parfois chargé avec lequel sont peints les personnages du roman. Roman épique, Les Misérables dépeint au moins trois grandes fresques: la bataille de Waterloo (qui représente pour l'auteur, la fin de l'épopée napoléonienne, et le début de l'ère bourgeoise; il s'aperçoit alors qu'il est républicain) l' émeute de Paris en juin 1832, la traversée des égouts de Paris par Jean Valjean. Mais le roman est aussi épique par la description des combats de l'âme: les combats de Jean Valjean entre le bien et le mal, son rachat jusqu'à son abnégation, le combat de Javert entre respect de la loi sociale et respect de la loi morale. Les Misérables est aussi un hymne à l'amour: amour chrétien sans concession de M gr Myriel qui, au début du roman, demande sa bénédiction au conventionnel G. (peut-être inspiré par l'abbé Grégoire [ 17. amours déçues de Fantine et Éponine; amour paternel de Jean Valjean pour Cosette; amour partagé de Marius et Cosette. Mais c'est aussi une page de la littérature française dédiée à la patrie. Au moment où il écrit ce livre, Victor Hugo est en exil. Aidé depuis la France par des amis qu'il charge de vérifier si tel coin de rue existe, il retranscrit dans ce roman la vision des lieux qu'il a aimés et dont il garde la nostalgie [ 18. Mais la motivation principale de Victor Hugo est le plaidoyer social. « Il y a un point où les infâmes et les infortunés se mêlent et se confondent dans un seul mot, mot fatal, les misérables; de qui est-ce la faute? » Selon Victor Hugo, c'est la faute de la misère, de l'indifférence et d'un système répressif sans pitié. Idéaliste, Victor Hugo est convaincu que l'instruction, l'accompagnement et le respect de l'individu sont les seules armes de la société qui peuvent empêcher l'infortuné de devenir infâme. Le roman engage une réflexion sur le problème du mal… Il se trouve que toute sa vie Hugo a été confronté à la peine de mort. Enfant, il a vu des corps pendus exhibés aux passants, plus tard, il a vu des exécutions à la guillotine. Un des thèmes du roman est donc « le crime de la loi ». Si l'œuvre montre comment les coercitions sociales et morales peuvent entraîner les hommes à leur déchéance si aucune solution de réédification n'est trouvée, c'est surtout un immense espoir en la générosité humaine dont Jean Valjean est l'archétype. Presque tous les autres personnages incarnent l' exploitation de l'homme par l'homme. L'exergue de Hugo est un appel à l'humanité pour qu'elle ne cesse d'œuvrer à des temps meilleurs: « Tant quil existera, par le fait des lois et des mœurs, une damnation sociale créant artificiellement, en pleine civilisation, des enfers, et compliquant dune fatalité humaine la destinée qui est divine; tant que les trois problèmes du siècle, la dégradation de lhomme par le prolétariat, la déchéance de la femme par la faim, latrophie de l'enfant par la nuit, ne seront pas résolus; tant que, dans de certaines régions, lasphyxie sociale sera possible; en dautres termes, et à un point de vue plus étendu encore, tant quil y aura sur la terre ignorance et misère, des livres de la nature de celui-ci pourront ne pas être inutiles. » —  Victor Hugo, Hauteville-House, 1862. Le choix du village de Montfermeil comme lieu de rencontre entre Cosette et Jean Valjean dans le roman remonte à 1845. Cette année là, pris en flagrant délit d'adultère, jeune pair de France, Victor Hugo est prié de s'éloigner quelque temps de Paris. Avec Juliette Drouet, il monte dans une diligence à Pantin qui prend la direction de Chelles, commune limitrophe de Montfermeil où il séjourne, dans l'auberge de l'ancienne abbaye. Son poème sur le moulin de Chelles, écrit lors de ce passage, se réfère au moulin de Montfermeil. En 1862, la publication du roman popularise la commune où situe l'auberge des Thénardier ( Au Sergent de Waterloo. 19. Influences Robert Laffont et Valentino Bompiani signalent, dans Le Nouveau Dictionnaire des œuvres de tous les temps, la présence dans Les Misérables de l'influence de Balzac ( La Comédie humaine) d' Eugène Sue ( Les Mystères de Paris) et des romans-feuilletons [ 20. L' intertextualité de l'œuvre de Balzac dans celle de Victor Hugo est en effet signalée par de nombreux analystes [ 21. 22. Victor Hugo fait explicitement allusion, à plusieurs reprises [ 23] dans son roman, à l'univers de Balzac, qui fut un contemporain avec lequel les échanges furent nombreux [ 24. On y reconnaît ainsi notamment celle du Curé de village avec lequel monseigneur Myriel présente des points communs [ 25. De même que la parenté entre Vautrin et Jean Valjean (le second étant l'envers positif de l'autre) est assez évidente, le monde et les coutumes des bagnards étant décrits dans Splendeurs et misères des courtisanes [ 26] l'étude intertextuelle des Misérables révèle que le forçat se nourrit également d'un autre personnage balzacien, Farrabesche [ 25. Selon Évelyne Pieiller [ 27] Les Mystères de Paris, roman-feuilleton à succès paru en 1842-1843, avec ses descriptions des bas-fonds parisiens, ouvre la voie à l'œuvre de Victor Hugo. Victor Hugo lui rend d'ailleurs hommage dans son roman [ 28] et poursuit sur la même route, s'attaquant à l'injustice sociale [ 27. Victor Hugo sest inspiré également de tout ce qu'il voyait et entendait autour de lui et quil notait dans ses carnets. Ainsi, le 22 février 1846, il raconte avoir vu un malheureux emmené par deux gendarmes après avoir été accusé du vol dun pain. « Cet homme, dit-il, nétait plus pour moi un homme, cétait le spectre de la misère. » Il s'agit probablement de l'inspiration du futur Jean Valjean [ 29. En décembre de la même année, il assiste à une altercation entre une vieille femme et un gamin qui peut faire penser à Gavroche [ 30. Quant à Fantine, elle pourrait lui avoir été inspiré par une « fille », comme lon disait à lépoque, dont il prit la défense un soir de janvier 1841 – au risque dentacher sa réputation – alors quelle avait été injustement accusée et traînée au poste de police avec la menace de passer six mois en prison [ 14. 31. Il sinforma également beaucoup en visitant la Conciergerie à Paris en 1846 et Waterloo. Le 20 mai 1861, il écrit à son fils François-Victor: « Je suis ici près de Waterloo. Je naurai quun mot à en dire dans mon livre, mais je veux que ce mot soit juste. Je suis donc venu étudier cette aventure sur le terrain, et confronter la légende avec la réalité. Ce que je dirai sera vrai. Ce ne sera sans doute que mon vrai à moi. Mais chacun ne peut donner que la réalité quil a [ 32.  » Il recueille des informations sur certaines industries, sur les salaires et le coût de la vie dans les classes populaires. Il demande à ses maîtresses Léonie dAunet et Juliette Drouet de le renseigner sur la vie des couvents [ 33. Les relations entre Victor Hugo et l'univers du roman-feuilleton sont plus conflictuelles. Il ne veut pas que Les Misérables soit édité en roman-feuilleton, comme cela était l'usage pour de nombreux romans populaires, car il est alors en conflit avec le pouvoir en place et condamne la censure de la presse par le pouvoir. Il exige cependant que son œuvre soit publiée dans un format bon marché pour rester accessible. D'autre part, il trouve le style des romans-feuilletons souvent peu travaillé [ 34. Les Misérables parait toutefois en feuilleton dans Le Rappel en 1888 [ 35. Enfin, homme de son temps, écrivant une histoire contemporaine, Victor Hugo s'inspire des figures de son époque pour camper ses personnages. Les Mémoires de Vidocq, parues en 1828, qui inspirèrent à Balzac le personnage de Vautrin, semblent se retrouver en partie dans les deux personnages antagonistes que sont Jean Valjean et Javert. Le premier correspondrait à Vidocq l'ancien forçat et le second à Vidocq, chef de sûreté de la préfecture de Police; c'est, du moins, une observation faite par de nombreuses études [ 36. 37. 38. Cependant, Victor Hugo ne reconnaîtra jamais l'influence de Vidocq sur la création de ces personnages [ 39. Il samuse également à glisser des allusions toutes personnelles. Ainsi, en est-il pour ses maîtresses: Juliette Drouet inspire le nom de la « mère des Anges (Mlle Drouet) qui avait été au couvent des Filles-Dieu » (Deuxième partie, livre VI, chapitre VII) la clairière Blaru (Cinquième partie, livre V, chapitre IV) rappelle le pseudonyme Thérèse de Blaru dont Léonie dAunet signait ses livres. Plus intime encore, la date du 16 février 1833, nuit de noces de Cosette et Marius (Cinquième partie, livre VI, chapitre I) fut aussi celle où Juliette se donna à Victor pour la première fois. Réception Les deux premiers tomes des Misérables sont publiés en 1862: la première partie est publiée le 30 mars à Bruxelles par les Éditions Albert Lacroix, Verboeckhoven et Cie, et le 3 avril de la même année à Paris [ 40] à grand renfort de publicité, extraits de morceaux choisis dans les journaux et critiques élogieuses [ 41. Les parties deux et trois paraissent le 15 mai 1862, les parties quatre et cinq sortent le 30 juin. À cette époque, Victor Hugo est considéré comme un des premiers hommes de lettres français de son siècle et le public se précipite pour lire son nouveau roman. Les réactions sont diverses. Certains le jugent immoral, d'autres trop sentimental, d'autres encore trop complaisant avec les révolutionnaires [ 42. Sainte-Beuve se lamente: « Le goût du public est décidément bien malade. Le succès des Misérables a sévi et continue de sévir au-delà de tout ce quon pouvait craindre. » Toutefois, il concède que « son roman […] est tout ce quon voudra, en bien, en mal, en absurdités; mais Hugo, absent et exilé depuis 11 ans, a fait acte de présence, de force et de jeunesse. Ce seul fait est un grand succès. » Il reconnaît enfin à Hugo cette qualité suprême: « Ce quil invente de faux et même dabsurde, il le fait être et paraître à tous les yeux [ 43.  » Les frères Goncourt expriment leur profonde déception, jugeant le roman très artificiel et très décevant [ 44. 45. Flaubert n'y trouve « ni vérité ni grandeur [ 46]  ». Baudelaire fait publier une critique très élogieuse [ 47] de la première partie dans un journal (louant tout particulièrement le chapitre « Tempête sous un crâne ») mais dans une lettre à sa mère, il qualifiera Les Misérables de « livre immonde et inepte » [ 48. Lamartine en condamne les impuretés de langue, le cynisme de la démagogie: «  Les Misérables sont un sublime talent, une honnête intention et un livre très dangereux de deux manières: non seulement parce qu'il fait trop craindre aux heureux, mais parce qu'il fait trop espérer aux malheureux » [ 49. Cette crainte est partagée par Barbey d'Aurevilly qui stigmatise le « livre le plus dangereux de son temps » [ 50. Dans une lettre à son fils de juillet 1862, Dumas père regrette que ce livre soit « tout à la fois une œuvre ennuyeuse, mal rêvée dans son plan, mal venue dans son résultat », ajoutant: « Chaque volume commence par une montagne et finit par une souris [ 51.  » Lévêque Louis-Gaston de Ségur rédige une critique sur Victor Hugo et « son infâme livre des misérables [qui] lui a rapporté dun coup cinq cent mille francs. » En décembre 1872 lauteur ne manquera pas de lui adresser une réponse au vitriol [ 52. Les Goncourt notent que le livre a été « une grande déception. » Ils expliquent: « Titre injustifié: point la misère, pas dhôpital, prostituée effleurée. Rien de vivant: les personnages sont en bronze, en albâtre, en tout, sauf en chair et en os. Le manque dobservation éclate et blesse partout. » Et puis, ajoutent-ils, il est « assez amusant de gagner deux cent mille francs […] à sapitoyer sur les misères du peuple! » [ 53] Le livre connaît cependant un grand succès populaire. Traduit dès l'année de sa parution, grâce aux efforts d' Albert Lacroix qui ouvre des filiales en Europe, en plusieurs langues (italien, grec, portugais) il reçoit dans chaque pays où il est publié, de la part des lecteurs, un accueil triomphal [ 54. 55. Impatient de connaître la première réaction des lecteurs anglais à la sortie du livre, Victor Hugo envoya à ses éditeurs Hurst & Blackett un télégramme dont le contenu se résumait à «? ». La réponse de ses correspondants fut non moins laconique: «! » [ 56. 57. L'auteur lui-même accorde une grande importance à ce roman. En juin 1861, il informe son fils François-Victor qu'il a terminé l'ouvrage et affirme: « Je peux mourir. » [ 58] Il écrit en mars 1862, à son éditeur Lacroix: « Ma conviction est que ce livre sera un des principaux sommets, sinon le principal, de mon œuvre » [ 59. Utilisation du langage populaire D'après Pascal Melka (« Victor Hugo, un combat pour les opprimés. Étude de son évolution politique » [ 60. dans Les Misérables, Victor Hugo a fait revenir le langage populaire dans la littérature. Il emploie l'argot et va jusqu'à consacrer un chapitre à philosopher sur le mot de Cambronne, « le plus beau mot peut-être quun Français ait jamais dit ». Tout ceci faisait naturellement scandale dans l'opinion classique. Voici comment Victor Hugo se justifie: « Lorsquil s'agit de sonder une plaie, un gouffre ou une société, depuis quand est-ce un tort de descendre trop avant, daller au fond? Nous avions toujours pensé que cétait quelquefois un acte de courage, et tout au moins une action simple et utile, digne de lattention sympathique que mérite le devoir accepté et accompli. Ne pas tout explorer, ne pas tout étudier, sarrêter en chemin, pourquoi? » Personnages Le roman fourmille de personnages. Nombre d'entre eux font une courte apparition et retournent dans l'oubli. C'est une volonté délibérée de Victor Hugo: il cherche à démontrer que la misère est anonyme [ 61. Cet oubli est particulièrement prégnant dans le cas de la sœur de Jean Valjean et ses sept enfants: « Cest toujours la même histoire. Ces pauvres êtres vivants, ces créatures de Dieu, sans appui désormais, sans guide, sans asile, sen allèrent au hasard, qui sait même? chacun de leur côté peut-être, et senfoncèrent peu à peu dans cette froide brume où sengloutissent les destinées solitaires, mornes ténèbres où disparaissent successivement tant de têtes infortunées dans la sombre marche du genre humain. Ils quittèrent le pays. Le clocher de ce qui avait été leur village les oublia; la borne de ce qui avait été leur champ les oublia; après quelques années de séjour au bagne, Jean Valjean lui-même les oublia. » — Victor Hugo, Les Misérables, tome I, livre 2, chapitre 6 Parmi les nombreux personnages que l'on voit apparaître et disparaître, on peut encore citer le Petit-Gervais, Azelma, les frères de Gavroche, M me Magloire, M lle Baptistine. Il reste cependant un nombre restreint de personnages dont les destins se croisent et qui font partie du cœur de l'action: Jean Valjean Javert Fantine Cosette Marius Les Thénardier Gavroche Éponine Enjolras En périphérie, Victor Hugo s'attache à certaines autres figures jusqu'à leur consacrer un livre ou plusieurs chapitres. Ces personnages lui servent d'argumentaires pour son plaidoyer ou d'articulation pour son roman. Monseigneur Myriel: Victor Hugo commence [ 62] et termine [ 63] le roman sur l'évocation de monseigneur Myriel. Il lui consacre tout le premier livre (« Un juste ». Pour Hugo, il incarne la charité chrétienne et c'est lui le déclencheur de la conversion de Jean Valjean (épisode des deux chandeliers. Évêque de Digne, nommé — respectueusement et amicalement à la fois — par ses paroissiens monseigneur Bienvenu (c'est-à-dire réunissant son titre et son troisième prénom) il est attentif au bien être des plus misérables et échange même son évêché contre l'hôpital qu'il juge trop petit. Mais M gr Myriel ne serait pas complet sans sa rencontre avec le conventionnel G [ 64. Pour Victor Hugo la sainteté de l'homme de Dieu a besoin de l'éclairage de la révolution pour que sa charité devienne œuvre sociale. Père Fauchelevent: paysan aisé, il est petit à petit ruiné et devient charretier. Il voue une haine jalouse envers M. Madeleine jusqu'au jour où celui-ci le sauve de l'écrasement par sa charrette. Resté handicapé à la suite de son accident, il trouve grâce à M. Madeleine un emploi de jardinier au couvent du Petit-Picpus à Paris. Reconnaissant, il offre plus tard un abri et un nom d'emprunt à Jean Valjean et Cosette. M. Luc Esprit Gillenormand: seul grand bourgeois du roman dont la personnalité et la vie sont aussi détaillées. Victor Hugo lui consacre tout un livre, c'est pour lui l'occasion de décrire la Restauration et les Ultras. Le grand-père de Marius, aimant tendrement son petit-fils, mais royaliste acharné, se comporte de manière abominable envers son gendre bonapartiste en le privant de son fils. Homme d'esprit et homme du monde, il conserve une certaine élégance. M. Mabeuf, marguillier: c'est lui qui révèle à Marius quel homme était son père. Passionné de livres et pépiniériste amateur, il est l'auteur d'une flore. Homme doux, ruiné par la faillite de son notaire, il sombre petit à petit dans la misère. Réduit à vendre le dernier exemplaire de son traité sur la flore, il suit les insurgés, dans un état second, et devient le premier martyr de la barricade. Montparnasse: jeune malfrat de 19 ans, au coup de couteau facile, il est l'un des devenirs possibles des gamins comme Gavroche. Jean Valjean essaiera en vain par un sermon de lui faire réintégrer le droit chemin. Tholomyès: riche et « antique étudiant vieux » du Quartier latin, noceur et insouciant. Il a une relation amoureuse avec Fantine, mais l'abandonne, alors qu'elle est enceinte de Cosette, à la suite dun pari stupide fait avec ses comparses. Éditions Le manuscrit de Victor Hugo peut être consulté dans Gallica, bibliothèque numérique de la Bibliothèque nationale de France. L'édition originale est en partie disponible dans Gallica, bibliothèque numérique de la Bibliothèque nationale de France. Une édition de référence est celle établie par Maurice Allem pour la Bibliothèque de la Pléiade en un seul tome. L'appareil critique est important (notice bibliographique, variantes, notes sur le texte, etc. Il existe aussi une édition sonore, chez les éditions Thélème, lue par Michel Vuillermoz, Elodie Huber, Pierre-François Garel, Louis Arène et Mathurin Voltz. Ressources bibliographiques Annette Rosa, Présentation des Misérables - Œuvres complètes/Victor Hugo. II Hubert de Phalèse, Dictionnaire des Misérables, Éditeur Nizet ( ISBN   978-2-7078-1185-1) Le Groupe Hugo met en ligne de nombreux documents et études sur Les Misérables, notamment: Édition des Misérables selon trois états de l'œuvre qui peuvent se lire sous la forme d'un tableau synoptique Édition des Misérables Bibliographie sur Les Misérables Guy Rosa, Histoire sociale et roman de la misère Les Carnets des Misérables Thomas Bouchet, Les 5 et 6 juin 1832, l'événement et Les Misérables Nicole Savy, Les procédures de réalisation: l'exemple du Petit-Picpus des Misérables Collectif, Lire Les Misérables Richard Hendriks, Adapter Les Misérables (Mémoire - 2006) Sabine Chalvon-Demersay, Adaptations télévisuelles et figures temporelles, Les sept visages des Misérables, Réseaux, 132, 2005. Pierre Malandain, «  La réception des Misérables ou « Un lieu où des convictions sont en train de se former »  », Revue d'histoire littéraire de la France, Paris, Armand Colin, n o  6 ( 86 e année) « Victor Hugo », ‎ novembre-décembre 1986, p.  1065-1079 ( lire en ligne. Adaptations Cinéma 1907: On the Barricade, d' Alice Guy Blaché, adaptation d'une partie du roman 1907: Le Chemineau 1909: Les Misérables, de J. Stuart Blackton 1912: Les Misérables, d' Albert Capellani [ 65] 1913: Les Misérables ( The Bishop's Candelsticks) de Herbert Brenon, adaptation du Tome I. Livre II 1917: Les Misérables, de Frank Lloyd 1922: Les Misérables 1923: Les Misérables ( Aa mujo) de Kiyohiko Ushihara et Yoshinobu Ikeda 1925: Les Misérables, d' Henri Fescourt (6 heures) avec Gabriel Gabrio 1929: Les Misérables ( The Bishop's Candlesticks) de Norman McKinnell, première adaptation sonore 1929: Les Misérables ( Aa mujo) de Seika Shiba 1931: Jean Valjean, de Tomu Uchida 1934: Les Misérables, de Raymond Bernard, avec: Harry Baur (Jean Valjean) Charles Vanel (Javert) Florelle (Fantine) Josseline Gael (Cosette) Jean Servais (Marius) Orane Demazis (Éponine) Charles Dullin (Thénardier) Marguerite Moreno ( M me Thénardier) 4 h 25 min) 1935: Les Misérables, de Richard Boleslawski, avec: Fredric March (Jean Valjean) Charles Laughton (Javert) Rochelle Hudson (Cosette) Florence Eldridge (Fantine) Frances Drake (Éponine) John Beal (Marius) Ferdinand Gottschalk (Thénardier) Jane Kerr ( M me Thénardier) 1 h 49 min) 1937: Gavroche ( Gavrosh) de Tatyana Lukashevich 1938: La Légende du géant ( Kyojin-den) de Mansaku Itami 1943: Les Misérables ( Los Miserables) film mexicain de Fernando A. Rovero 1944: Les Misérables ( El Boassa) film arabe de Kamal Selim 1948: Les Misérables ou L'Évadé du bagne ( I miserabili) de Riccardo Freda, avec: Gino Cervi (Jean Valjean) Valentina Cortese (Cosette / Fantine) Hans Hinrich (Javert) Aldo Nicodemi (Marius) 1949: Les Nouveaux Misérables, d' Henri Verneuil 1950: Anges et démons ( Re Mizeraburu: Kami to Akuma) de Daisuke Ito 1950: Les Misérables ( Ezai Padum Pado) de K. Ramnoth 1952: Les Misérables ( La Vie de Jean Valjean) de Lewis Milestone, avec: Michael Rennie (Jean Valjean) Debra Paget (Cosette) Sylvia Sidney (Fantine) Robert Newton (Javert) Cameron Mitchell (Marius) 1952: Les Misérables ( I miserabilli) réédition du film de 1948 1955: Les Misérables ( Kundan) de Sohrab Modi 1958: Les Misérables, de Jean-Paul Le Chanois, avec: Jean Gabin (Jean Valjean) Bernard Blier (Javert) Danièle Delorme (Fantine) Béatrice Altariba (Cosette) Bourvil (Thénardier) Giani Esposito (Marius) Silvia Monfort (Éponine) Elfriede Florin (La Thénardier) 3 h) 1961: Jean Valjean (film, 1961) de Seung-ha Jo 1967: Les Misérables ( Sefiller) film turc de Zafer Davutoglu 1978: Les Misérables, téléfilm de Glenn Jordan avec: Richard Jordan (Jean Valjean) Anthony Perkins (Javert) Caroline Langrishe (Cosette) Angela Pleasence (Fantine) Christopher Guard (Marius) Ian Holm (Thénardier) 1978: Les Misérables ( Al boasa) 1982: Les Misérables, de Robert Hossein, avec: Lino Ventura (Jean Valjean) Michel Bouquet (Javert) Jean Carmet (Thénardier) Evelyne Bouix (Fantine) Christiane Jean (Cosette) Frank David (Marius) Françoise Seigner ( M me Thénardier) Candice Patou (Éponine) — À noter l'existence d'une version plus longue de 30 minutes, scindée en quatre parties, présentée à la télévision en 1985. 1995: Les Misérables, de Claude Lelouch, avec: Jean-Paul Belmondo (Jean Valjean) Philippe Khorsand (Javert) Michel Boujenah (André Ziman) Alessandra Martines (Madame Ziman) Ticky Holgado (L'Addition) Annie Girardot (Madame Thénardier) Philippe Léotard (Thénardier) Jean Marais: L'évêque (1942. Monseigneur Myriel, Salomé Lelouch (Salomé Ziman) 1998: Les Misérables, de Bille August, avec: Liam Neeson (Jean Valjean) Geoffrey Rush (Javert) Claire Danes (Cosette) Uma Thurman (Fantine) Hans Matheson (Marius) 2012: Les Misérables, de Tom Hooper, avec: Hugh Jackman ( Jean Valjean) Russell Crowe ( Javert) Sacha Baron Cohen ( Thénardier) Helena Bonham Carter ( M me Thénardier) Anne Hathaway ( Fantine) Amanda Seyfried ( Cosette) Eddie Redmayne ( Marius) Samantha Barks ( Éponine) Aaron Tveit ( Enjolras) Télévision 1958: Os Miseráveis de Dionísio Azevedo 1961: Cosette d' Alain Boudet, Le Théâtre de la jeunesse de Claude Santelli 1962: Gavroche d' Alain Boudet, Le Théâtre de la jeunesse de Claude Santelli 1963: Jean Valjean d' Alain Boudet, Le Théâtre de la jeunesse de Claude Santelli 1967: Les Misérables, feuilleton télévisé britannique en 10 épisodes 1967: Os Miseráveis de Walter Negrao 1972: Les Misérables, de Marcel Bluwal, avec: Georges Géret (Jean Valjean) Bernard Fresson (Javert) Nicole Jamet (Cosette) Anne-Marie Coffinet (Fantine) François Marthouret (Marius) Hermine Karagheuz (Éponine) Alain Mottet (Thénardier) Micha Bayard ( M me Thénardier) Gilles Maidon (Gavroche) Jean-Luc Boutté (Enjolras) 1973: Los Miserables, de Antulio Jiménez Pons   (es) 1978: Les Misérables, de Glenn Jordan 1982: Les Misérables, par Robert Hossein (voir à ce sujet la section cinéma) 2000: Les Misérables, de Josée Dayan, avec: Gérard Depardieu (Jean Valjean) John Malkovich (Javert) Virginie Ledoyen (Cosette) Charlotte Gainsbourg (Fantine) Christian Clavier (Thénardier) Jeanne Moreau (Mère Innocente) Veronica Ferres ( M me Thénardier) Asia Argento (Éponine) Enrico Lo Verso (Marius) Steffen Wink (Enjolras) Jérôme Hardelay (Gavroche) 2014 - 2015: Los miserables, telenovela de Telemundo en 119 épisodes, s'inspirant librement du roman 2018: Les Misérables   (en) mini-série de Tom Shankland   (en) en six épisodes « Le ton est parfois grandiloquent, le trait un chouïa caricatural et la tentation de verser dans le mélo jamais très loin. Et on ne vous parle pas de lenvahissante bande sonore de John Murphy, qui veut absolument dicter nos émotions… Au bout du compte, quapporte cette nouvelle version? Une distribution placée sous le signe de la diversité culturelle, laquelle confirme que le petit écran évolue lentement mais sûrement. » ( Manon Dumais, Le Devoir, 13 avril 2019) Dessins animés 1977: Cosette 1979: Jean Valjean Monogatari ( L'Histoire de Jean Valjean) téléfilm d'animation de Takashi Kuoka 1981: Les Misérables, téléfilm d'animation 1988: Les Misérables, téléfilm d'animation 1992: Les Misérables, série télévisée d'animation en 26 épisodes 2007: Les Misérables: Shôjo Cosette, série télévisée d'animation en 52 épisodes (Nippon animation. Comédie musicale 1980: Les Misérables, musique de Claude-Michel Schönberg et livret d' Alain Boublil /Jean-Marc Natel, création sur scène au Palais des sports de Paris dans une mise en scène de Robert Hossein: Version anglaise avec un livret signé Herbert Kretzmer créée à la scène londonienne en 1985. Depuis 1991, la version anglaise a été remaniée plusieurs fois et présentée sans discontinuité sur la scène internationale, atteignant ainsi le record de représentations pour ce genre de spectacle. Discographie 1967: Les Misérables, raconté par François Perrier avec Georges Wilson dans le rôle de Jean Valjean, disque 33 tours, Le Petit Ménestrel Son et lumière 1996: Les Misérables à Montreuil-sur-Mer, un spectacle imaginé et mis en scène par Dominique Martens sur une musique originale de Dominic Laprise avec des chorégraphies et danses originales de Brigitte Bouyer. Dans la ville même où se déroule la première partie du roman, le spectacle fête sa 20 e édition en 2015 [ 67. Théâtre 1976: Les Misérables de Paul Achard d'après Victor Hugo, mise en scène Jean Meyer, Théâtre des Célestins avec Jean Marais, Jean Meyer, Fernand Ledoux 1999: Les Misérables, scénographie et mise en scène de Denis Llorca, dramaturgie de Philippe Vialèles, musique de Pascal Berthier, coproduction La Compagnie du Quartz (Paris) L'Étoile de l'Aube ( Saint-Thomé) Les Trétaux de France Jean-Danet, avec Denis Llorca (Jean Valjean) Jean-Paul Zehnacker (Javert. Arènes de Lutèce, tournée [ 68. 2002: Les Misérables, adaptation de Stephen Shank et Patrick de Longrée, mise en scène de Stephen Shank. Abbaye de Villers-la-Ville, dans le cadre de l' été théâtral de Villers-la-Ville. 2006: Misérables! adaptation par la Compagnie Annibal et ses Éléphants, spectacle de rue [ 69. 2012: Les Misérables, adaptation et mise en scène de Manon Montel, compagnie Chouchenko. Vingtième Théâtre, Paris. Reprise en 2014 et 2015. 2017: Les Misérables, adaptation et mise en scène de Manon Montel, compagnie Chouchenko. Lucernaire, Paris [ 70. 2018: Les Misérables, adaptation de Stephen Shank et Patrick de Longrée, mise en scène de Jacques Neefs. Citadelle de Namur [ 71. 2018: Les Misérables, adaptation et mise en scène Eric Devanthéry. Théâtre Pitoëff, Genève [ 72. Parodies Les Miséroïdes des Inconnus, fausse bande-annonce d'une adaptation du roman avec Jean-Claude Van Damme dans le rôle de Jean Valjean, se moquant de la violence et de la surabondance de clichés dans le cinéma nord-américain. Réécritures François Cérésa a donné en 2001 une suite controversée aux Misérables, avec deux livres intitulés Cosette ou le temps des illusions et Marius ou le fugitif. Des descendants de Victor Hugo ont attaqué l'auteur en la justice, mais ont finalement été déboutés [ 73. Marie-Hélène Sabard (Classiques abrégés) a écrit un résumé des Misérables. Le roman a été adapté en bande dessinée par deux fois: une première fois sous le titre Le Mystère des chandeliers, parue en France en 1991. Les personnages du roman y sont incarnés par les personnages traditionnels de La Bande à Picsou: on retrouve ainsi Picsou renommé Picaljean et Donald Pontmercy représentant Marius. Thénardier est représenté par Pat Hibulaire, Cosette est d'abord Zaza (jeune) puis Daisy (dix ans après) et Gavroche et ses frères apparaissent sous les traits de Riri, Fifi et Loulou; une seconde fois sous le titre original. Parue en 2006 aux éditions Glénat, les dessins sont de Bernard Capo, le scénario de Daniel Bardet et les couleurs d'Arnaud Boutle. Jeux vidéo 2008: Arm Joe 2013: Les Misérables: Le destin de Cosette [ 74] Mangas 2013: Les Misérables, manga de Takahiro Arai aux éditions Kurokawa (8 tomes. 2014: Les Misérables, une adaptation en manga (en langue anglaise) par les éditions Udon et dans la collection Manga Classics (une collection adaptant les classiques de la littérature en manga. Liens externes Versions gratuites de lœuvre Les Misérables, en version audio gratuite Les Misérables en feuilleton radiophonique à compter du 24 décembre 2012: France Culture fête le 150 e anniversaire de la publication du roman en le racontant en 14 épisodes de 23 minutes, avec Jean-Marie Winling (Jean Valjean) Philippe Magnan (narrateur) Vincent Schmitt (Javert) Hervé Furic (Thénardier) Julie-Marie Parmentier (Fantine) etc. Rediffusion quotidienne à compter du lundi 20 janvier 2014 à 20  h  30 (en hommage au réalisateur François Christophe) Fictions/Le Feuilleton, écoute en ligne Les Misérables, manuscrit autographe sur Gallica: 1 re partie, NAF 13379 2 e partie, NAF 13380 Les Misérables,   éd. originale de 1862 sur Gallica: 1 re partie Fantine I; 1 re partie Fantine II; 2 e partie Cosette I; 2 e partie Cosette II; 3 e partie Marius I; 3 e partie Marius II; 4 e partie L'idylle rue Plumet et l'épopée rue Saint-Denis I; 4 e partie L'idylle rue Plumet et l'épopée rue Saint-Denis II; 5 e partie Jean Valjean I; 5 e partie Jean Valjean II. Liens utiles Les films Les Misérables sur l' IMDb. Les Misérables décrit par la Bibliothèque nationale de France. Notes et références ↑ Présentation d'Annette Rosa du roman Les Misérables, Œuvres complètes/Victor Hugo. II ↑ Tome III. Marius — Livre VIII. Le mauvais pauvre — Chapitre 20. Le guet-apens. ↑ « Ce tableau d'histoire agrandit l'horizon et fait partie essentielle du drame; il est comme le cœur du sujet » — Lettre du V Hugo le 8 mai 1862 à son éditeur Lacroix voir ↑ Tome IV. L'idylle rue Plumet et l'épopée rue Saint-Denis — Livre IX. Où vont-ils? Livre X. Le 5 juin 1832/Livre XI. L'atome fraternise avec l'ouragan. ↑ Les Misérables - Tome II - Livre VIII - Chap. 8 ↑ Tome IV - Livre III - Chap. 5 ↑ Thomas Bouchet, « La barricade des Misérables  », dans Alain Corbin et Jean-Marie Mayeur (dir. La barricade: actes du colloque organisé les 17, 18 et 19 mai 1995 par le Centre de recherches en histoire du XIX e  siècle et la Société d'histoire de la révolution de 1848 et des révolutions du XIX e  siècle, Paris, Publications de la Sorbonne, coll.  « Histoire de la France aux XIX e et XX e  siècles », 1997, 522  p. ISBN   2-85944-318-5, lire en ligne) p.  125-135. ↑ (Tome IV. Où vont-ils? ↑ Tome IV. L'idylle rue Plumet et l'épopée rue Saint-Denis — Livre II. Éponine — Chapitre 3. Apparition au père Mabeuf. ↑ Jean-Marc Hovasse, « 1862: Les Misérables » émission La Marche de l'histoire sur France Inter, 15 février 2012 ↑ Victor Hugo poésie 3 - l'Intégrale/Seuil ↑ Notice de l'édition critique, génétique, informatisée et interrogeable des Misérables de Victor Hugo sur le site du Groupe Hugo ↑ Victor Hugo, Les Misérables, Paris, Robert Laffont, 1985, 1270  p. ISBN   978-2221046890) p. 1161 ↑ a et b Victor Hugo, Les Misérables, Paris, Gallimard, Notices et notes de G. et A. Rosa, 1985, 1270  p. ISBN   2-221-04689-7) pp. IV, 1212 ↑ Il aurait un budget de 240 000 francs-or, somme considérable à cette époque, d'après Jean-Yves Mollier, dans Dictionnaire encyclopédique du livre, Paris, Cercle de la librairie, 2005, tome II, p.  675. ↑ Les Misérables: histoire sociale et roman de la misère — Guy Rosa — Groupe Hugo ↑ On cite, comme modèle pour ce personnage, l'abbé Grégoire (Maurice Ezran, L'Abbé Grégoire, défenseur des Juifs et des Noirs: révolution et tolérance p.  64) ou Sergent-Marceau ( Les Misérables - Fantine p.  61 note 21 ou bien Yves Gohin, Les Misérables, p.  580) arguant du fait que, dans un premier temps, Victor Hugo parlait du conventionnel S. ↑ Les Misérables, tome II, livre 5, chap.  I. ↑ Site, article "Sur les traces de Victor Hugo à Chelles et à Montfermeil" consulté le 7 février 2020 ↑ « Il est certain que Hugo a subi, au début de son roman, l'influence de Balzac: la description du personnage et des habitudes de monseigneur Myriel, celle de monsieur Gillenormand, à quelques outrances près, par sa précision, son souci de n'omettre aucun détail vivant, pourrait presque prendre place dans La Comédie humaine. Non moins grande est l'influence exercée sur Hugo par les romans-feuilletons qui venaient de faire connaître à leurs auteurs une popularité sans précédent: Les Mémoires du diable de Frédéric Soulié, parus en 1841, et Les Mystères de Paris d'Eugène Sue parus en 1842 » — Analyse des Misérables dans Laffont-Bompiani, Dictionnaire des œuvres, Paris, 1990, t.  IV, p.  581 ( ISBN   2221501187. ↑ Pierre Laforgue, Hugo lecteur de Balzac, site du groupe Hugo. ↑ Nicolas Banasevic, « Les Échos balzaciens dans Les Misérables, centenaire des Misérables, 1862-1962 », Hommage à Victor Hugo, colloque de Strasbourg organisé par le Centre de philologie et de littératures romanes. ↑ « Paris étudié dans son atome », livre I, tome III; « L'argot », livre VII, tome IV ↑ Cultures France, Hugo-Balzac, in Victor Hugo et ses contemporains. ↑ a et b Nathalie Limat-Letellier, Marie Miguet-Ollagnier L'intertextualité, Presses univ. Franche-Comté, 1998, page 198 ( ISBN   2251606378. ↑ Laffont-Bompiani, « Les Misérables » in Dictionnaire des œuvres. [source insuffisante] ↑ a et b Évelyne Pieiller, «  Les Misérables, Les Trois Mousquetaires, Cyrano de Bergerac, Pérennité du roman populaire  », Le Monde diplomatique, juin 2002. ↑ « L'argot », livre VII, tome IV ↑ Victor Hugo, Choses vues 1830-1846, Paris, Gallimard, 1972, 508  p. ISBN   2-07-036011-3) p.  333, 334 ↑ Cela est confirmé, précise Hubert Juin, par une note de Hugo en regard du texte des carnets intimes: « Jean Tréjean », qui est le titre quil envisageait de donner aux Misérables. ↑ Victor Hugo, Choses vues 1830-1846, Paris, Gallimard, 1972, 508  p. ISBN   2-07-036011-3) pp. 204-208 ↑ «  Correspondance de Victor Hugo  », sur Wikisource (consulté le 19 avril 2017) ↑ Victor Hugo, Les Misérables, Paris, Robert Laffont, 1985, 1270  p. ISBN   2-221-04689-7) Présentation de Annette Rosa, ↑ Les mystères de Paris et les premiers romans-feuilletons sur Terres d'écrivains. ↑ Le Rappel ( lire en ligne) ↑ Claude Frochaux, L'Homme seul, partie II, p.  185. ↑ « Critique de Vidocq » sur Comme au ↑ Sylvie Thorel-Cailleteau, Splendeur dans la médiocrité: une idée du roman, p.  139-140 ↑ (en) Sarah Margareth Ross, The Evolution of the Theme of Criminality From Balzac, To Hugo, To Zola, p.  18. ↑ Bernard Leuilliot ( préf.   Jean Gaulmier) Victor Hugo publie Les Misérables: Correspondance avec Albert Lacroix août 1861 - juillet 1862, Paris, Klincksieck, avril 1970, 426  p. (notice BnF n o   FRBNF35289733) p.  62, 235, 236, 241 Ouvrage publié avec le concours du CNRS. Extrait de la lettre du 3 avril 1862 adressée par Albert Lacroix à Victor Hugo: « Grand jour! Triomphe éclatant! Enthousiasme complet! …] Partout à Paris, il est question de vous — Tous les journaux ont lancé avec éclat Les Misérables. Les extraits ont été d'un effet énorme. — La vente est réellement pleine d'entrain. » ↑ Max Bach, « La Réception des Misérables en 1862 », PMLA, vol.  77, n o 5, décembre 1962. ↑ L. Gautier écrit dans Le Monde (Paris, 1860) du 17 août 1862: « On ne peut lire sans un dégoût invincible, tous les détails que donne M. Hugo de cette savante préparation des émeutes » (voir) ↑ Charles-Augustin Sainte-Beuve, Mes poisons, Paris, José Corti, 1988, 274  p. ISBN   9782714302731) p. 61 ↑ Publications et écrit - Cultures France [lien mort. ↑ E. et J. de Goncourt, Journal, Paris, Robert Laffont, 1989, 1218  p. ISBN   2-221-05527-6) Avril 1862, p. 808 ↑ Lettre de G. Flaubert à madame Roger des Genette, juillet 1862 (voir. ↑ «  Les Misérables de Victor Hugo par Charles Baudelaire » dans le journal Le Boulevard (1862. ↑ Lettre à M me Aupick, Paris, 10 août 1862. ↑ Cultures France, Hugo-Lamartine, in « Victor Hugo et ses contemporains ». ↑ Michel Winock, Les Voix de la Liberté, Seuil 2001, p.  411 ↑ «  Victor Hugo, l'ami capital  », sur Alexandre Dumas, deux siècles de littérature vivante - La Société des Amis d'Alexandre Dumas (consulté le 5 mars 2017) ↑ «  Correspondance de Victor Hugo/1872  », sur Wikisource, 2007 (consulté le 5 mars 2017) ↑ Edmond et Jules de Goncourt, Journal, Tome I, Paris, Robert Laffont, 1989, 1218  p. ISBN   978-2221055274) p. 808 ↑ Réception des Misérables en Grèce par Marguerite Yourcenar. ↑ Réception des Misérables au Portugal ↑ (en) William S. Walsh, Handy-Book of Literary Curiosities, Philadelphie, J. B. Lippincott Company, 1892 ( lire en ligne) p. 600 ↑ Encyclopaedia Britannica, ↑ Victor Hugo, Les Misérables, Présentation Annette Rosa, Paris, Robert Laffont, 1982, 1270  p. ISBN   2-221-04689-7) p. 1165 ↑ Lettre du 23 mars 1862 de V. Hugo à son éditeur Lacroix (voir) ↑ «  Victor Hugo un combat pour les opprimés  » (consulté le 29 décembre 2014) ↑ Annette Rosa — Présentation des Misérables — Œuvres complètes/Victor Hugo. II ↑ « En 1815, M. Charles-François-Bienvenu Myriel était évêque de Digne. » – Les Misérables, Tome I, Livre 1, Chap I ↑ « Il est probable en effet que l'évêque assistait à cette agonie. » – Les Misérables, Tome V, Livre 9, Chap. VI ↑ L'évêque en présence d'une lumière inconnue — Tome I — Livre 1 — Chap. 10 ↑ On trouve pour la date de production de ce film plusieurs versions de 1911( Bibliolycée - Les Misérables, Victor Hugo de Charlotte Lerouge] à 1913 ( Écrits autobiographiques, par Charles Pathé) en passant par 1912 ( Encyclopedia of Early Cinema de Richard Abel) ↑ Site officiel Atelier Colom ↑ Site officiel Les Misérables à Montreuil-sur-Mer ↑ Source: programme Festival Théâtre Musique et Danse dans la Ville 1999, Paris. ↑ «  La Defense Tour Circus. Festival des Arts de la Rue. La Defense. 09 2014. Miserables  », sur (consulté le 11 novembre 2017) ↑ «  Programmation Théâtre du Lucernaire  » ↑ «  Les Misérables — Ville de Namur  » ↑ «  Les Misérables  », sur (consulté le 11 septembre 2018) ↑ «  La justice donne raison à l'auteur d'une suite des "Misérables"  », sur, 19 décembre 2008 (consulté le 29 décembre 2014) ↑ «  Sauvez Cosette des griffes des Thenardier dans Les Misérables - Le destin de Cosette sur iPhone/iPad et Android  ».

Les misérables les. Le scénar est nul et ca se finit en queue de poisson. Les misérables victor hugo. Amazing vocal control and artistry for aaron tveit my goodness. Les misérables tv series. 46:06 Look Down (Paris. Les miserables songs. Les Miserables has plenty of points to make, and while it inevitably fails on some and perhaps even on the main intended theme, the story is told with sufficient honesty to mostly work. The first half of the film is a slice of life movie of the life of a cop in an impoverished French slum, while the second half gets into its bigger political ideals. Ly clearly has vision and strong storytelling skills, as information is communicated with minimal exposition, and the pace is swift. There is some ambiguity in how good or helpful the characters in the movie are, particularly Greaser. We get a sense for what life is like living in the slums, but not a sense of what any of the boys are actually like. The second half dives deeper into its grander ideas, and one main point is made effectively, while many fall short. To me, the main theme of the movie was that absolute power absolutely corrupts, which is why accountability is essential for police officers, who are supposed to uphold the law. This is obviously personified by Chris, but also represented in the gradual use of force in the other two cops. With the quote from Les Mis at the end and the grand finale he has, I think Ly was going for a story of simmering tension between cops and unhappy citizens, until the shot was the last straw and the people rebel. There wasn't enough build for me in terms of the people's dissatisfaction and resentment towards the cops for this to really be effective. The main performance by the actor playing Greaser could've been much better, as he didn't really convey any emotion to me. It's a strange ending, especially with the quote about people not being good or bad but being cultivated, cause that really doesn't come across the rest of the movie. I do like the way the story is told visually and think it's an engaging plot and premise, but just don't think most of the ideas fully cohere. Decent film, but if my suspicions about Portrait are right, France probably made the wrong call on its Oscar nominee.

Enjolras 2:42 My favorite faceXDYou fricking idiots we're trying to liberate France.
1:11:22 Building the Barricade.
Quand t'es petit tu es pour la France à la coupe du monde mais quand tu grandis tu comprends pourquoi les grands ne l'étaient pas.
Best version of Les Mis I have heard.

It's night and Marius sang so loud😂😂. I loved the movie it had a great beginning and end but the middle part when they focused on the revolution was the least interesting and weakest But i m So Glad Finaly i can watch for free LES MISERABLES My Recomended Movie This Week Watch Now Full Streaming Movie ON. Les miserables.



I Still Believe Watch Stream Solarmovie putlockers Streaming Online

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Directed by=Andrew Erwin, Jon Erwin


release Year=2020

Actor=Melissa Roxburgh

I still believe in loving you by sarah geronimo.
Scattered words and empty thoughts / seem to pour from my heart I've never felt so torn before/ seems I don't know where to start But it's now that I feel your grace fall like rain From every fingertip, washing away my pain I still believe in your faithfulness / I still believe in your truth I still believe in your holy word / even when I don't see, I still believe Though the questions still fog up my mind / with promises I still seem to bear Even when answers slowly unwind / It's my heart I see you prepare But it's now that I feel your grace fall like rain From every fingertip, washing away my pain I still believe in your faithfulness / I still believe in your truth I still believe in your holy word / even when I don't see, I still believe The only place I can go is into your arms / where I throw to you my feeble prayers In brokenness I can see that this was your will for me / Help me to know you are near I still believe in your faithfulness / I still believe in your truth I still believe in your holy word / even when I don't see, I still believe <     Artist Page.
One of my favorite songs of all.
I hope I find true love one day. instead I'm just depressed lol.

I wasn't expecting the two trailers in once. Good one.

This movie is gonna break me. I can feel it

I Still believe. She‘s gonna die isn‘t she... nOpe I‘m gonna be ugly crying for 4 hours straight then. Amazing, beautiful, moving, touching, uplifting. When I close my eyes and listen. wow. I still believe in loving you karaoke. Copyright 2020 Sonrise Church All Rights Reserved 8805 N. Magnolia Avenue, Santee, CA 92071 619. 596. 7667, Powered by Church Plant Media. I still believe kj apa version. Most awaited ❤. I Still believe digital. Is there anyone who knows if I can find the film on netflix. I Still believe in love. I still believe miss saigon. I still believe in you lyrics. I still believe jeremy camp. I still believe movie trailer. I already know that this is gonna be a good movie.

0:04 Who's that? Inconceivable

Told my wife that he's my man crush. She couldn't even argue. I Still believe in your dreams. We are a non-commercial ambient radio station, on the air 24 hours a day, 365 days a year. In addition to our automated radio feed, we also focus on hosted radio programs, with live hosts who share their passion for deep music with you. To keep up with the latest up to the minute station news please follow the Still Stream Facebook Page. If youd prefer a less noisy way of keeping up to date then maybe our monthly newsletter would be best for you. Current listeners: Updating…) Interested in chatting with other listeners? Sign into our chat room using the Kiwi IRC widget below. Please review the StillStream Code of Conduct before participating. Need the chat to take up the whole browser window? Try using Kiwi IRC in a separate window.

I Still believers.


I still believe kj apa. Respected all but more is David Beckham and Victoria Beckham. I adore this movie. I still believe trailer. I Still believe the hype. I still believe story. I couldn't hold my tears! And it's just the trailer 🤯😭😭😭. I still believe song. I will watch literally anything with Adam Driver in. I still believe. I still believe the call. I still believe movie. I still believe tim cappello. Syracuse, NY straight edge torchbearers GhostxShip are exclusively streaming “I Still Believe” on AltPress, a new song from their forthcoming Carry The Flame EP. Pre-orders have launched in conjunction with the premiere at Seventh Dagger. “I Still Believe” is a call to arms. To scream aloud to the world that hardcore is alive and well. We all see the trends and the changes over time but at its center, hardcore is still having a positive affect on people, ” says frontman Keith Allen, who makes his debut on the release. “There are three new songs as well as a Path Of Resistance cover (ft. Path/Earth Crisis' Karl Buechner and First Blood's Carl Schwartz. It seemed that going back to the basic principles of being in a straight edge hardcore band was a great way to get started. The imagery and the artwork for the record are to the point and easily understood. The concept is simply the fire that burns within us all. ” Catch GxS on iMatter Fest 2013  next month with August Burns Red, the Color Morale, For Today and more.


I Still believer. Life brought me here. I still believe karaoke. Home » Featured » Watch Live Stream From We Still Believe Street Party (London, UK) Global Sets Dj Mixes Featured, Festivals, Live Mix Leave a comment Tags EDM Electro house Live Live Stream Liveset Livesets London Techno UK Watch We Still Believe Street Party Previous Watch Live Stream From Corona Sunsets (Italy) Next Watch Live Stream From 51st State Festival (London, UK) Check Also Sean Tyas – Live @ Cruise Jubilee, Monday Bar (Stockholm, Sweden) – 08-SEP-2017 Artist: Sean Tyas Show: Live @ Cruise Jubilee, Monday Bar (Stockholm, Sweden) – … Leave a Reply Your email address will not be published. Required fields are marked * Comment Name * Email * Website.

I still believe in your eyes. I still believe lost boys. I still believe lyrics miss saigon. I still believe in you. I still believe book. I still believe csfd. I Still believe i can. Not a patch on Mariah Careys version I'm sorry to say. I Still believed. I still believe cast. × MPAA  -  FilmRatings  -  Privacy Policy 2020 Lions Gate Entertainment Inc. All rights reserved.

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I still believe in you vince gill. Do yourselves a favour and watch the ORIGINAL 2006 film, staring Mads Mikkelsen. If you're a mariah Carey fan but don't know who or never heard of Brenda K. Starr, you're a groupie, not a fan. Wore the tee-shirt back in the 80's.  Still Love The Call!  Miss the shirt, though. Powerful, inspirational and absolutely fricken beautiful. I still believe mariah carey. Neil: Hi! Im Neil Patrick Harris and this is my better half, David Burtka! David: Hi, Im better! smiles innocently 😂😂😂😂😂😂. I Still believe i can fly. I Still believes. I can't wait. I still believe.

I still believe film. This video is truly beautiful. It shows that love comes in all sizes, shapes, colors, and ways. It shows that even in hollywood, where we mostly see couples splitting every day, can truly be happy together despite what the media says. I still believe in loving you. I still believe 2020. I still believe lyrics jeremy camp. I still believe in love lyrics. RIP Micheal Been. we still believe. You need to be logged in to save favorites on this website. Only name (or nickname) e-mail (to restore passwords) and password required. Register in less than 1 minute to use all the website features completely or use your Facebook account! Login with Facebook.

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Summary - A woman searches for her missing son in a remote wilderness with the help of her estranged husband and a Native American friend. When an evil creature starts to hunt them, their journey becomes a fight for survival
6,4 / 10 Star
Brock Manwill
actor - Victor Gage
I enjoyed it quite a bit. Would be interesting to see where you go with it. Would also definitely like to see a continuation of the Luetin Necropolis idea as well.

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Movie Online Mystify: Michael Hutchence gomovies putlockers writed by Richard Lowenstein





Duration 1 H 42M. Audience score 883 votes. creator Richard Lowenstein. Countries Australia. release Year 2019. 8 / 10. Wherever I am in the world, I always end up listening to INXS. Sydney's finest. Yates was like Ono... She Ruined him... He needed someone but Paula was a dirty woman... all the drugs Michael Did made him stupid and Yates got him... and yes his Head injury messed him up... Documentary examining the life and tragic early death of charismatic INXS singer Michael Hutchence, from his early childhood to his suicide in a Sydney hotel room on 22 November 1997, aged just 37. Richard Lowensteins absorbing, often disquieting documentary on magnetic INXS frontman Michael Hutchence was ten years in the making, and what a labour of love it is. Not just Lowensteins for his subject — he made nearly 20 promo videos for the band, dating back to 1984, and arguably thus played a key role in Hutchences public persona — but also the singers sometimes troubled love for life, and his friends, familys and lovers abiding fierce affection for him, despite (most often unintended) pain caused. Piecing together his life via intimate home video footage and candid reminiscences — voice only — from ex-girlfriends, bandmates and close relatives, its a bittersweet, melancholy, often dreamlike eulogy. Particularly touching are extended scenes from his ‘controversial relationship with then squeaky-clean princess of pop Kylie Minogue. At the time many couldnt quite get their heads around the pair, but here we see them travelling together more-or-less anonymously like any other backpacking couple. Theres a sweetness to their love that is genuinely touching — and its clear from Minogues frank reminiscences that their time together still lingers. We also ‘meet Michele Bennett, the woman whom Hutchence was dating at the height of INXS early fame, and for whom ‘Never Tear Us Apart was written — we discover she was also one of the last people with whom he made contact, their closeness (as with so many of his exes) continuing years after their split. Lowensteins film fleshes Hutchence out into a relatable, quixotic, flawed but deeply engaging character. Most shocking, though, is Helena Christensens revelation of a catastrophic random incident that forever changed Hutchences outlook, and goes some way to explaining how someone who exuded so much joy could end his life in such a tragic and untimely manner. Increasingly lost and desperate as his relationship with Paula Yates became more difficult, the last act of Lowensteins film makes for a difficult watch, and reveals the coroners much-debated verdict of suicide to be hard to question. On a less personal note, lo-fi video footage of his side project, Max Q, proves that even without his main band, he was a hypnotic performer who had so much more to offer. While not solving the riddle of the man, Lowensteins film nonetheless fleshes him out into a relatable, quixotic, flawed but deeply engaging character, and offers a long overdue insight into one of rocks most underrated and missed musicians. An illuminating, moving and quietly shocking account of Michael Hutchences short life. A must for fans, but Lowensteins lyrical, meditative piece offers a compelling account of one mans passion that exudes warmth and humanity.

As a good friend of the late INXS frontman Michael Hutchence, filmmaker Richard Lowenstein gets amazing, unprecedented access to home movies, personal recordings of Hutchence's thoughts when he was alive, and interviews with close friends and family of Hutchence.
The result is a wonderful and fitting tribute to a rock star whose music and charisma had a huge impact on his generation.
People such as lover Kylie Minogue and manager Martha Troup speak in depth about what Hutchence was really like, and what drove him.
The consensus is that he was an artist at heart - shy as a boy but a showman as an adult, who write his own lyrics and melodies and wanted to be famous, but who like so many before him, suffered the downsides of fame.
Hutchence loved his parents, but the documentary shows how they had deep flaws, for which he forgave them eventually.
The part I don't quite understand is about Hutchence's relationship with Paula Yates, and the circumstances that led to Hutchence's death in a Sydney hotel.
There were some very messy circumstances, and I'm not sure this doco provides many insights, aside from suggesting that Hutchence was down because he agonised over the prospect of breaking up Yates and Bob Geldof, and thereby hurting their three daughters, which may have reminded Hutchence of the pain of his own parents' split.
I don't know about that. But maybe we'll never know, because Yates and Hutchence are no longer with us.
Hutchence and Yates were, as someone points out, bad influences on one another.
It's so sad, in any case, that Hutchence had such a terrible fall from his golden early years.

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Holy Jesus Christ! He was the man. Absolutely beautiful. I can't go on. WOW I never knew this was a cover song. Great video! RIP Michael. Movie online mystify: michael hutchence jr. Movie online mystify: michael hutchence live. Father died in December 1990. This song helped lift me up and I eventually graduated from college in May 1991. Movie online mystify: michael hutchence video. Click the stream buttons below to toggle between working/non-working source servers Mystify: Michael Hutchence Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowensteins documentary examines Hutchences deeply felt life through his many loves and demons. Duration: 102 Quality: 4K Release: 2019 IMDb: 7. 6 Comments Leave a Reply You must be logged in to post a comment. You May Also Like 4K Created Cosmos Created Cosmos 4K The vastness of space boggles the mind, and the beauty and diversity we find there demands a Creator. Take an awe-inspiring tour through our own solar system plus nebulae, galaxies, … 4K Chaplins Goliath Chaplins Goliath 4K A film about the tall actor who was most famous for playing the quintessential villain for Charlie Chaplins Tramp character. Country:  UK 4K Sunshine Superman Sunshine Superman 4K Documentary portrait of Carl Boenish, the father of the BASE jumping movement, whose early passion for skydiving led him to ever more spectacular -and dangerous- feats of foot-launched human flight. 4K Behind the Curve Behind the Curve 4K Centuries ago, many cultures believed the Earth was a flat disc. As scientific thought and technology evolved, the Earth was revealed to be a globe, a view thats widely accepted… Country:  USA 4K A Beautiful Planet A Beautiful Planet 4K A Beautiful Planet is a breathtaking portrait of Earth from space, providing a unique perspective and increased understanding of our planet and galaxy as never seen before. Made in cooperation… Country:  USA 4K Bobby Fischer Against the World Bobby Fischer Against the World 4K The first documentary feature to explore the tragic and bizarre life of the late chess master Bobby Fischer. 4K Last Words Last Words 4K Early short by Werner Herzog shot while being on location in Greece shooting “Lebenszeichen”. 4K Happily Ever After Happily Ever After 4K An unrelenting personal report of a faltering relationship in the aftermath of Egypts Arab Spring. 4K Hot Girls Wanted Hot Girls Wanted 4K A first-ever look at the realities of the professional “amateur” porn world and the steady stream of 18-to-19-year old girls entering into it. Country:  USA 4K The Choice 2016 The Choice 2016 4K An interwoven investigative biography of U. S. presidential candidates Hillary Clinton and Donald Trump that draws on dozens of interviews from those who know them best—friends and family, advisers and adversaries—as… Country:  N/A.

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Movie online mystify: michael hutchence full. Hutch and Kylie ❤️. His Father seems really cool. Michel had that rare and natural charismatic swagger. Jim Morrison comes to mind as well. Movie online mystify 3a michael hutchence download.

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Movie online mystify: michael hutchence 2017. Movie online mystify: michael hutchence movie. Ok its 2019 and still going. OMG. This is the best. Wish I could have seen them in person. A back stage pass. Well I guess I'll just have to go to Heaven. And sit in the front row of the best concert ever. Just imagine. Hendrix, Joplin, Marvin, Marley, Morrison. And the list goes on and on...

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Movie online mystify: michael hutchence youtube. Having suffered from three concussions and having suffered from anosmia or the loss of taste and smell, post concussion syndrome is a very dark place, having Michaels life full of such stresses like the Yates drama and the antidepressants and alcohol use just magnifies everything times 1,000. had he not suffered that head injury he would probably still be alive. Traumatic brain injuries are invisible from the outside but inside its a war! Everything can be a trigger, everything triggered my emotions in the months after mine and sadly suicide just starts to look normal. what a tragic and horrible thing to have happen, I know the pain he went through, may he Rest In Peace.

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Saw this last night DAMN I forgot how brilliant they had it all and then Paula Yates. Really sad brilliant documentary.

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Mystify: Michael Hutchence Full Movie On Watch32: Ghost Pictures and Passion Pictures and a documentary feature about the troubled heart and soul of Michael Hutchence, lead singer and songwriter of INXS. IMDB Rating: 7. 5/10 Director: Richard Lowenstein Cast: Michael Hutchence Released Date: 4 July 2019 (Australia) Time: 102 min Genre: Documentary NOTE: If Server 1 does not work please try other servers on Watch32. Also please wait for few seconds to load the video. Issue: Your Name: Details. Movie online mystify: michael hutchence die.

Movie online mystify: michael hutchence lyrics. Holy, I never knew he did a cover of this song, I love Eric and I love Michael, holy shit awesome. Country: Australia Language: English Director: Richard Lowenstein Writer: Actors: Michael Hutchence IMDb Plot: Ghost Pictures and Passion Pictures and a documentary feature about the troubled heart and soul of Michael Hutchence, lead singer and songwriter of INXS. Storyline: Web Some hosts have deceptive ads. Look for a small X above the ad to close it, and begin watching. Quality External Links Full HD Watch In HD onlystream Related Movies Cat Related Movies. Share this movie link to your friends. Share to support our website. We wish you have great time on our website and Enjoy Watching Guys! Have a nice day! All The Best Mystify: Michael Hutchence Ghost Pictures and Passion Pictures and a documentary feature about the troubled heart and soul of Michael Hutchence, lead singer and songwriter of INXS. Movie: Mystify: Michael Hutchence Production Co: Duration: 102 min Release: 2019.

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Sorry no... At this point in his life he was dealing with brain injury, depression, lots of drugs and a toxic relationship with Paula. I see this and feel sad. Fave front man and oh so sexy but this point in his life just so sad...

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Movie online mystify 3a michael hutchence remix. I've got to let you know. De mis favoritos de INXS. Mystify michael hutchence full movie online. Slow buffering? Pause & wait 1-3 minutes and play again! Do not Reload the page. Server 1 Server 2 Server 3 Watch Mystify: Michael Hutchence full movie free from 123Movies. This movie is produced in Australia, released in the year 2019. Genres are Documentary, here is the storyline: Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowensteins documentary examines Hutchences deeply felt life through his many loves and demons. Runtime: 102 min Available Quality: HD Release Year: 2019 IMDb Rating: 7. 6.

Who can blame this woman for to be uncontrollable lost for love with him, how on earth can you resist him, there's no way. I watched this live at the time, making me late for school but every second of this interview was worth it <3. Movie online mystify 3a michael hutchence live. Movie online mystify michael hutchence. He was the jim morrison of his day. Let's face it, literally, Michael's band mates were happy he was so magnificently magnetic and they were not the attraction to the band or music. but those tunes and vibes, like nothing else! He died on his artistic wasted sword but will live for a thousand years. The only band in the world completely unable to carry on with out their front man. R.I.P xxx.

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Genre: Thriller
actor: John Cassini
Info: Avery Malone, a wannabe writer and lonely librarian, gets her big break when she's hand-selected to assist her hero, reclusive author, Caleb Conrad. Whisked away to Caleb's remote estate, Avery is given her one and only task; to participate in a controlled psychological experiment in fear that will serve as the basis for Caleb's next novel
Rating: 29 votes
release Year: 2019

True fiction gamespot. True fiction lee goldberg. Best true crime fiction. 1 1 Posted by 3 days ago 1 comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by level 1 Original Poster 1 point 3 days ago Full movies download u/Complex-Possession Karma 1 Cake day February 10, 2020 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc 2020. All rights reserved.

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Robert Mueller, a rock-ribbed G-man out of a 1950s comic book, has shown us just how prosaic these weapons of mass psychology really are, and what suckers we all were. BTW, I'm not convinced Mueller has gotten into the most subversive of it. As he has demonstrated no deconstruction of the Great Seal, nor anywhere near the level of insight as Howard Bloom's August 2000 book about the Mass Mind. The Mueller Report does not reflect having a team member and voice in the skillset of Surkov. And i sure have not seen any shutdown of the level of anti-truth anti-science taking place. And the theories of (see sidebar of subreddit) Rick Roderick being understood. Rick Roderick in his 7-hour siege concept: Habermas locates a second fundamental human interest – and this one is… quite different for him – in communication. In other words, in the interest that human beings have – and its a deeply seated interest – in communicating with one another. If you think about this, it would be required for everything from any kind of social bonding without which even human life in the anthropological sense wouldnt be possible and so on. Its a fundamental interest not just in communication – this is important – but in undistorted and clear communication. Thats our fundamental human interest. Because we have a fundamental human interest in undistorted communication we need to understand what Habermas calls “systematically distorted communication”, and I will be onto that in just a minute.

Non fiction true. True look construction camera. True crime non fiction. #1 New York Times, Publishers Weekly and Wall Street Journal  bestselling author Lee Goldberg hits the ground running in a breakneck thriller where truth and fiction collide for the unluckiest writer alive. When a passenger jet crashes onto the beaches of Waikiki, bestselling thriller writer Ian Ludlow knows the horrific tragedy wasnt an accident. Years before, the CIA enlisted Ian to dream up terrorism scenarios to prepare the government for nightmares they couldnt imagine. Now one of those schemes has come true, and Ian is the only person alive who knows how it was done… and who is behind the plot. That makes him too dangerous to live. Ian goes on the run, sweeping up an innocent bystander in his plight—Margo French, a dog walker and aspiring singer. They are pursued by assassins and an all-seeing global-intelligence network that wont stop until Ian and Margo are dead. Ian has written thrillers like this before, but this time he doesnt know how its going to end—or if he will be alive to find out. Praise for TRUE FICTION “Thriller fiction at its absolute finest—and it could happen for real. But not to me, I hope. ”  —Lee Child, 1 New York Times bestselling author “Goldberg has crafted a clever, silly and exciting thriller that showcases a love for the genre and the world of writing. ”— Washington Post “A crackerjack thriller! Goldbergs urge to tease is irresistible [and] is the right touch for a story of life imitating art. ” —Booklist “This is my life…. in a thriller! True Fiction is great fun. ”  —Brad Meltzer, 1 New York Times bestselling author “This may be the most fun youll ever have reading a thriller. Its a breathtaking rush of suspense, intrigue and laughter that only Lee Goldberg could pull off. I loved it. ”  —Janet Evanovich, 1 New York Times bestselling author “Fans of parodic thrillers will enjoy the exhilarating ride… [in] this Elmore Leonard mashed with  Get Smart  romp. ”— Publishers Weekly “ True Fiction is a conspiracy thriller of the first order, a magical blend of fact and it-could-happen scary fiction. Nail-biting, page-turning, and laced with Goldbergs wry humor, True Fiction is a true delight, reminiscent of Three Days of the Condor and the best of Hitchcocks innocent-man-in-peril films. ” —Paul Levine, 1 Amazon bestselling author of Bum Rap “Imagine Three Days of the Condor on meth. Thats True Fiction. Nonstop action and a great main character, a thriller writer being chased by a super secret intelligence agency. Easy to see why this is a bestseller. ” —Harry Hunsicker, author of The Devils Country “Truly an enjoyable read. The chapters from the Straker novels are the Mona Lisa of parodies. ” —Christopher Reich, New York Times bestselling author “I enjoyed the heck out of this, ” Ian Rankin, New York Times bestselling author “ New York Times bestselling author Lee Goldbergs new thriller, True Fiction, is a fast-moving adventure filled with his signature witty wordplay, twisty plots and mesmerizing characters. ” – National Examiner “I loved every word of this book. Ian Ludlow is an action hero I can relate to. If great pacing with awesome characters are what keep you up at night, then make a pot of coffee and open this book. ”  —Crimespree Magazine “Great fun that moves as fast as a jet. Goldberg walks a tightrope between suspense and humor and never slips. ” —Linwood Barclay, New York Times bestselling author of The Twenty Three “I havent read anything this much fun since Donald E. Westlakes comic-caper novels. Immensely entertaining, clever, and timely. ”—David Morrell, New York Times bestselling author of Murder As a Fine Art and First Blood, the book that introduced Rambo “Ian Ludlow is one of the coolest heroes to emerge in post-9/11 thrillers. A wonderful, classic yet modern, breakneck suspense novel. Lee Goldberg delivers a great story with a literary meta-fiction wink that makes its thrills resonate. ” —James Grady, author of Six Days of the Condor “The story of an innocent man caught in a deadly conspiracy has been told before—think Hitchcocks ‘North by Northwest or ‘The Man Who Knew Too Much — but Lee Goldberg takes it a step further in this rollicking, sometimes humorous, always deadly True Fiction. In this novel, thriller writer Ian Ludlow fights to stay alive when he realizes his make-believe world of plots and assassins has suddenly become all too real.  Highly recommended. ” —Brendan DuBois, Shamus Award-winning author of the Lewis Cole mysteries “ True Fiction jumps into Elmore Leonard territory as a witty send-up of spy novels and the book industry. Goldberg delivers a character who seems, well, very much like himself. This one promises to be the first in what should be a most amusing series to follow. ” Mystery Scene Magazine ““Humorous, thrilling, and scary, True Fiction is a great caper story of the little guys taking on the all-encompassing secret state in a knock-down, drag-out fight to the finish. ” Authorlink “I had more fun reading your True Fiction than any book in months. Outstanding job. Wish Id written it, ” Reavis Z. Wortham, author of Hawkes Prey and Gold Dust.

True fiction review. True fiction movie trailer. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates. True fiction dennis hopper christopher walken. Level 1 21 points 4 months ago This is a fantastic story. Narrator: tone it down several notches. You're chewing the scenery and wear a long-sleeved, dress shirt under a jacket. level 2 13 points 4 months ago I thought the narrator made the video far more watchable than the usual true crime videos where the narrator is speaking in this overly dramatic tone like the Burger King foot lettuce guy. This dude was enjoyable to watch level 2 5 points 4 months ago I bet hes not even wearing any socks. level 1 5 points 4 months ago “Twin Peaks bad boy James Hurley” level 1 cheesymacezrap -7 points 4 months ago ( 0 children.

Are fiction books true.


Non fiction true crime. Girl and her mother check into hotel, they're not in the system. Someone canceled and they get their room. Girl's mother is sick. Girl goes to get medicine. Important part: Girl comes back with medicine. She puts it on desk and gets change from the clerk. Seconds later, the bag is gone and no one recognizes her. They say the room is unoccupied. They go to the room, it's empty and the furniture is different. She never saw her mother again. True tbb 4g ld. Some of the best new films and books live between genres S taff Sergeant Will James fiddles with the bomb like an IT tech on methamphetamine. He works quickly despite his seventy-pound bomb suit and, as he labors on one IED, discovers five more hidden nearby in the sandy dirt of an Iraqi road. Later, on another mission, he and his explosives team fail to find a way to separate a repentant suicide bomber from his timed explosives. James apologizes and leaves the anguished man alone in a town square. When the bombs do blow, they do not make the fiery tangerine typical of Hollywood explosions, but rather dusty, ugly clouds. As James struggles to make sense of and then disarm Iraqs many bombs, he regularly breaks protocol. He takes off his protective suit while working on one particularly puzzling IED because, he reasons, if he must die he “wants to die comfortable. ” He is a kind of cowboy artist of explosives, and has channeled all his gifts not into making a home rocket or getting a law degree but into defusing the bombs that would kill him. Instead of collecting old Macintosh computers, James keeps parts from bombs that he has disarmed in a box under his bed. Each of these scenes is tense and startlingly precise. They feel real. The Hurt Locker s forensic, formalist style aligns it with documentaries or biopics. But it is defined as a fictional action movie by its screenwriter, director, and studio. Yet The Hurt Locker is rooted in an original piece of nonfiction published in Playboy in 2005, by Mark Boal, titled “The Man in the Bomb Suit. ” It wasnt a piece that I had heard of, but when I got a copy of it, finally, it was a pretty terrific article, full of deep reporting. (As of this writing, Boals original isnt even archived on the Playboy Web site. Boal wrote the screenplay for the movie, too, and the correspondence is striking. Many of the details in the film—the predilections of the central bomb tech, for instance—are based on the bomb-squad guy with whom Boal had embedded. This seems to be part of a broader trend: an increase in the blurring of neat and certain categories of “fiction” and “nonfiction” into something that we might call “true fiction. ” Wherever I look, some of the best films and books are bending the categories in this way. There is Josh Neufelds A. D. New Orleans After the Deluge, a heavily reported graphic novel, out in August, with multiple stories of loss and recovery in that city. There is a new nonfiction book, Zeitoun, by Dave Eggers, which was heralded for its use of fictional techniques. In The New York Times, Timothy Egan described the middle third of the book as “an odyssey with the quality of an unpleasant dream” that “reminded me of Cormac McCarthys postapocalyptic fiction, with the added bonus of proper punctuation. ” Eggers defined his previous book, What Is the What, about the life of a real Sudanese “Lost Boy” named Valentino Achak Deng, “fiction, ” because he altered some of the facts. But it is equally grounded in reporting. All of these books and films—2008s Waltz With Bashir, about a soldier/directors memories of the invasion of Lebanon, is another—bring fictional techniques to nonfiction and nonfictions techniques to fiction, and are not clearly aligned with one genre or the other. There is even a new anthology just out, The Lost Origins of the Essay, that attempts to argue that some works long considered fiction are actually closer to this hybrid form. In his own contribution to the book, its anthologist, John DAgata, asks, “Do we read nonfiction in order to receive information, or do we read it to experience art? ” Such works belong to a category thatl iterary critics might call hybrid or even “liminal”—between things. The genre seems to thrive at transitional historical moments like ours. It is worth noting, too, that these hybrid works are arising outside of an avant-garde or “high” literature. I am talking about writers like blockbuster memoirist Jeannette Walls, who terms her new book, Half Broke Horses —the story of her grandmothers hard-luck life in a dirt dugout in west Texas—a “true life novel. ” Thinking about these distinctions brought me to the past of the nonfiction/fiction form, though not quite as far back as Daniel Defoe. I revisited Norman Mailers magisterial Armies of the Night and, even better, his The Executioners Song, a “true life novel” that is a thousand pages long and “takes for its incident and characters real events in the lives of real people, ” as Joan Didion put it. The book is based on heavy reporting on the crimes and 1977 execution of Gary Gilmore in Utah. We all know that Orwell or Capote or Mailer would create composites, compress time, put themselves in the action as a character—like the character “Mailer” in Armies of the Night —and yet imagined their work to be a certain kind of journalism. But in the last few years, writers seem to be backing away some from categorizing things as “true, ” even as they are also rethinking what nonfiction is and can be. Contemporary conditions may have something to do with this, including a reaction to exaggerated and falsified memoirs, like James Freys A Million Little Pieces. The wariness of the nonfiction label surely has something to do with Frey being unmasked by Oprah, and maybe all the subsequent memoirists whose veracity was questioned down to the smallest details have made writers more circumspect about the “nonfiction” appellation. (And then there was also Freys later abject and culturally demented half-redemption as a novelist. ) The rise in works of true fiction may also have something to do with the sense that the category “nonfiction” no longer has the frisson it once did or the assurance that a book or film will sell. “The newshole for narrative nonfiction is shrinking, ” says Andrew Pitzer, editor of Nieman Foundations Narrative Digest. “You have to have a lot of dazzle to get it published at all. Letting the work go over a little to fiction lets it be more salable. ” Now that almost anyone can write or film or blog or photograph their own life and reflect their own experience, journalists may feel the need to up the ante with fictional techniques, stirring up storylines and sharpening their works emotional truth with a light dose of creative license. (What good is reality, they might ask, now that “reality television” has made the word itself into a kind of fiction? One result, to me, is that the reportorial richness of nonfiction is turning up in places where it hasnt tended to thrive before—like The Wire and other television and film works, including The Hurt Locker, written in part by journalists who jumped the platform. They use composites and half-fabricated back stories; they give their subjects other names or refer to them by only their first names. The Hurt Locker s Boal wrote the script for another strong Iraq war film, too— In the Valley of Elah —based even more directly on another of his articles. For Hurt Locker, he told me in a phone conversation, “The milieu and the specifics of the job of being a bomb tech came out of my firsthand observation. There is no way I could have written that screenplay without having been to Baghdad and had a nuts-and-bolts view of how bomb techs do their job. This was not public information. There was no other source material to draw on in terms of research, and there really were guys in 2004 who behaved like the men in the movie. ” In fact, Boal shot amateur video in Iraq when he was writing his article for Playboy, and it got him thinking that the story would make a compelling film. When the time came to write the screenplay, Boals conception of character was shaped by detailed reporting. Its the same with A. D., the graphic novel, which portrays seven people from New Orleans who either stayed in the city during the flooding in the aftermath of Hurricane Katrina in 2005 or fanned out to other cities around the country, eventually returning to the city in dribs and drabs. A. emerged from another hybrid form, reported comic strips, and first appeared on the Web site Smith. Its not the first book that has combined reportage with the graphic form. Joe Sacco helped pioneer the genre in the 1990s with his award-winning Palestine and Safe Area Goražde. And there is a host of excellent graphic memoirists, like Alison Bechdel and my friend Laurie Sandell, who wrote and illustrated The Impostors Daughter, about her con-man father. And dont forget Waltz with Bashir, the animated film which was adapted into a graphic novel this year. But A. is certainly one of the most rigorous in its storytelling and the most journalistic. Like Boal and Eggers, Neufeld is not “really” a journalist or “just” a journalist but something else: a nonfiction artist? A story architect? A. is “reality based, ” formed from Neufelds interviews with the people of New Orleans, like Abbas, a small-store owner who wound up on the roof during the deluge; Denise, who was in the Convention Center where people were dying; and a comic-book collector named Leo, who left in the nick of time, abandoning his 15, 000 books to drown at home. s panels are brightly colored, from yellow to green to red, seeming to emulate the mental states of the characters as they intensify their struggle to survive. According to a positive New York Times review, A. “is a novel, not a documentary: Mr. Neufeld edited parts of the survivors stories and combined some characters. ” Larry Smith, publisher of Smith, who originally commissioned the strips for his online magazine that ultimately became A. D., argues against the Times s reading, saying that the “categorization or description of A. as a ‘novel or somehow novelized is incorrect. ” In Smiths telling, A. is actually journalism in a new guise. “We worked really diligently and methodically to make sure we got everything right, ” Smith says. “I did the first interviews, in person, with Josh on our first trip to New Orleans. We recorded everything, and Josh double- and triple-checked his notes with the characters themselves before we put up a new chapter. A handful of times, a character would read the comic and say, ‘You know, I wouldnt have worn that type of sweatshirt; its not my style, so Josh made the adjustment when it came time to make the book. Neufeld has said that he used whatever method necessary to make “the emotional truth of the stories much clearer” and was going for a novelish feel. Of course, the survivors tales were edited, with additional characters removed from certain scenes when the scenes became too confusing. That alone could trouble its position as simply nonfiction. Still, in films like The Hurt Locker and books like A. and other reported graphic novels, we are seeing nonfiction freed from its rigid constraints. “I think its a journalistic sensibility, with a fictional aspect, ” Boal says. He cites Eggerss fictionalized nonfiction and journalistic fiction both as prime models. These may not always be purely “true, ” but they are some of the most emotionally accurate stuff out there. Its the mashup genre not just of the present, but also the future. Has America ever needed a media watchdog more than now? Help us by joining CJR today. Alissa Quart is a CJR columnist and contributing editor. She is the author of two books, Branded and Hothouse Kids. Her third, about American outsiders, comes out in 2013. She is also senior editor of The Atavist and an adjunct professor at Columbia Journalism School. Featured a Monday, Jan 14th, 2019 By James Harkin In the age of the relentless media fact-check, reading the news often feels like hearing a punch-line deflated before you catch the body of the joke. Free-floating fact-checking initiatives have lately become big (non-profit) business. In an industry—the written media—whose...

True fiction 1. True fiction euphon. 1 1 Posted by 1 month ago comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by View discussions in 1 other community no comments yet Be the first to share what you think! More posts from the AutoNewspaper community Continue browsing in r/AutoNewspaper r/AutoNewspaper Automated News Feed Subreddit No Censorship, Just News. 8. 6k Members 305 Online Created Oct 28, 2016 Restricted help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc 2020. All rights reserved.

True fiction trailer. Fiction true or not. What is true fiction. True 1 door freezer. True fiction reynard seidel. Fiction books based on true events. True fiction night baby. True cooler gaskets. True fiction 2018. True t23. True fiction novel. True fiction pilot. True sandwich refrigerator. This thread is archived New comments cannot be posted and votes cannot be cast r/AskReddit is the place to ask and answer thought-provoking questions. Reddit Inc 2020. All rights reserved. True fiction book. Not titled yet, I'm thinking about some, you tell me if you have a preference (after reading the story obviously) for one of them, or one of your own; Quantum Push, Quantump Leap, Iris got eyes to see, Iris got three eyes to see. Iris was laughing inside at how to start his story. After all, who would believe it? Might aswell write a fiction. He put down his pen on the wooden desk, and started to slowly turn around on his chair, remembering his past as the mural's tapestry was spinning around him, while listening to the same playlist, the one who comes first on "Youtube" when you type "jazz future. As he cannot tell his story, it will be me, the narrator, who will share it to you. Let's start one day prior the event. I - Soul. Iris feelings were low these days, around march 2014 he had jumped from a rooftop for inexplicated reasons (to himself mostly. No intention to die, it was the first step of a personnal quest. Something big, a giant step which put back in front of the imperatives of life. His body suffering, he took places in several hospitals and instituts. But it's his soul who was damaged on this day. Nobody listened to him about his knowledge of quantum physics to explain love and attraction. Here, few were concerned about mind to mind relationships. He was rapidely taxed of "schizophrenic disorder. One year after, he tried hallucinogenic mushrooms and had an experiment of decorporation, an out of body experiment which he was not prepared too. We tried to attract his attention on this day but he seemed to not listen. He had the effects and all the caracteristics of an astral projection, but not mastered obviously, and didn't pay attention to his own body, not even glanced at while his energetic body was "levitating" in the room. This day was december the 7th 2015. No snow at this period of time, a clean sky where you could perfectly see the quasi full-moon, glowing orange. Iris had ingurgited a few grams (less than 5) of psylocibine truffles, in an attempt sometimes useless sometimes not, to connect with the divine and the spirit realm. Seeking for spiritual stuff, you see, don't you? You may understand why then, he tried again on the next evening. A monday. After having assisted to a lesson about tarology on the XVIII card, the Moon. Thus, it is motivated that, on the edges of madness, believing he could speak with dead people (some) that he tried with a lighter dosage. II - The corpse (of the text. Here is the corpse of the text as Iris would have depicted himself if he'd been able to pick his words. As if he'd been able to put into words, abstracts sonors manmade pretenting to describe reality and its meaning. He fell on Us. We were monitoring him since the precedent night. A few days or a lifetime. Two aliens. Two joint entities and yet distinct, here's how we appeared in his mind. We didn't come physically, no need with the "magic" mushroom ingurgited he could perceive us telepathically. At the bend in the conversation (which lasted around two hours) we told him that he was delusionnal and that none of his dead "friends" were real. We spoke about many concepts. Few were remembered by Iris. As for the ARCHITECTURE concept, the word and his deep meaning in a world where everything is depicted by words. The architecture of the world and the universe, deep inside molecules you find sound, and thoughts. Well too bad he didn't remembered that. We asked him, before leaving, the traditionnal "Answer of the Universe. Protocole set to test men for years, to test their knowledge and find whoever would be able to answer it. The question was asked, in a condescendant manner (as he thinks so. Whereas it's a question it's also an answer. It's the deep layer of life. We ask this is in a multi-language carrying all meaning of a same sentence. He had in his hand his orb/sphere of quartz that he rarelly put down at the time. Some madness was already present, while he had not lived, or so few, traumatic events. He offered an answer to the question, when we told him that he couldn't "handle" the answer. "Just create a button and press it. was his answer as he was thinking like a hacker would do. A pressure button of pure will. At the time of the concept was formulated he took corpse instantly, and wherever Iris wanted to or not, the experience was triggered. III - We got some bass too. The world started to vibrate inside, and around him. In an instant, a few seconds (detail probably too important to be remembered) walls started to move and bubble, becoming aqueous under the powerfull vibration, like his black lava-lamp was doing on his wooden desk. We could've noticed seven or eight different tapestries (all based on the same murals pattern, of chinese symbole in blue and gold) which decorated alternately the moving walls. Depicting the shiftings realities in direct live. The murals were shifting as reality started to tremble. While the vibration was going up, one stair every second, one second one tapestry. Iris was still objectively sitting on his desk chair, eyes lost in the abyss of the walls, frightened as if he'd seen death in embodied. His body feeling a perpetual fall, as if one would go through a blackhole. Whereas is crane felt like a mind trepanation, which permitted to all our knowledge to be downloaded in his human mind. In his mind he travelled all around the cosmos, seeing pictures of the universe and galaxies at a rapid path. His physical sight was bugging on a blue square that kept moving and shifting and morphing inside out the mural, depicting different symbols he never saw. As a picture of a brain and of a dolphin. We knew he'd studied alchemy so we thought he'd get the meaning. Objectively for anyone else, nothing had happened, he knew it. That's the saddest part of this story. IV - Twilight, Stay see for dawn. Iris was sitting, in a trans like state, half possessed by one of Us. We tried to unentangled Us from our fusionned minds, but with no success in the first place. Until Iris found a solution and took a dominant place in his own mind/consciousness. Our spirits being entangled he was thinking that we were making him dumber, while looking at his pieces of furniture. Our mind being fusionned we were only seeing pieces of wood and basic stuff while he used to see memories and stories attached to it. Confusion noted for the next candidate. At this point, he couldn't stand much more. Not recognizing this room with changed murals and tapestry. The walls had changed dimensions, here a bit smaller. In fact for him, the whole Earth had changed. Same but different, as a handmade mural would be different if the wall were a bit tinier. He went to bed like a sulky child, hidding under his blanket hopping for the world to still go round. V - Consequences. When he woke up, we were not here anymore. Iris didn't recognize his bedroom as, well, his own. All the event of the last night came back at once. Of the pictures and symboles he was shown, many were forgotten. The Earth had shifted during the night. Had anyone felt it? Probably no one. The door was shut, which made him the only observator of those quantum events. Values and dimensions of space had been changed. For him only, obviously. One second was no more one second. One metter no more a metter. Even the moon and stars seemed different to him, displaced. He, wasn't the same anymore. His consciousness had indeed taken place in the body of the parallel "him. No paradoxe here while modifying reality, good note for Us. But for Iris, it was the whole world and its inhabitants who seemed different. On the next day he found out that despite being only a bit smaller, it was not an hallucination and moreover, found a pillar in a subway station that wasn't there the night prior. VI. We abandonned him to his own fate, to see how he would be doing with our answer. Sounds like an old joke to us, we give the "Answer of the Universe" to people who don't ask question. And then we observe. Iris was left with new knowledge of the quantum realm and reality itself. But who would believe him? As in the myth of Cassandre, he was thinking that no one would trust him. What was he going to do with that knowledge? How would one be able to prove that he's from a parallel universe? Does it matter? We don't care. Do you? What would you do to prove that you had that kind of experiment? Would you even try? VII - Today, a few years after the event. Today we're still watching Iris. He's trying to write an interesting story about some "paranormal" events he lived earlier in its life. He seems now pretty interested in quantum physics. Maybe we'll come visit.

YouTube. Edit Storyline Avery Malone, a wannabe writer and lonely librarian, gets her big break when she's hand-selected to assist her hero, reclusive author, Caleb Conrad. Whisked away to Caleb's remote estate, Avery is given her one and only task; to participate in a controlled psychological experiment in fear that will serve as the basis for Caleb's next novel. Plot Summary, Add Synopsis Details Release Date: 24 April 2019 (Brazil) See more  » Company Credits Technical Specs See full technical specs  ».

True t 23 2. True led tv. True fiction 2017. True fiction korean movie. True fiction lee gold. True fiction anchor charts. True Fiction (Ian Ludlow Thrillers #1) by Lee Goldberg Open Preview See a Problem? Wed love your help. Let us know whats wrong with this preview of True Fiction by Lee Goldberg. Thanks for telling us about the problem. To ask other readers questions about True Fiction, please sign up. Popular Answered Questions This question contains spoilers… (view spoiler) I was a bit confused at the end with Victoria's "reveal. He waited until the end to share both her last name and the fact that she was Asian. The way it was presented made it feel significant, but I felt like I missed something. It was almost like this was a character I should already know based on those facts, but this is the first book in the series. I miss something? hide spoiler) Paul Cereste Victorias last name, which sounds Asian to me, was given on page 19 when her character was introduced. 11, 998 ratings 1, 047 reviews Start your review of True Fiction (Ian Ludlow Thrillers #1) Apr 02, 2018 Larry H rated it really liked it 4. 5 stars for this one. Hollywood, instead of "rebooting" a franchise for the umpteenth time, adapting another television or Broadway show into a movie, or launching another comic book character, I have your next property right here. Lee Goldberg's newest novel, True Fiction already reads like a movie, combining a little bit of television shows like Castle with movies like the Jack Reacher series. It's a quick read, with appealing characters and a frenetic pace. Ian Ludlow is an author of a 4. Lee Goldberg's newest novel, True Fiction already reads like a movie, combining a little bit of television shows like Castle with movies like the Jack Reacher series. Ian Ludlow is an author of a best-selling series of thrillers featuring Clint Straker, a James Bond-esque action hero who always knows how to save the day—and perhaps the world—and, as you might imagine, is quite popular with women all over the globe. But as much as he'd like to think there are lots of similarities with his character, no one would mistake Ludlow for Clint Straker. "What they saw was a guy on the dark side of thirty with the soft body of someone whose idea of exercise was walking into McDonald's rather than using the drive-through. When a passenger plane crashes into a busy Waikiki hotel, Ludlow is horrified, because he knows this wasn't just some tragic accident, and he knows who is behind it. He knows because several years ago, he was part of a group of thriller writers tasked by the CIA to dream up the unlikeliest of terror scenarios, ostensibly to help the agency prepare for any potential disaster. During that group meeting, Ludlow was the one who dreamed up how something like this could happen. After he puts together some facts about recent occurrences in his life, he realizes his life is in danger. With Margo, the woman hired to escort him to a few local book signings, as his only companion, Ludlow must figure out how to stay one step ahead of the shadowy political conspiracy that needs him to disappear. It's not too long before the pair realizes that to survive, Ludlow needs to think like his famous character—which shouldn't be too hard, since he created him, right? But the enemy they face has more resources at their disposal, and they'll stop at nothing to get rid of these dangerous nuisances. This is a crazy book—even though so much of the action at first glance seems far-fetched, given what's been going on in our world lately, it's scary to think that at least some of this—especially the use of technology to track Ludlow and Margo's escape attempts—might actually be possible. Sure, you probably know how things will resolve themselves, but Goldberg does a great job getting you hooked on the plot from the get-go, and you can't wait to see where the story will go. I didn't realize how prolific a writer Goldberg is—he's written more than 30 books, including 15 Monk mysteries. This was a terrific introduction to his storytelling talent, and I practically devoured this book. It was great to read a book that felt like a movie, and didn't let up on the action and suspense until the end. Hope to see this on the big screen someday, and I hope there's another Ludlow book on the horizon! See all of my reviews at, or check out my list of the best books I read in 2017 at... Apr 19, 2018 James Thane Lee Goldberg is a very funny guy. He's also a prolific writer with something on the order of five dozen books to his credit, along with a host of television shows for which he has written scripts, and he's brought all of that experience to bear on his newest book, True Fiction, which is a terrific read. The protagonist, Ian Ludlow, is, like Goldberg, a very successful writer. Ludlow has build a career around a series of novels featuring Clint Straker, an action hero in the mold of Jack Reacher or Lee Goldberg is a very funny guy. Ludlow has build a career around a series of novels featuring Clint Straker, an action hero in the mold of Jack Reacher or James Bond. Clint is an incredibly handsome, tough guy who thinks quickly on his feet and who has multiple ways of disposing of the villains who challenge him, no matter how great their numbers. And as scores of women can attest, he's also fantastic in bed. Ludlow is nothing like his hero at all. He's an insecure schlub who exists largely on junk food and who hasn't had a meaningful relationship with a woman in ages. He's terribly out of shape and couldn't fight his way out of the proverbial wet paper bag. (He's obviously unlike his creator in this respect in that, as anyone can tell from his author photo, Mr. Goldberg is something of an international sex symbol. As the book opens, Ludlow is having trouble getting traction on his new book when someone remotely takes control of a passenger plane and crashes it into a hotel on Waikiki Beach. Watching the news, Ludlow is horrified because several years earlier, in an effort to stay a step ahead of the terrorist threat to America, the CIA had gathered together a group of thriller writers and asked them to dream up scenarios that bad guys might use to attack the U. S. Ludlow recognizes this plan as his very own and then discovers that all of the other writers who were at the meeting have had fatal "accidents" within the last few months. A few weeks ago, Ludlow himself narrowly escaped death when his house blew up. Investigators determined that the explosion was an accident, but Ludlow suddenly realizes that it was no accident at all. Out of nowhere, he's been catapulted into a scenario straight out of one of his own novels. When the realization hits him, Ludlow is in Seattle on a book tour, accompanied by a feisty young dog sitter named Margo who doubles as a book tour escort. Ludlow and Margo must go on the run in a desperate effort to stay one step ahead of the villains who are in hot pursuit and who are using every modern technological tool to track them down and kill them. Defeating these guys would all be in a day's work for Clint Straker, but sadly, Ian Ludlow is no Clint Straker- or is he? If he and Margo are going to survive, Ludlow will have to dig deep and plot a new scenario in which a thriller writer, rather than his superhero, can rise and save the day. This is a hugely entertaining romp and a fairly quick read. The book is laugh-out-loud funny and is a great sendup of the thriller genre. Given his experience in television, Goldberg knows how to strip a scene down to its essence and how to keep the action moving at a breakneck pace. Ludlow and Margo are very appealing characters and I loved spending an evening in their company. I'm already looking forward to the second installment in this series... Jun 21, 2018 Matt liked it Needing a quick read, I turned to this series debut by Lee Goldberg, about which I have heard many good things. When an airplane crashes in Hawaii not long after take-off, the news outlets begin streaming coverage and countless people gasp in horror. However, thriller writer Ian Ludlow is not one of them. Hiding in his Seattle hotel while on a book tour, Ludlow knows that with this event, his life is in imminent danger. Coaxed out of hiding by his author escort, Margo French, Ludlow tells of how Needing a quick read, I turned to this series debut by Lee Goldberg, about which I have heard many good things. Coaxed out of hiding by his author escort, Margo French, Ludlow tells of how the CIA is trying to kill him after an authors retreat a few years before. At this event, Ludlow shared a potential plot idea that seems to have been replicated down to the smallest detail. Little does Ludlow know, it is not the CIA, per se, but Blackthorn Securities that has their eye on him and is responsible for the crash. Now it is up to Ludlow, with Margo by his side, to dodge Blackthorn as they zero-in on his location. What started as a fearful writer running for his life has become a high-stakes game of cat and mouse, with only one possible outcome. Fast-paced and with little time to synthesise the info, the reader is taken on this adventure as Goldberg tosses twists at every possible instance. Those who need a good beach read need look no further than Lee Goldbergs new series. This is my first time reading anything by Lee Goldberg, though it would seem he is well-established. He has a great ability to portray the ‘author writing about an author theme and not make it come across as corny, though does utilise the ‘cat and mouse thriller recipe well, injecting a little cheesiness when needed. Ian Ludlow (apparently Goldbergs nom de plume. is an interesting character, established in his writing capabilities yet always looking to stay relevant. His slightly geeky side mixes well with the fear of being caught by the giant bully and the story turns into his using some of the resources he has been able to cobble together as a writer over the years. The story progresses as he gains some courage, but the reader must also remember that some of the stereotypical ‘bad ass geek is on display here. Hokey at times, Ludlow does come across as somewhat enjoyable and I did find myself laughing while shaking my head on more than a single occasion. Margo French proves to be a nice counterbalance for Ludlow, as she has somehow been pulled into the middle of this adventure without wanting to be there. A dog-walker and amateur singer, French brings the sass and sarcasm to this party without becoming the helpless femme fatale. A handful of secondary characters flesh-out the wonders of this thriller novel, keeping the story edgy and propelling it towards what is sure to be a bloody conclusion. The story was by no means stellar, but it proved entertaining, which seems to be Goldbergs goal, as he has written much for television and knows how to keep the audience enthralled. Ill surely keep my eyes open for more of his work, though cannot rave about how wonderful I found the book or how it is likely some of the best reading I have done all year. Still, if you need something for a trip or lounging by the pool, Goldberg has just what you might want. Kudos, Mr. Goldberg, for an interesting introduction to the series. I admit, I am intrigued and will see what else you have to offer. Love/hate the review? An ever-growing collection of others appears at: A Book for All Seasons, a different sort of Book Challenge. Mar 10, 2018 Tulay Fun to read. If you're looking for real true fiction book, this isn't the one. Silly, somewhat eccentric story. Dog walker is his driver, successful writer is being driven around for book signing events. His terrorist scenario he wrote during the CIA event becomes real, and he's being hunted. Couldn't stop laughing in some parts. May 05, 2018 Kevin Ian Ludlow is hoping to work on his next thriller while on his book promotion tour. He sees an airliner crash down on the beaches of Hawaii and realizes he may have caused the event. Years before he wrote scenarios for the CIA showing creative methods terrorists could attack the US. Suddenly he realizes the two near death accidents he had are the CIA trying to kill him. I enjoyed the first half but I felt this one lost its way. Jun 24, 2018 Dee Arr it was amazing “True Fiction” was my introduction to author Lee Goldberg. I had never read any of his previous books (nor seen any of the television shows he had written) so I had no idea what to expect. My first reaction was that this book was an over-the-top, totally unbelievable story written by a new author (hadnt yet seen Mr. Goldbergs extensive bio) who had spent way too much time searching the Internet for conspiracy stories. As I continued to read, it dawned on me that the author had penned an “True Fiction” was my introduction to author Lee Goldberg. As I continued to read, it dawned on me that the author had penned an incredible story, a believable tale that sometime bordered on farce with a plot woven so tightly that I could do nothing but sit back and admire Mr. Goldbergs balancing act. The result is an adventure/thriller mix with twists and thrills that propel you from one chapter to the next. While the plot is a five-star element, the characters are just as interesting. Successful author Ian Ludlow is likeable (and Mr. Goldbergs excerpts of Ludlows writing – which demonstrate that Ludlow is a bit of a hack writer – are some of the most hilarious pieces of the book. Sidekicks Margo and Ronnie are active members of the story, providing much more than simple window dressing. While all the indications of a multi-book series are present, the book comes to a distinct and satisfying end. Bottom line: “True Fiction” is a conglomeration of spy thriller conspiracy and tongue-in-cheek imagination blended into a tightly written story that races from page to page. Mr. Goldberg pokes fun at both the publishing and movie/television industries and pulls it off with a “Who? Me? ” innocence that only adds to the books charm. Highly recommended. Five stars... Mar 04, 2018 Ed In a uniquely original plot premise Will Cross, the head of a major security company poses as a CIA chief looking for imaginative potential 9/11-type terrorist attacks from a small group of thriller writers in the interest of being proactive in defense of the homeland. Ian Ludlow, a successful screenwriter and thriller author suggests a "what if" scenario; terrorists hack the automatic pilot of a jetliner and crash it. Ian quickly forgets the meeting until three years later when a jetliner In a uniquely original plot premise Will Cross, the head of a major security company poses as a CIA chief looking for imaginative potential 9/11-type terrorist attacks from a small group of thriller writers in the interest of being proactive in defense of the homeland. Ian quickly forgets the meeting until three years later when a jetliner crashes on takeoff from the Honolulu airport and the other participants in the meeting all recently died of suspicious natural causes. On a book tour, Ian and his publishers escort Margo, run for their lives leading to Ian's realization that in order to survive, he must start thinking about what the Jason Bourne-like character he created for his current thriller series would do in his shoes! Not only an enjoyably smart thriller from the standpoint of plot development but the characters are engagingly witty while running for their lives from what they think is the real CIA with electronic surveillance, black helicopters, drones with hellfire missiles, assassination teams, and a fully functional war room all aimed squarely at Ian and Margo. The good news is it's book #1 in a new series... Mar 20, 2018 HJ A pleasant surprise. Nothing ground breaking, but very entertaining and with enough of a fast pace to keep the reader engaged, but not so fast that the reader struggles to keep up with the action. I enjoyed it and look forward to the next book. The idea of this novel is fantastic and what I thought would be a different, but similar, book for #CJSReads. What I got was something completely different than I had anticipated. I am sincerely baffled on how I feel about this book. Is it satirical? Author Ian Ludlow's writing terrorism scenarios for the CIA start coming true. At least, he thought they were CIA. Ok, let me back pedal a little bit. I know authors do a lot of research for their writing, but this doesn't make them an expert, The idea of this novel is fantastic and what I thought would be a different, but similar, book for #CJSReads. I know authors do a lot of research for their writing, but this doesn't make them an expert, right? But I was intrigued that the CIA would find an author's point of view one they would take heed with for any potential terrorism that may happen. AHEM. (CIA or not, uh, what. But, putting plausibility aside, I was highly entertained and very amused. The read is fast, the plot is paced decently (though it does slow down towards the end a bit. What made me scratch my head a bit was the excerpts from his book thrown in and some gratuitous sex scenes that just kinda came out of nowhere. It may very well have to do with the fact that I just was reading a book that went even further with unnecessary sexual innuendos and scenes that made no sense that the scenes in this book just made that more of an impact. I really don't know. At least all the women had big boobs - even the blow up doll! HA! As something satirical, I can honestly say that this is entertaining - really just put aside what you might have actually been expecting and go with it. If you do that, this book is a lot of fun. I don't think it quite worked for me. Thank you to Thomas & Mercer and Amazon Publishing for this copy in return for my honest review... Jun 11, 2019 gasus Recommended to gasus by: the positive review of Goodreads friend James Thane There's something beguiling about a novelist as the protagonist. It's the kind of character that conjures a balance of innocent gullibility and wry observation. Author Lee Goldberg delivers with his character Ian Ludlow, formerly the successful screenwriter of an embarrassingly ridiculous buddy cop TV series featuring Vine who is part plant and his human partner Hollywood (Hollywood and Vine, get it. Ludlow has gone on to forge a successful series of action novels featuring an undercover agent There's something beguiling about a novelist as the protagonist. Author Lee Goldberg delivers with his character Ian Ludlow, formerly the successful screenwriter of an embarrassingly ridiculous buddy cop TV series featuring Vine who is part plant and his human partner Hollywood (Hollywood and Vine, get it. Ludlow has gone on to forge a successful series of action novels featuring an undercover agent named Clint Striker, an undercover agent whose sexual prowess would put James Bond to shame. Who needs suave manners when you can put an enemy agent out of commission for three days due to the orgasm you can deliver? True Fiction opens with a horrific plane crash caused with disturbing enjoyment by a hired assassin lounging on Waikiki beach. He gains control of the plane's autopilot through his laptop and crashes it into one of the nearby luxury highrise hotels. At the same moment, Ludlow is being chaperoned around Seattle by a college dropout named Margo French, whom his publisher has hired for this leg of his speaking itinerary. This gig supplements French's main income source as a dog walker. Goldberg has the sense to resist the cliché or an Ian/Margo romantic entanglement, which heightens the much more interesting relationship of annoyance and dependency that connects them. Coincidentally, Ludlow has had two recent narrow brushes with death. Only after he learns of the plane crash is he beginning to connect the dots. Three years previously he participated in a private CIA-hosted brain storming session on imaginative terrorist scenarios. The plane crash scenario was his original contribution. This book was a lot of fun to read. Did particular scenes call to mind films like Enemy of the State, or the clandestine missions of Jason Bourne or Jack Ryan? Of course they did. That only added to my enjoyment of this book. The familiar territory stimulates a sense of both anticipation and surprise. At the same time, the wildly over-the-top villains and improbable twists kept up the fast-paced action. This was another worthwhile summer read... J. D. "He was a man on the run, though careful not to exceed the fifty-five-miles-per-hour speed limit. This has all the classic thriller elements: dark conspiracies by shadowy and terrifyingly powerful figures, implacable and inexorable assassins, a beautiful damsel drawn into danger- but instead of the hero being some variant on the archetypal thriller hero I call Bolt Studly (the former Navy Seal/Army Ranger/whatever whose only flaw is that he rushes headlong into danger) we have nerdy "He was a man on the run, though careful not to exceed the fifty-five-miles-per-hour speed limit. This has all the classic thriller elements: dark conspiracies by shadowy and terrifyingly powerful figures, implacable and inexorable assassins, a beautiful damsel drawn into danger- but instead of the hero being some variant on the archetypal thriller hero I call Bolt Studly (the former Navy Seal/Army Ranger/whatever whose only flaw is that he rushes headlong into danger) we have nerdy TV-hack-turned-bestselling-thriller-writer Ian Ludlow stumbling from one crisis to the other while trying to evade the machinations of the Cabal of Doom. It's a fun, affectionate take-off on the tropes of the genre that kept me chuckling, but also kept me turning pages. Recommended... Mar 03, 2018 Paula Highly credible fiction Given the state of affairs in the world currently, there's not one concept in this book that I found unbelievable. It hurts to say that, frankly, because good fiction should be at least partially incredible. This IS good fiction, but all too credible. Well, except for the half man, half plant cop. Fast pace, likeable and detestable characters, an all-too-believable plot and viola! A great story. Mar 11, 2018 Jim A A pleasant mixture of action/adventure and tongue in cheek humor. This novel will bring many conspiracy theory followers to orgasm. It will also cause those who believe in the New World Order to nod their collective heads in agreement. Something for everybody in this one. Even a TV character who made his fame and fortune as a plant (vine) who was a cop. Some laugh out loud humor situations and scenarios. I recommend this one to any who like a good laugh while they read. Feb 04, 2018 Angela Neary Action packed and hilarious. This line says it all, “The books were about Michael Sang, an ex-priest turned assassin and restaurateur, who was an expert in all the martial, erotic, and culinary arts. ” Dont miss this witty, tongue in cheek page-turner. Mar 19, 2018 Jay Williams Another Great Story Goldberg is imaginative and a gifted story teller. The characters in this story are unique and wild. The entire story could be true because it is so realistic. Once you start reading you can't stop. The suspense is palpable, with occasional bursts of dark humor. Ian Ludlow is an everyman not a super hero, but his imagination and creativity make him a success. I want to read more about him. Mark Baker When terrorists take control of a plane leaving Hawaii and crash it into the island, the entire country is horrified. But none more so than thriller writer Ian Ludlow. You see, he had suggested just the twist on 9/11 that happened here to the CIA a few years back during a brainstorming session to help them come up with worst case scenarios. Within a few hours, Ian is certain that the CIA is out to kill him to silence him. Using every trick in the book – tricks he knows thanks to the books hes When terrorists take control of a plane leaving Hawaii and crash it into the island, the entire country is horrified. Using every trick in the book – tricks he knows thanks to the books hes written, Ian flees from his book tour in Seattle with his author escort, Margo French. Will the two be able to survive? This book doesnt waste a minute throwing us into this thrill ride and never lets up until we reach the climax. I couldnt turn the pages fast enough to find out what was going to happen next, and the book manages to wink at a few clinches of the genre along the way. Ian and Margo were good characters, and another we meet along the way walks the fine line of being a caricature without being unbelievable. Since this is a thriller, there is a bit more language, violence, and sex than in the books I normally read. There is plenty of humor here to help ease the tension. I already cant wait for the sequel. Read my full review at Carstairs Considers... This is an enjoyable parody of spy thrillers with silly humor (Publicity Hound. a TV show about publicist who becomes a dog) lightening an actual spy thriller with a typical evil conspiracy. I got this because the author writes the Mr. Monk books; those are funnier. Mar 02, 2018 Jack Webb Chuckle-worthy Almost self-aggrandizing, this story of an author bailing himself out of trouble by acting like one of his characters is a lot of fun to read. Nasty plots, curious characters, and improbable but inspired methods to deal with it all made for an enjoyable time. May 21, 2019 Bob Mayer I thought my life before becoming an author was exciting. But in this book, the author becomes caught up in a real thriller. A fun, fast-paced thriller that hits on all points. Apr 14, 2018 Mary Shotliff did not like it Very boring A story inside a story of which neither one were interesting. I will not read another book from this author Dorothy Stone Outstanding I hardly ever give a 5 Star rating. but this book deserves it. Well written and well thought out with believable characters and plots. Many twists and turns until the end keep you guessing until the end. Would recommend this book for anyone who loves an outstanding thriller. In case you don't believe in The New World Order/ The Illuminati I suggest you research them. worth every minute of my time absolutely enjoyed this story. The characters were fun and believable. good plot. the author balanced the pace and length of this book just right for me. I read it from start to finish while only briefly sitting my kindle down to refill my glass of wine. highly recommend! Mar 08, 2018 Rbucci This was one of those books that was so intense I had to go to the back and start reading backwards. If you like intense thrillers, this is the book for you. May 31, 2018 Jen True Fiction lands on the light side of the crime/mystery/suspense scale. From the blurb: When a passenger jet crashes onto the beaches of Waikiki, bestselling thriller writer Ian Ludlow knows the horrific tragedy wasn't an accident. Years before, the CIA enlisted Ian to dream up terrorism scenarios to prepare the government for nightmares they couldn't imagine. Now one of those schemes has come true, and Ian is the only person alive who knows how it was who is behind the plot. That True Fiction lands on the light side of the crime/mystery/suspense scale. That makes him too dangerous to live. Comical and yet. I've often wondered, as I'm sure some of you have, if some fictional scenarios have not actually been translated to real life. The idea that the CIA or terrorists have taken ideas from fiction doesn't sound that far-fetched to me. Sometimes truth really is stranger than fiction. True Fiction offers adventure, suspense, and comedy as Ian Ludlow, nerdy author, must think like his fictional protagonist if he wants to survive. Kindle Unlimited Suspense/Humor. April 1, 2018. Print length: 248 pages... This was a fun, fast, engaging read. Harold Total Entertainment! I really expected to not like this book and put it aside after a few pages and then into my craparootie shelf. Instead I totally enjoyed it. It's a satire, a spoof, it's funny and actually had me laughing out loud at a few parts. I see this book was released April 1st of this year. Very apt. Ok- It's a spy story, a conspiracy story and a comedy wrapped into one. It's nice to read heavy stuff but it's also nice to just be entertained and have fun. BTW - A look at the our Total Entertainment! I really expected to not like this book and put it aside after a few pages and then into my craparootie shelf. BTW - A look at the our hero's name should give you a good idea of where the author is coming from and what he's spoofing... Apr 18, 2019 Glen A good parody from Goldberg, as a writer of spy fiction finds himself in the sight of the usual Blackwater type contractor outfit that wrecked a plane using his idea. The outfit fails to kill him over and over and begins to think he is an ace secret agent, although he is really just lucky. Humorous. Excellent theatrical spy espionage novel I loved this book. It kept me guessing, had a bit of conspiracy theories (which I love) intertwined, a bit of spy chase scenes and CIA assassins, and a bit of sarcastic character dialogue. All was well done by the author. Enjoyed reading this on vacation. Lee Goldberg's biggest strength for me is the ease in which he creates characters that the reader is immediately drawn to. This book is another great example, as Ian Ludlow is likable but with quite a few faults the reader will shake their head at. I can't wait to dive into the second book and anything else from Mr. Goldberg I haven't read yet. #1 New York Times Bestselling author Lee Goldberg is a two-time Edgar Award and two-time Shamus Award nominee whose many TV writing and/or producing credits include "Martial Law. SeaQuest. Diagnosis Murder. Hunter. Spenser: For Hire. Nero Wolfe. Missing. Monk" and "The Glades. He's also the co-author of the Fox & O'Hare series with Janet Evanovich (The Heist, The Chase, The Job, 1 New York Times Bestselling author Lee Goldberg is a two-time Edgar Award and two-time Shamus Award nominee whose many TV writing and/or producing credits include "Martial Law. SeaQuest. Diagnosis Murder. Hunter. Spenser: For Hire. Nero Wolfe. Missing. He's also the co-author of the Fox & O'Hare series with Janet Evanovich (The Heist, The Chase, The Job, The Scam, The Pursuit etc. The Walk. Watch Me Die. King City. the "Dead Man" series, as well as the "Diagnosis Murder" and "Monk" series of original mystery novels... Other books in the series “It also made the government secretly eager to go far beyond that, at least until Edward Snowden ruined things. ” — 0 likes “Universal City Oakwood, a complex of furnished temporary-stay apartments on Barham Boulevard. The Oakwood was popular with businessmen, airline pilots and stewardesses, recently divorced fathers, and actors staying in LA for auditions, episodic guest shots, or movie shoots. Visiting assassins liked it, too. The best part of staying there was the sex. Unless you had leprosy, it was almost impossible not to get laid. And even then, your chances were still pretty good. ” More quotes… Welcome back. Just a moment while we sign you in to your Goodreads account.

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Jump Shot: The Kenny Sailors Story Movie Stream Online Now Part 1 tamil PutLocker gomovies





Resume Jump Shot: The Kenny Sailors Story is a movie starring Kenny Sailors, Stephen Curry, and Kevin Durant. Jump Shot uncovers the inspiring true story of Kenny Sailors, the proclaimed developer of the modern day jump shot in basketball; genre Documentary; writer Jacob Hamilton, Thaddeus D. Matula; 2019; Jump Shot: The Kenny Sailors story 4.

Wyoming basketball star Kenny Sailors, considered by many to have originated the jump shot, in 2012. (Michael Smith/AP) Kenny Sailors, a two-time all-American who led the University of Wyoming to the 1943 NCAA basketball championship and who is often considered the first player to develop the modern jump shot, died Jan. 30 at an assisted-living center in Laramie, Wyo. He was 95. His death was announced by the university. The cause was not disclosed. Mr. Sailors was a 5-foot-10 Wyoming farm boy who, untutored and practicing with his brother underneath a windmill, developed an athletic, innovative style of basketball at a time when most players never left their feet. Yet he was a forgotten star, as younger generations of athletes found glory on the strength of the shot that he perfected in a remote time and place before the age of videotape. Sailors was a brilliant ballhandler, but his greatest contribution to the sport was almost accidental, as he taught himself to soar high in the air and release a pinpoint shot at the peak of his jump. Other players and fans were shocked by his audacity. Kenny Sailors in 1950 as a member of the NBAs original Denver Nuggets. (AP/AP) Revolutionary for its time, the jump shot later became universal throughout all levels of basketball, the signature of such latter-day stars as Jerry West, Michael Jordan and Stephen Curry. “Nothing has ever changed a sport like the jump shot changed basketball, ” Hall of Fame coach Bob Knight said in a documentary promoting Mr. Sailors for the Naismith Memorial Basketball Hall of Fame. “Nobody in my lifetime has done anything to raise the sport to the level of popularity that he did. ” Mr. Sailors first gained national attention in 1941, when his Wyoming Cowboys appeared at New Yorks Madison Square Garden against top teams from the East. “Most of us came off farms or ranches, ” he told the New York Daily News in 2014. “Had never been outside of Wyoming before. We got to ride on the train. First time we ever rode on a train, most of us. ” But on the basketball court, Mr. Sailors had something that even New York City had never seen. “He jumped up higher than all the defenders, and he shot it one-handed, ” Jack Rose, a spectator at some of those early games at Madison Square Garden, told in 2015. “Wed never seen anything like it. We all looked at each other like, ‘What was that? ” As a junior at Wyoming, Mr. Sailors led his Cowboys to the 1943 NCAA championship, scoring 16 points in the title game, a 46-34 victory over Georgetown. He was the only player from either team to score in double figures and was named the tournaments outstanding player. “His ability to dribble through and around any type of defense was uncanny, ” the New York Times reported, “just as was his electrifying one-handed shot. ” A week earlier, St. Johns had won the National Invitation Tournament, which was considered more prestigious than the NCAA Tournament at the time. In a benefit for the Red Cross, Wyoming met St. Johns in a showdown to prove which team was the king of college basketball. The Cowboys prevailed in overtime, 52-47. Wyoming finished the season with a record of 31-2, claiming its first and only national basketball championship. Sailors was named a first-team all-American and player of the year. Three years later, after Mr. Sailors had returned to college from the Marine Corps, Life magazine photographer Eric Schaal caught him in classic midair form, and the image was circulated nationwide. Most people had never seen a jump shot before, and it soon caught on with players throughout the country. Sailors developed his shot when he was about 13, while playing against his older brother at their farm near tiny Hillsdale, Wyo. (population 47. “My brother Bud was five years older than me and he was 6-foot-5, ” Mr. Sailors told last year. “I was only about 5-8 at the time, and I couldnt even get a shot off over him, let alone make a basket. Hed swat it back in my face every time. ” His only solution was to leap in the air and shoot the ball over his brothers outstretched arms. The jump shot was born out of necessity, Mr. Sailors recalled in 2014, in those games against his brother. “I shot the ball, I dont know how, maybe I just threw it at the basket, ” he told the Daily News. “But nevertheless it went in. And he said, ‘Kenny, thats a good shot, if you can develop it. ” Other players have been cited as early innovators of the jump shot, including Stanfords Hank Luisetti in the 1930s, but basketball historian Jerry Krause and John Christgau, author of “ The Origins of the Jump Shot ” (1999) concluded that the purest form of the jump shot was pioneered by Mr. Sailors. Only he had a jump shot that todays fans would recognize, as he leapt straight up, directly facing the basket, his elbow cocked at a 90-degree angle, followed by a delicate one-handed release of the ball. “What I found, ” Krause told, “was that a lot of guys shot some variation of a jump shot, a running shot off one foot or what have you. But Kennys shot is the shot we see today. Was he the first? I dont think anyone could ever say that for certain. But what you can say, and Im very comfortable saying this, is that Kenny was the first player to really develop the jump shot and use it consistently. The jump shot we see today is Kennys shot. ” Kenneth L. Sailors was born Jan. 14, 1921, in Bushnell, Neb. His father died at a young age, Mr. Sailors said, and he grew up with his mother, brother and sister near Hillsdale, in southeastern Wyoming. When his brother was offered a basketball scholarship to the University of Wyoming, the family moved to Laramie. In high school, Mr. Sailors was an all-state basketball player and also starred in football and track, winning the state championship in the long jump. He was an exceptional jumper, with a vertical leap of more than three feet, but many people were confused by his un­or­tho­dox style, and some coaches tried to get him to abandon the jump shot. But he knew that, at 5-feet-10, the only way he could stand out in basketball was to keep jumping. After Wyomings national championship season in 1943, Mr. Sailors spent two years as a Marine Corps officer during World War II. He returned for a final collegiate season in 1945-46, winning all-American honors again as he led Wyoming to a 22-4 record. He then played with seven teams during five years of professional basketball in the early days of the National Basketball Association. He had his finest season in 1949-50 with the original Denver Nuggets, averaging 17. 3 points a game. After his basketball career, Mr. Sailors lived near Jackson Hole, Wyo., where he had a ranch and a business as an outdoors guide. He served one term in the Wyoming legislature but was unsuccessful in several bids for Congress. In 1964, he moved to Alaska and lived in a log cabin 200 miles north of Anchorage, where he led hunting and fishing trips and coached basketball for more than 30 years. He later moved to Idaho before returning to Wyoming. His wife of 59 years, the former Marilynne Corbin, died in 2002. Two daughters also preceded him in death. Survivors include a son; eight grandchildren; 12 great-grandchildren; and one great-great-grandchild. In 2012, Mr. Sailors was inducted into the National Collegiate Basketball Hall of Fame in Kansas City, Mo. but he has yet to gain admission to the Naismith Memorial Basketball Hall of Fame in Springfield, Mass., his sports foremost shrine. Knight and other experts consider his omission one of the most glaring injustices in basketball history.

Jump Shot: The Kenny Sailors storyid. Jump Shot: The Kenny Sailors story 7. Jump Shot: The Kenny Sailors story 3. This website uses cookies to provide you with a better experience You can adjust your cookie settings through your browser. If you do not adjust your settings, you are consenting to us issuing all cookies to you. Jump Shot: The Kenny Sailors story 2. Jump Shot: The Kenny Sailors story 8. Jump shot the kenny sailors story. Jump shot 3a the kenny sailors story of b.

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Jump Shot: The Kenny Sailors story

Jump Shot: The Kenny Sailors Story United States, 2019 Documentary 80 Synopsis Jump Shot uncovers the inspiring true story of Kenny Sailors, the developer of the modern day jump shot in basketball, and how he defined the game, but why the game never defined him. This film is not currently playing on MUBI but 30 other great films are. See whats now showing Related films Rogue One: A Star Wars Story The Line King: The Al Hirschfeld Story Anne Frank: The Whole Story Stewie Griffin: The Untold Story Walk Hard: The Dewey Cox Story Dodgeball: A True Underdog Story Wristcutters: A Love Story The Tulse Luper Suitcases, Part 1: The Moab Story Superstar: The Karen Carpenter Story American: The Bill Hicks Story.

Jump shot 3a the kenny sailors story data. Kenny Sailors died in his sleep the morning of Saturday, January 30, 2016. His funeral was held Friday, February 5 in the Arena-Auditorium, University of Wyoming. He was interred the same day at Greenhill Cemetery, Laramie This website is being updated. If you want more information than you find here click on “Oral Histories” in the left column OR to access other materials in his archives call the American Heritage Center at the University of Wyoming (307) 766-3756 or Email them at: This e-mail address is being protected from spambots. You need JavaScript enabled to view it Kenny Sailors shoots his jump shot in Madison Square Garden, January 3, 1946 (Photo from LIFE Magazine, January 21, 1946, p. 85, photographer Eric Schaal. ) Photo Caption: “Guard Kenny Sailors of Wyoming Jumps and Shoots To Make Score 21-16. He Scored Seven Field Goals and One Free Throw, a Total of 15 Points” An excerpt from the LIFE story on this game. “Fortnight ago the Wyoming Cowboys made a long trek east and defeated Long Island University before a crowd of 18, 056. using the expert ball control of Milo Komenich. and the fast, smooth dribble and the accurate jump shots of Kenny Sailors (above) the Cowboys went on to win 57-42” In “ The Origins of the Jump Shot, ” (University of Nebraska Press, 1999, pp. 205-206) author John Christgau wrote, “Discharged from the Marines in late 1945, Kenny. within days. found himself in Madison Square Garden again. One shot by Kenny Sailors. remains historic. He had stolen a pass and then raced down the left side of the floor. At the top of the key, he cut to his right and then stopped suddenly and jumped. Courtside spectators in folding chairs watched as he seemed to rise up into the scoreboard. Now, at the peak of his jump and hanging-in-the-air in Madison Square Garden, he drew a bead on the basket. Just before he dropped his left hand away to release the shot, a photographers flashbulb exploded silently. To the 18, 056 fans who were watching, the flashbulb explosion seemed to freeze Kenny Sailors in the air, while beneath him men as floor-bound as statuary looked up in awe. Two weeks later Life Magazine ran a photo story of the game. millions of young players saw that picture of Kennys jump shot in Life, and that. began a chain reaction in basketball. Everywhere young players on basketball courts began jumping to shoot. ”.

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A Vida Invisível Movie kickass Without Paying Without Signing Up

3.1/ 5stars





António Fonseca, Flávia Gusmão
Release year - 2019
Countries - Brazil
1856 Votes

A vida invisivel film. Nossa que incrível! Deu vontade de assistir 😊❤.

A vida invisível movie in hindi. A Vida Invisível movie page imdb. Que medo dessa parte do catchup na pizza. Top Box Office Movies See All Birds of Prey 33. 01M Bad Boys for Life 12. 01M 1917 9. 24M Dolittle 6. 53M Jumanji: The Next Level 5. 56M The Gentlemen 4. 22M. A vida invisível movie trailer. Esse filme é uma liçâo de vida pois ás vezes questionamos de coisas sem valor achando que tudo na nossa vida é difícil e que nada da certo pra gente;dai vemos um filme desse e vemos que não temos tantos problemas assim.

Vai ser mais um fracasso do cinema nacional.

Eu assisti no sábado!Achei muito bom

A Vida Invisível movie reviews. Uma hora parece legal, dps parece entediante, AI DPS FICA MT LOKO, ai fica pra baixo... A Vida Invisível movie page. A Vida Invisível movie maker. A vida invis c3 advel movie download. Sempre me identifico muito com o que você comenta dos filmes. Mas com A Vida Invisível, parece que assistimos filmes diferentes. Não consegui identificar as qualidades que você destacou.

Que entrevista linda! ❤️ Vou correr para o Cinema. A Vida Invisível movie page. A gente era Namorado E os meus Sentimentos? CAGUEI KKKKKKKKK BOA😂😂😂😂. A Vida Invisível movie page imdb. A vida invisivel movie. Minha gente assisti a pré- estréia mês passado, quase não consegui voltar para casa, minhas pernas tremiam. É um filme que super recomendo com críticas Duras e atuais.

A Vida Invisível movies. A Vida Invisível movie database. A Vida Invisível movie. - o que está fazendo ai, C - 3PO. eu estou dando uma última olhada para meus amigos Ai meu paiiii Se matarem o C - 3PO. Gostei demais. Obrigada, Carol! Quero muito assistir esse filme. Já estou comovida. 139 M creator Murilo Hauser director Karim Aïnouz 8, 7 of 10 Release year 2019 Stars António Fonseca. Characters are not that much sympathetic and the rythm is slow, everything is on surface and we couldn't delve to the characters and storylines, mostly I think because of lack of brilliant writing and dialogues. The only character despite the short amount of time was well written and well played was Filomena.

A vida invis c3 advel movie hindi. Aumenta o volume que isso é Glauber Rocha, Tarantino e John Carpenter pelas mãos de KM Filho e Juliano Dornelles! Bacurau e Once Upon a Time in Hollywood vão salvar o ano cinematográfico. This is a memorable movie, sensational masterpiece.

Luana Piovani é perfeita. YouTube. I am bit fed up with the double standard that some autor-films are spoken about. The characters of the movies are 1-dimensional. Or they are infantile patriarchal men or innocent women in a victim role. I assume that that even in the 50's relationships were a bit more complex. The use of camera and music/sounddesign doesn't reach the level of an average student film. Everything was announced and explained, no subtleties, no room for contemplation. The undoubtedly talented actresses were the only point of light in these films. Unfortunately drowned in a plot that not in any moment is believable. When at the end the granddaughter is played clearly by the same actress as the main character the audience in the cinema where I was started to laugh. Couldn't more painfully indicate the state of unbelief in which this film had to be endured.

A Vida Invisível. A júla poderia ser indica ao Oscar de melhor atriz, que emoção ela na tela. 13 wins & 13 nominations. See more awards  » Learn more More Like This Drama 1 2 3 4 5 6 7 8 9 10 7. 9 / 10 X Aged penniless actors are living in a old people's home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of. See full summary  » Director: Julien Duvivier Stars: Victor Francen, Michel Simon, Louis Jouvet, Thriller 7 / 10 Francois Donge, a wealthy manufacturer, is fighting death at hospital. He officially suffers from a food poisoning. But actually, his wife Bebe deliberately poisoned him. Flashback: ten. See full summary  » Henri Decoin Danielle Darrieux, Jean Gabin, Jacques Castelot Documentary Bertrand Tavernier's personal journey through French cinema, from films he enjoyed as a boy to his own early career, told through portraits of key creative figures. Bertrand Tavernier Bertrand Tavernier, François Truffaut, Jean-Paul Gaultier Short 7. 1 / 10 Willing to prove his manhood to his handsome buddies, Marko tries to find a girl. In the encounter with a victim of a past sexual trauma he discovers an aggressive part of himself. Dusan Zoric Marko Grabez, Miodrag Dragicevic, Mihajlo Jovanovic Romance 6. 4 / 10 The marriage between Gabrielle and Jean begins to fray after the discovery of a letter that belongs to Gabrielle. Patrice Chéreau Isabelle Huppert, Pascal Greggory, Claudia Coli 9. 2 / 10 Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country. André Marcon, Thierry Frémaux 7. 4 / 10 Andre has died under mysterious circumstances leaving behind his wife and two daughters who must now learn to grow together or risk being swept apart forever. David Uloth Emilie Bierre, Réal Bossé, Mélissa Désormeaux-Poulin Musical After one of her fellow taxi dancers is murdered by an unknown man who she met through a personal column advert, Adrienne Charpentier is recruited by the police to answer a series of similar adverts to try to track down the killer. Robert Siodmak Maurice Chevalier, Pierre Renoir, Marie Déa A frustrated teenager frees herself from her mother's influence and her narrow life in a small industrial town to find out who she really is. Sébastien Pilote Karelle Tremblay, Pierre-Luc Brillant, François Papineau 7. 6 / 10 André Chatelin is a restaurant owner in Les Halles in Paris. One morning, a girl named Catherine asks to see him. She happens to be the daughter of his estranged wife, Gabrielle, that André. See full summary  » Danièle Delorme, Robert Arnoux Music Gabrielle is a young woman with Williams syndrome who has a contagious joie de vivre and an exceptional musical gift. Since she met her boyfriend Martin, at the recreation centre where they. See full summary  » Louise Archambault Gabrielle Marion-Rivard, Alexandre Landry, 7. 8 / 10 Between high school pressure and family disorganisation, Mylia is trying to find her bearings. Meeting Jacinthe and Jimmy will lead her to outline a new life. Geneviève Dulude-De Celles Robin Aubert, Irlande Côté Edit Storyline Eurídice and Guida are two inseparable sisters living at home with their conservative parents in 1950's Rio de Janeiro. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other. Plot Summary Add Synopsis Details Release Date: 20 December 2019 (USA) See more  » Also Known As: Invisible Life Box Office Cumulative Worldwide Gross: 1, 656, 746 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia This is adapted from the novel of the same name by Martha Batalha. See more » Connections References Peter Pan  (1953) See more ».
A Vida Invisível